Month: December 2021

In Harm’s Way (1965)

Beginning with the attack on Pearl Harbor, this film follows a number of military members during the first years of the war in the Pacific. It’s an epic melodrama that often feels like the story could have been made into a television soap opera both in their luridness and their predictability. As common during the epic films of the era, this film exhibits quite an all-star cast with John Wayne, Patricia Neal, Kirk Douglas, Henry Fonda, and Paula Prentiss. I liked that the female characters weren’t just relegated to being love interests but also showed some of the jobs women undertook during the war from nurses to plane spotters. While the battle scenes weren’t as thrilling as I’d like, the film is engaging even with its close to three hour runtime.  War

Oscar Nomination: Best Cinematography, Black-and-White

The Artist and the Pervert (2018)

It would be easy to presume a documentary about Austrian composer Georg Friedrich Haas would center on his microtonal masterpieces, but that’s not the case here. Instead the focus is on his dominant-submissive marriage to American writer and kink educator Mollena Williams-Haas. On the surface their personalities and backgrounds seem like they couldn’t be more different, but their relationship comes across as a true meeting of equals who have found exactly what they want in a partner. It’s a fairly standard documentary made more interesting by the uncommon subject matter and subjects. As a matter of personal preference, I could do without the more sexually intimate scenes shown, but I’m also someone who feels weird seeing sex scenes in narrative films between real life couples.   Romance

Lady on a Train (1945) – Rewatch

On her way to New York to spend the Christmas holidays, mystery lover and debutante Deanna Durbin witnesses a murder outside her train car. Since no one else believes her story, she then devotes her time to solving he crime with the occasional help from mystery writer David Bruce. The main character is quite flighty and the film is not a particularly Christmas-y tale, but it is a cute, relatively light mystery flick. Although Durbin was famous for her singing voice, I find the few songs ridiculously shoehorned into the movie and now fast forward through them on every rewatch.   Holiday  Mystery

Oscar Nomination: Best Sound, Recording

The Prince of Tides (1991)

As far as psychiatric ethics go, this film is an abomination. After his twin sister’s latest suicide attempt, Nick Nolte travels from South Carolina to New York to meet with her psychiatrist, Barbra Streisand. There under the guise of ‘helping’ his sister’s recovery, Streisand holds meetings that essentially become therapy sessions with Nolte and later starts up an extramarital affair with him. Their relationship is mind boggling on its own and then when the big twist is revealed, the whole plot flies off the handle. The film is beautifully shot, particularly the Carolina scenes, and in all of her scenes, Streisand is always cast in gorgeous light.

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Actress in a Supporting Role; Best Writing, Screenplay Based on Material Previously Produced or Published; Best Cinematography; Best Art Direction-Set Decoration; Best Music, Original Score

A Special Day (1977)

During Hitler’s 1938 visit to Italy, a tired and overworked mother of six stays at home while the rest of her family goes to the rally. Through a series of circumstances, she ends up spending the day with one of the few other people who skipped the event, her persecuted gay neighbor. The story, told in gorgeous sepia tones, is of two lonely individuals finding solace with each other even for a short while. Sophia Loren and Marcello Mastroianni always have incredible chemistry and it matters not at all here when they aren’t meant to be romantically attached.

Oscar Nominations: Best Actor in a Leading Role; Best Foreign Language Film

The Inevitable Defeat of Mister and Pete (2013) – Rewatch

With their mothers arrested for drug possession and prostitution, the title characters are left to fend for themselves over a New York City summer. It’s a harrowing look at two youths’ struggle to survive in the inner city with the title directing them towards worse and worse circumstances. Skylan Brooks and Ethan Dizon are incredible as the two young boys and work well together, but the film itself is incredibly bleak even when portraying the perseverance of the duo.

Midnight Run (1988)

Robert DeNiro is a Los Angeles bounty hunter hired to bring in Chicago mob accountant Charles Grodin. What should have been an easy job becomes a cross-country road trip with the two being followed by mob enforcers, the FBI, and another bounty hunter trying to get in on the score. Grodin plays a cunning, neurotic mess with De Niro coming behind at every step. The whole affair is an amusing buddy comedy with a supporting cast that includes Yaphet Kotto, Joe Pantoliano, and Philip Baker Hall.  Comedy  Crime

And So They Were Married (1936) – Rewatch

When they find themselves as the only guests at their hotel because of a snowstorm, bitter divorcee Mary Astor and grumpy widow Melvyn Douglas develop feelings for each other much to the chagrin of their young children. A relatively new addition to my collection of Christmas films, I really enjoy the chemistry between Astor and Douglas here. The development of their relationship from adversaries to romantics is lovely. Sadly he attention is taken away from them and their relationship in the lesser second half. It instead is focused more on the kids’ shenanigans in trying to keep their parents apart. It’s still fun seeing children in a film misbehave in a realistic way rather than the precocious cutesiness that is usually seen in movie kids.   Holiday

The Preacher’s Wife (1996) – Rewatch

As a remake of The Bishop’s Wife, it’s hard to review this without comparing it to the earlier picture. Denzel is the angel Dudley come to help Vance, the spouse of the titular Houston. It’s not difficult to see how Washington would be chosen in the role previously held by Cary Grant. There are few modern actors who could pull off the debonair charm, ever capable of throwing out a grin that makes the film’s women and the audience swoon. Houston and Vance are at least as capable filling in the same roles as Loretta Young and David Niven, here with an added showcase for Houston’s singing. There are a bunch of additional characters: Gregory Hines as a property developer bent on demolishing the church, Loretta Devine as a jealous secretary, and Jenifer Lewis inexplicably cast as Houston’s mother. While neither are Must Watches for me, I slightly prefer the earlier version if only because of its shorter, tighter story, but this one is still a decent feel-good film that I don’t mind putting in every other year or so.  Holiday

Oscar Nomination: Best Music, Original Musical or Comedy Score

Born to Kill (1947)

Living in a Reno boardinghouse while awaiting her quickie divorce, Claire Trevor discovers the body of one of her roommates along with that of the roommate’s suitor. Instead of calling the police, she hightails it to her sister’s home in San Francisco, followed by the killer, a private investigator, and the boardinghouse’s suspicious matron. The assumption might be that Trevor is simply a woman in the wrong place at the wrong time, but it’s soon apparent that she’s not going to be playing the victim. It’s an incredibly dark noir where there doesn’t seem to be a single character of quality and loyalties are discarded and picked up again at the drop of a hat.  Noir

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