Month: September 2021

The Adventures of Robin Hood (1938)

I started this thinking that I really don’t get much out of the legend of Robin Hood and its many iterations. Watching this version, I finally understood why the story has been adapted so many times, though people should probably just watch this one. This has adventure, romance, humor, and even some dark bits. It doesn’t even overstay its welcome. The scenery and costumes are absolutely gorgeous. I imagine the budget in tights for the men was a tidy sum just in itself. Errol Flynn is excellent as Robin of Locksley: attractive, athletic, and light spirited. Olivia de Havilland captures Maid Marian wonderfully. Claude Rains, Basil Rathbone, and the rest of the supporting cast elevate the already great production.   Best Picture Nomination

Oscar Wins: Best Art Direction; Best Film Editing; Best Music, Original Score

Oscar Nomination: Best Picture

Bad Influence (1990) – Rewatch

Another film I wasn’t sure if I had watched until it started. If I was certain, I wouldn’t have watched because it’s silly trash and so similar to other trashy films that are more entertaining. James Spader is a wuss who lives a bland, but relatively successful life. Rob Lowe is the devil who gets his amusement from turning Spader’s life upside down whether James wants it or not. Lowe is one dimensional and hammy in his role with little menace. Spader would have done it better, but Lowe wouldn’t have been any better in reversed roles. Christian Clemenson is James’s brother, a thankless role where he brings more skill than this film deserves. The ending is too neat and unsatisfying.

The Cheap Detective (1978)

It was purely coincidence that I grabbed another Neil Simon work after watching The Odd Couple II. This one has a similar issue that the schtick had really funny parts (it even had me comparing it somewhat to Clue), but when there were attempts at building a story, the whole thing feel apart and was just mind bogglingly confusing. The cast were quite dedicated to the parodies they were portraying with Peter Falk as the namesake detective and Louise Fletcher, Stockard Channing, Eileen Brennan, Ann-Margret, Madelyn Kahn, and Marsha Mason all playing different love interests.

The Odd Couple II (1998)

As a sequel to the original The Odd Couple, this one doesn’t really serve any purpose. The story as much as there is of one doesn’t offer any explanation as to what happened in the relationship of Felix and Oscar in the last almost-twenty years. As a chance to see one last pairing of Lemmon and Matthau, it’s pretty good. When it doesn’t get bogged down with the pretext of having a story, it’s an often funny romp of a road trip flick.

Bullhead (2011)

I felt a bit out of my element with this one, being completely ignorant of Limburgish farmers and the Mafia’s involvement with cattle growth hormones in Belgium. The film didn’t really do much in trying to pull the viewer into understanding this world either. Matthias Schoenaerts on the other hand does a great job portraying the angry young farmer who experienced an incredible demeaning and life altering event as a child. The crime story is quite confusing from the start and is difficult to follow until the third act.

Oscar Nomination: Best Foreign Language Film of the Year

Ode to Billy Joe (1976)

As an attempt to flesh out the story of the classic country song of the same name, this film has some highly questionable messaging on sexual identity. The teen leads’, Robby Benson and Glynnis O’Connor, performances are very earnest and they play well off of each other. The Mississippi setting and even the accents are fully realized and consistent, though I do question a bit how accurate some of the happenings were to the South in the 1950s.

Reap the Wild Wind (1942)

Perhaps not surprisingly, I haven’t seen many films set amongst marine salvagers in 1840s Key West. Cecil B. DeMille directs an absolutely stacked cast including John Wayne, Ray Milland, Louise Beavers, Robert Preston, Susan Hayward, and a bawdy sea shanty singing Paulette Goddard. It’s a bit long and drawn out for the story, but it culminates with an amazing underwater battle scene that might make it all worthwhile. There is also an incredibly creepy ongoing bit where Ray Milland speaks for his dog Romulus. Cutting out that alone would have done wonders for the length.

Oscar Win: Best Effects, Special Effects

Oscar Nominations: Best Cinematography, Color; Best Art Direction-Interior Decoration, Color

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