Month: August 2021

The Long, Hot Summer (1958)

I find it impossible to believe this isn’t another straight-up Tennessee Williams adaptation featuring Paul Newman. All drawn-out Mississippi drawls, extra large estates, and familial dramas, it even contains the stereotypical bloated patriarch, here played with extra ham and bad makeup by Orson Welles. Newman is all sparkle and charm as the alleged criminal who comes to town, who ends up driving a further wedge into the father-son relationship between Welles and Anthony Franciosa. It’s great as always to see Paul’s chemistry with Joanne Woodward, though I really wish someone would have ruffled up her hair at some point during the movie. Though under-utilized, Angela Lansbury and Lee Remick bring quality to their small roles.

Phone Swap (2012)

Seeing that Netflix has a bunch of Nollywood films, I’ve been wanting to check a few of them out. This one is a light romantic comedy about two strangers from disparate backgrounds who accidentally trade phones during an airport mishap. The quality in story, acting, and visual quality are all similar to a Hallmark holiday movie. It’s all cute and watching the journeys of the main characters is engaging, but it’s also very predictable.

Night Train to Munich (1940)

This is not officially a sequel nor a remake of Hitchcock’s The Lady Vanishes, but it is written by two of the same authors, features the same pair of supporting characters, and shares their early World War II time periods. Here, we have Margaret Lockwood playing the daughter of a Czech scientist who needs rescuing by Rex Harrison’s British intelligence officer. Directed by Carol Reed, it has a different tone than the earlier film during both its lighthearted and more serious scenes. They make for a great way to compare the works of two fantastic directors.

Oscar Nomination: Best Writing, Original Story

Rocky III (1982)

I am incredulous that Eye of the Tiger didn’t win the Oscar for Best Song. The song is so evocative of the entire Rocky series that I’m betting there are people who think it came from the original rather than a second sequel. The movie itself could be used as a stand-in for any individual Rocky story: hero loses the first battle only to use that humiliation to come back stronger and more ready for the final battle, insert montages throughout. Mr. T’s Clubber Lang might be one of the best villains of the series. III firmly moves the series from the gritty realism of the original’s 1970s setting to the upcoming brash Cold War propaganda of Rocky IV.  Sports

Oscar Nomination: Best Music, Original Song

The Razor’s Edge (1946)

This story of a man searching for the meaning of life after his experiences during World War I is much stronger when his transcendence is told through the mirror of his various acquaintances rather than when it’s explicitly showing Tyrone Power’s journey. It’s a little peculiar that W. Somerset Maugham himself, played by Herbert Marshall, is a supporting character who seems to know more about the ways of the world than any of the other characters. That seems to be faithful to the source material Gene Tierney is very beautiful as usual, but her soul is very dark and conniving in this one. Clifton Webb is entertaining as a snobbish older member of Power’s circle. Anne Baxter is given more to do with a role that has her at the top of society falling to the very bottom. I’m very curious to compare the 1984 Bill Murray version to this one, despite the former’s reputation.   Best Picture Nomination

Oscar Win: Best Actress in a Supporting Role

Oscar Nominations: Best Picture; Best Actor in a Supporting Role; Best Art Direction-Interior Decoration, Black-and-White

Promised Land (1987)

I suppose the premise of this film is to explore the different experiences that three classmates have at Christmastime a short time after graduating high school. I say suppose because Jason Gedrick and Tracy Pollan are in one film, one about a former teenaged couple who had completely different college experiences but realize they are still in love with each other. With the other story, we have Kiefer Sutherland and Meg Ryan who seem to have been told to improvise their own bat crazy story but make sure it somehow crosses paths with that other story. It turns out about as bad as you’d expect.  Holiday

Alien (1979)

Not being a fan of either, I generally avoid sci-fi and horror films. This film is why I can’t avoid them completely. With its feet planted much more firmly in the sci-fi half of the equation, it has incredibly visual design in both the ship and the alternate lifeform. I’m overwhelmed with how perfect the design of the Xenomorph is. Seeing a picture of one, it has the look of a typical Giger design. On the ship, slithering through the shadows of the ship’s mechanics, it is perfectly camouflaged until the moment it decides to show its menacing self. They found an entire crew of extraordinary actors to man the craft, most impressively Sigourney Weaver of whom the entire movie could be summed up with the words ‘you really should listen to her.’  Scifi  Horror

Oscar Win: Best Effects, Visual Effects

Oscar Nomination: Best Art Direction-Set Decoration

Radio Days (1987)

I admit that I’ve added all the Woody Allen Oscar nominations to The List so that I can’t be surprised by any additional films of his that I’d be forced by my own convictions to watch. Aside from his narration, his acting is largely absent from this one. A series of 1940s vignettes, the coming-of-age tale centers on the childhood memories of the narrator, very similar to A Christmas Story. While not as cohesive of a story as that other film, this one is held up by a great cast, including many old-time Allen regulars like Dianne Wiest, Diane Keaton, and Julie Kavner.

Oscar Nominations: Best Writing, Screenplay Written Directly for the Screen; Best Art Direction-Set Decoration

The Rocketeer (1991)

A little slow to start (I watched in two sittings and the second was definitely more engaging than the first), The Rocketeer picks up once stunt pilot Billy Campbell straps the rocket pack onto his back to become the Rocketeer. Trying to avoid the FBI, the Mob, and Nazis, he needs to keep the pack just long enough to save his girl played by Jennifer Connelly. It’s a decent family adventure with lots of 1930s Art Deco details. Extra camp provided by Timothy Dalton as an Errol Flynn-inspired Golden-Age Hollywood star.

Come and See (1985)

If I’m going to subject myself to a war film, I prefer it to be the grim, realistic type versus the flag-waving, patriotic version. I have never seen another as dark as this one. More than once, I thought to myself that it would have been better for a character to have died than to have continued with the narrative set out for them. Filled with facial close-ups, every actor conveys the feelings of the soul-emptying desperation and despair of existing in a place under siege, none better than Aleksei Kravchenko as Flyora, a young Belarussian teen conscripted into the partisan forces. Is it no surprise that one of the best Russian films ever is so incredibly bleak?   War

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