Month: August 2021

Sounder (1972)

For a film named after a dog character, the dog does not have a whole lot of screen time. Reading a synopsis for the novel, which I’ve never read, I greatly suspect the movie strayed a bit from its source material, particularly the ending. That said, the screenplay as is provides a rather uplifting story of a family of sharecroppers trying to survive during the Depression. Cicely Tyson and Paul Winfield are fine as the parents, but I took particular entertainment by the acting of young Kevin Hooks who carries the story.   Best Picture Nomination

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Actress in a Leading Role; Best Writing, Screenplay Based on Material from Another Medium

The Ghost and the Darkness (1996)

Africa isn’t a country. Granted this is set in Kenya, filmed in South Africa, but I’m not sure a single character mentions a country name in the entire film. The story of the Tsavo man-eaters is competently told here. The big problem is the stars. Val Kilmer with his blonde tipped hair looks and acts like a stoned Iceman crash landed into the savannah. Michael Douglas on the other hand seems to think he was cast in a second Romancing the Stone sequel. I prefer to think that Douglas’s character didn’t actually exist and that Val was just hallucinating a long haired, supposed southern Civil War survivor as a spirit guide in his quest. The lions themselves are poorly animated and best served when they are only shown in shadows. Their glowing green eyes and the potato chip crunching sound they make as they are eating human legs is laughable.

Oscar Win: Best Effects, Sound Effects Editing

Hush… Hush, Sweet Charlotte (1964)

Angry, unhinged Bette Davis is an aspiration. Here she is Charlotte, an eccentric who defiantly haunts her ancestral mansion, the site where her married lover was graphically hacked to pieces many years ago, a crime many locals believe she committed. Olivia de Havilland deliciously plays her cousin whom Charlotte hopes will help her in fighting the local highway commission. Olivia is perfection, using her sweet reputation as a façade on some darkness that is evidently hiding underneath. Agnes Moorehead wickedly adds to the cast as Charlotte’s only real ally. Young Bruce Dern is also great as the murdered lover. Rather surprised to see that the creepy song Hush, Hush, Sweet Charlotte became a hit and that it was composed by The Brady Bunch theme writer Frank de Vol.

Oscar Nominations: Best Actress in a Supporting Role; Best Cinematography, Black-and-White; Best Art Direction-Set Decoration, Black-and-White; Best Costume Design, Black-and-White; Best Film Editing; Best Music, Original Song; Best Music, Substantially Original Score

The Snoop Sisters (1972)

The Snoop Sisters may technically be considered a television show, but since I’d love for more people to be exposed to their delightfulness, I’m including them here. The series was included as one of the NBC Mystery Movie programs that included a number of mystery series such as Columbo and each ‘episode’ is over an hour long. The Snoop Sisters stars Helen Hayes and Mildred Natwick as a pair of elderly sisters, the former a prolific, mystery novelist and the latter a widow who wrote the dictation for the novels. Of course they are drawn into various stories of intrigue because of their mystery connection. The sisters are delightfully amusing and make the five films completely worth their time. The series also features the likes of Bernie Casey, Vincent Price, Alice Cooper, and Paulette Goddard in her last role.

Born Into Brothels (2004)

I spent my time watching this being extremely torn. There’s the strong pull to want to ‘save’ these kids from the future that is most likely to look just like their parents’ present. But is it really the job of an outsider to swoop in and ‘fix’ someone else’s system? Helping even a handful of individuals, while worthwhile, won’t necessarily solve the problems in the brothels. At the conclusion of the film, I ended up hoping that it had just concentrated on the lessons and experiences with photography that the kids delighted in, even if it was just illustrating a short chapter in their lives. An epilogue could have been tacked on to give insight into whatever long term benefits those experiences had given them.

Oscar Win: Best Documentary, Features

The Package (1989)

There is nothing like portrayals of the 1980s obsession with the Cold War. This is a fun romp of a conspiracy thriller involving a plot, that includes members of both sides, to disrupt a disarmament agreement by assassinating the leader of the USSR. Gene Hackman is solid as the service member tasked with figuring out and bringing down the conspiracy. He’s assisted by the likes of Joanna Cassidy, Dennis Franz, and Pam Grier; the film could have benefited by giving Grier specifically more screen time. Tommy Lee Jones and John Heard add to the stellar cast as members of the conspiracy.

The Last Tycoon (1976)

It’s not surprising that this was adapted from an F. Scott Fitzgerald work as it has the feel of a companion piece to the 1974 version of The Great Gatsby. It’s also not surprising that it was an unfinished novel because there’s quite a bit that feels slapdash and pieced together. Robert De Niro plays somewhat of a wunderkind in the early film industry, but there’s only a few scenes that touch on his skill. Instead focus is pulled through a tepid, drawn-out romance. I am now curious how the 2017 mini-series handles the story with an obviously longer runtime.

Oscar Nomination: Best Art Direction-Set Decoration

The Last Laugh (1924)

I generally hate the soundtracks that accompany silent films, but I also don’t like watching them with no noise whatsoever. It’s quite the conundrum. F.W. Murnau is a master at directing silents though, so the soundtrack on this one generally faded into the background. I’ve wanted to watch more Emil Jannings after seeing The Last Command and he’s just as good here depicting the emotional desperation that a simple but proud doorman feels after being discharged from his prestigious post. So much is done with essentially no words. I do wish that the ending, taped on as it was, could have also featured the reactions of his family and neighbors who had earlier rejected him.

Tangerine (2015)

I had tried watching this a few years ago, but visually it just wasn’t doing it for me. It definitely feels less like a style choice to use iPhones than the production couldn’t afford better equipment and wouldn’t know what to do with it if they had. In my second attempt, it was still jarring, but I was able to stick around until the end. The story of two transgender sex workers in Los Angeles is an interesting one. I do wish less of it involved watching Kitana Kiki Rodriguez stomping from location to location. Mya Taylor’s scenes were much more compelling. While the final act was much more interesting than the rest of the film, I’m not sure the entirety was worth my time. I appreciated the bits, particularly the very last scene, that touched on the women’s friendship.

Hard Rain (1998)

I had hopes at the beginning of this film, a semi-light action mixed with a bit of a natural disaster flick. For that, I can suspend quite a bit of disbelief, but this one requires too much suspension while not delivering enough of what I was hoping for. The good is Morgan Freeman and Christian Slater are as good as they can be. Ed Asner and Betty White are solid in their small roles. On the other hand, Minnie Driver doesn’t make sense in her role and is given very little to do with it. I’m fairly certain that Huntingburg, Indiana has never seen that much rain ever, let alone in a 24 hour period. Even in 1998, I’m not sure $3 million split amongst a few people was worth all the effort they put into this film. For the good guys, it’s dark and there’s a deluge of rain, I’m pretty sure you can hide away from the bad guys for a good long time in those circumstances. All this nonsense culminated with Jars of Clay’s Flood playing over the credits for some Lucifer knows why reason.  Action

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