Month: February 2022

Censored Voices (2015)

Days after the end of the 1967 Six Day War, a pair of kibbutzniks travelled to other kibbutzim and recorded testimonials from soldiers who were returning from battle. These conversations were heavily censored by the Israeli army until this film was produced. The audio from the interviews is paired with archival footage and current mostly nonverbal reactions from the men who provided the interviews. Almost universally the men agree with the common narrative that it was a just war, but that is juxtaposed with the feelings they have regarding the actual fighting of the war and especially the aftermath. I try to keep a mostly neutral view with regards to conflicts in the Middle East as I have never been there and have little knowledge of the history, but I can understand why the Army tried to suppress this material as it offers an unflattering version of events and questions some of the legends that spurned from that war.  War

Tokyo Chorus (1931)

In this silent Yasujirō Ozu film, married father of three Tokihiko Okada is an insurance salesman who loses his job in solidarity with a fired older co-worker. During a Depression era, his family tries to scrap by as he struggles to find a new job. Helpful surprises soon find him by way of a chance encounter with his former teacher Tatsuo Saitō. It’s very much a slice of life family drama which Ozu became so adept at, sadly made a bit difficult to watch through a subpar copy.

Bloodbrothers (1978)

In modern times, this movie could be titled Toxic Masculinity the Movie. In a working class Bronx family, Richard Gere is a sensitive young man who doesn’t know what he wants to do with his life but definitely would rather work with kids than the union construction job his father and uncle have pushed onto him. His father Tony Lo Bianco is a philanderer who beats his wife to the emergency room when he just suspects her of infidelity and has caused her such general anxiety that in turn her influence brought an eating disorder in their younger son. It’s an appealing early role for Gere, though he seems like he should have just been born with grey hair. I particularly appreciate his bonding with children throughout the film and his relationship with waitress Marilu Henner.

Oscar Nomination: Best Writing, Screenplay Based on Material from Another Medium

The Bostonians (1984)

Suffragette Vanessa Redgrave and Southern lawyer Christopher Reeve vie for the attentions and affections of Madeleine Potter the allegedly charismatic daughter of a faith healer. Aside from being rather slow, the biggest problem with the film is that there is nothing enthralling about Potter’s character and her only trait seems to be the inability to make decisions on her own. It makes one wonder why either of the other main characters gives a wit as to what she does with her life. Reeve is thoroughly dislikable a misogynist who just wants to marry Potter and get her barefoot and pregnant for all her livelong days. Redgrave is ethereal, but she seems mostly motivated to further her cause even if while she shows actual love for Potter.

Oscar Nominations: Best Actress in a Leading Role; Best Costume Design

The Great Debaters (2007)

Based on a true story, this follows the experiences of the Wiley College Debate Team during the 1930s. Denzel Washington portrays the professor who trains and inspires a team that includes Nate Parker, Jurnee Smollett, and Denzel Whitaker. I feel like there aren’t a lot of period pieces regarding educated Black Americans, so the setting here was refreshing though being in the South, there were expected racism experiences. Also interesting to see star and director Denzel Washington as a disheveled socialist and his interactions with college president Forest Whitaker. Somewhat annoyingly, it seems the male debaters were given much more backstory than Smollett. She was relegated to the center of a love triangle and despite having mention in the epilogue, her character didn’t share the name of a real person. I understand there are often changes in ‘true stories’ but they just as often annoy me for their portrayal of alternative facts.

All By Myself: The Eartha Kitt Story (1982)

Eartha Kitt was a force to be reckoned with and this documentary allows her to shine. The film is comprised almost entirely of footage of Kitt just being herself or responding to interview questions. While I sometimes groaned at the obtuseness of the interviewer’s questions, she freely and unabashedly offers up her views on the events in her life including her abandonment by her mother due to colorism and her professional ostracism after sharing her views on the Vietnam War and her feelings on living alone and loving herself. Interestingly while there is some singing performances sprinkled into the film, there isn’t much actual discussion on her career, with few mentions of her television and film career beyond a mention of Catwoman to a teeny Allison Smith. I would have enjoyed seeing an addendum of sorts to include her later life after this film was made as I’m sure she had plenty more to say.

Extremities (1986)

As a dramatic movie, this was comically bad in most parts. After a night at the gym, Farrah Fawcett is assaulted and almost raped in her car. With no evidence, the police aren’t able to help her, but unfortunately the assailant James Russo grabbed her purse in the scuffle and is able to track her down some time later while her two roommates, Diana Scarwid and Alfre Woodard, are away at work. After a rather long intro, there are so many infuriating instances as the two fight in the house. Not trying to victim blame, but Fawcett makes stupid moves left and right to the point where it seems like she was just waiting for him. When her roommates do come home, they sympathize with the rapist instead of the person they have shared a home with. I love all three of the actresses and Farrah gives her physical all in a very weak role., but the material just doesn’t work for them here. I imagine as a play on a barebones set it works incredibly well, particularly as the women provide their various experiences with violent crimes and criminal offenders.

This Boy’s Life (1993)

In the 1950s, nomadic Ellen Barkin and her son Leonardo DiCaprio make a stop in Seattle, moving to nearby Concrete, Washington after she meets and marries charmer Robert De Niro. Underneath De Niro’s charm is controlling personality that explodes into abuse when his authority is questioned. Despite the dire circumstances, the stakes never actually feel very high with De Niro’s mood swings almost comically bizarre, reminiscent of his actual comedy turn in Meet the Parents. Though not given enough screen time, Barkin lends a believability to her character and somehow regardless of his actual age, DiCaprio looks about 11 at the beginning of the film, physically aging to a mid-teenager by the end.

Bob le Flambeur (1956)

In the Montmartre district of Paris, Roger Duchesne’s Bob is a former bank robber, currently living on his gambling winnings which have been dwindling due to a streak of bad luck. Receiving some insider information regarding a casino, he and a safecracking friend formulate a plan to rob their safe at the height of the season. Consider his recent misfortune, it seems like it’d be a bad time to plan a criminal enterprise and it does seem like the universe is against him in the endeavor, but Bob is dedicated to his gambling ways and never loses his cool.   Crime

The Road (2009)

In a post-apocalyptic American wasteland, Viggo Mortensen and his son Kodi Smit-McPhee head to the hopefully warmer south, struggling to find enough food to survive while also avoiding cannibals. It’s a long, dark, and depressing trip, even the ocean lacks color and moments of succor are quickly dowsed. I personally would have gone with mom Charlize Theron who gave up before the film even started.

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