Month: January 2022

Two Smart People (1946)

Accompanied by police officer Lloyd Nolan, conman John Hodiak has agreed to travel across country and testify against his former crime partner in exchange for a reduced sentence for himself. Also on the train to New York is another scam artist, Lucille Ball, and the former partner Elisha Cook Jr. The group takes advantage of various stops to take in the sights and Hodiak and Ball fall in love. It’s a sweet little romp with some little twists where honor amongst thieves is questioned. I always enjoy seeing Lucy perform, but it’s especially nice when it’s a change of pace from her I Love Lucy character.

Eye for an Eye (1996)

After Kiefer Sutherland is acquitted of the brutal rape and murder of her teenage daughter, Sally Field is determined to avenge her daughter’s death. It verges a bit into TV movie territory, but Kiefer commits to full-throttle creeper while Sally breaks out her best full-power mama bear to bring him down. The rape scenes are brutal one; the first one perhaps made worse that it happens among the decorations for a younger sister’s birthday party. Perhaps an artifact from the original novel that takes some different directions, there’s a weird parallel story about an undercover FBI agent that doesn’t go anywhere.   Crime

Oh! Calcutta! (1972)

Oh! Calcutta! is rather infamous for its (at the time) risqué nudity. Because of this, I’ve been curious about it for a long time. Sadly it’s quite disappointing. The vast majority of the film consists of skits that are just a bit more blatant than any other variety show from the era. Think Hee Haw or The Carol Burnett Show with a bit more skin. Having the first one include rape as its central premise puts a downer on the whole proceedings and takes awhile to wash away with some of the funnier bits. And not all of the sketches are at all funny. For me, he most interesting parts of the whole production were the beginning and the end where the entire cast is naked together on a bare stage.

Hurry Sundown (1967)

Southerner Michael Caine’s plans to sell his heiress wife Jane Fonda’s land to a northern company are thwarted when two nearby land owners, his white cousin John Philip Law and his wife’s black former nurse Beah Richards, refuse to go along. When the two poorer owners join forces, it begins a war with actual casualties. While his accent is thoroughly suspect, it’s an interesting change seeing Caine portray an unredeemably bad guy, along with Burgess Meredith as a bigoted judge. It’s a bit heavy on the stereotypes and epic melodrama overall, but I did like seeing Beah Richards and Diahann Carroll portraying smart and strong woman fighting against the system.

Kon-Tiki (1950)

This is the film I thought I was getting when I checked out the other Kon-Tiki movie. The impact of this one might be greater after seeing that newer film. This shows the actual footage from the expedition shot by Thor Heyerdahl and his crew. There’s a much more real sense of the danger and scope of what the group was putting themselves through versus the somewhat sanitized, artificial Hollywood-ized version seen in the narrative film.

Oscar Win: Best Documentary, Features

L’Eclisse (1962)

Starting at her breakup with another man, this tells the story of literary translator Monica Vitti’s months long relationship with Alain Delon, her mother’s stockbroker. I mostly go into films for the stories they tell and there just isn’t much story here. It’s more a poetic mix of images and moments from a short period in the woman’s life. It also includes a bit of unexpected off-putting blackface and ugly colonist views during one sequence visiting her neighbor. I’ll try the rest of Antonioni’s trilogy at some point, but it’s possible it’s just not my sort of thing.

The Charge of the Light Brigade (1936)

Based on the same battle as the infamous Tennyson poem, Errol Flynn and his brother Patric Knowles are British officers stationed in India. A love triangle develops between the two brothers when Flynn’s fiancé Olivia de Havilland inexplicably falls in love with Knowles. This love story is used as the impetus for all of the military actions in the film, especially the final titular charge, and requires the viewer to ignore the chemistry between Errol and Olivia. While the similar looking Knowles is excellently cast as Flynn’s brother, he lacks the charisma and charm of the other actor.   War

Oscar Win: Best Assistant Director

Oscar Nominations: Best Sound, Recording; Best Music, Score

Just Eat It: A Food Waste Story (2014)

Yet another effective food propaganda documentary, a couple decides to live solely on food waste for six months. It’s next to impossible to watch this film and not want to be more discernable toward throwing away household food. What’s really striking, and feels futile for the everyman to rectify, is the amount of food that is tossed before it is seen by the consumer. The couple soon learned that there was no way they were going to starve but they might get bored from the overabundance they found in one or two items at a time, such as entire dumpsters with hummus. Especially during these Covid-19 times, it’s hard to get passed how rigid our late capitalism systems are, where it’s difficult to fill shortages in one area with surplus from another and the excess becomes waste.

From Up on Poppy Hill (2011)

During preparations for the 1964 Tokyo Olympics, the building hosting a high school’s activities clubs is threatened with demolition. While trying to save their building, two of the students become attracted to each other, but family secrets could drive them away. For the most part, it’s a sweet little story told in beautiful traditional animation. The illustrations of the Latin Quarter building are beautiful and filled with wonderful details, as is the seaside setting. The little twist in the middle seems mostly unnecessary, but I still liked watching the relationship of the two main characters develop.

Clara’s Heart (1988)

In Jamaica grieving the loss of her infant daughter, Kathleen Quinlan meets housekeeper Whoopi Goldberg and brings her back to the United States to work. Once there, Goldberg is an unwelcome sight to Quinlan’s young son, Neil Patrick Harris, but they soon develop a bond stronger than any other in the family. The parental characters are quite awful people, both caught up in their own drama to the point where they essentially ignore their son’s desires completely. Luckily Goldberg is divine and together with Harris in his first film role make for an endearing duo.

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