Month: February 2022

Mass (2021)

In an Idaho church meeting room, two couples come together to converse about a shared tragedy. It’s easy to do a search to find out more details on the plot and there are probably only a dozen or so options that fit, but I loved going into this blind. Everyone involved with getting this meeting set up obviously know what it’s about. It’s an intriguing exercise watching their reactions and small conversations as the story unwinds. The film is indeed a master class in acting between the four main participants. Martha Plimpton and Jason Isaacs as a married couple have so many instances of natural nonverbal communication that it’s entirely believable that they are in an actual relationship. Ann Dowd as the other female in the quartet is incredible as always, her face a constant visage of resigned pain. Reed Birney is more restrained in his role, but also perfect as a more removed perspective from the events. They kept me mesmerized throughout.

Top Five (2014)

In a vein similar to Before Sunrise, engaged comedic actor Chris Rock and reporter Rosario Dawson spend the day getting to know each other while she interviews him walking around the streets of New York. The two don’t have a lot of romantic chemistry, but there is quite a natural flow between them as the day progresses. There are also a LOT of celebrity cameos sprinkled throughout that liven up the film. It’s generally entertaining but mostly forgettable. It also has some questionable messaging about women in relationships and includes a tale of a sexual assault committed by one of the main characters that is played for laughs.

The Hunt (2012)

Teacher Mads Mikkelsen has been having a tough time recently: the school he worked at closed and the best job he found was as a kindergarten assistant, his ex-wife does not want to share custody of their son, he’s lonely and alone. Things begin to look up for him on all of those fronts until his best friend’s young daughter develops a crush on him and makes a statement that is heavily misconstrued. The adults around him infuriatingly act without thought or deliberation in reaction to what they think of this information. I know some people who can’t watch cringe comedy. For me, a film like this is just as difficult. It’s literally suffocating for me as things collapse all around Mads and he is powerless to stop it.

Oscar Nomination: Best Foreign Language Film of the Year

2010: The Year We Make Contact (1984)

I am admittedly not a fan of 2001: A Space Odyssey nor Stanley Kubrick, so my expectations here weren’t very high. As a sequel to that film, this takes place nine years later with a joint Soviet-US mission to investigate HAL’s malfunction despite tensions being extremely high between the two countries back on earth. It’s not as visually impressive nor grand in scope as 2001. In fact, it’s pretty standard science fiction fare with a more explicit narrative that makes clear some of the events from the earlier film. For all that, I found it much more entertaining than the Kubrick’s alleged masterpiece. .  SciFi

Oscar Nominations: Best Art Direction-Set Decoration; Best Costume Design; Best Sound; Best Effects, Visual Effects; Best Makeup

Nine (2009)

8 1/2 isn’t my favorite Fellini and this musical version does nothing to improve that rating. Haunted by the ghosts of women from his past and present, director Daniel Day-Lewis is suffering from writers block over the filming of his latest movie. This touches on the general notes of the original film, but doesn’t develop the themes much at all. Day-Lewis isn’t bad in the role, but he lacks the Italian charm of Mastroianni. Instead of expanding on the ideas of the film, the musical numbers just distract. Compared to the narrative scenes, they are all overly produced and feel interchangeable over the course of the film.  Musical

Oscar Nominations: Best Performance by an Actress in a Supporting Role; Best Achievement in Costume Design; Best Achievement in Music Written for Motion Pictures, Original Song; Best Achievement in Art Direction

The Last Detail (1973)

Two Navy lifers Jack Nicholson and Otis Young are tasked with escorting Randy Quaid from Norfolk to a military prison in Maine. Along the way they entertain the naïve eighteen year old any which way they can before he starts serving his eight years in jail. There’s a great bit of interplay between the three men as they get to know each other and society over the course of several days.

Oscar Nominations: Best Actor in a Leading Role; Best Actor in a Supporting Role; Best Writing, Screenplay Based on Material from Another Medium

Olympic Pride, American Prejudice (2015)

Many people know the story of Jesse Owens, but don’t know that in 1936 seventeen other Black American athletes also travelled to Nazi Germany to compete in the Olympics. The group consisted of track and fielders, weightlifters, and boxers because many of the other Olympic sports were still segregated in the United States. Starting from the point where there was debate on whether or not the United States should even field a team, this film does a great job covering the experiences of these participants, contrasting to great effect the experiences under Nazi policies to the United States’ own issues on race, which continued even after the athletes arrived in Germany despite quite a bit of success at the Games.   Sports

Thief (1981)

Ex-con and jewel thief James Caan is ready to settle down with his girlfriend, but is coerced by a Mob boss to pull off one big score. But of course, one last job is rarely just one. Caan offers great control as a man who just wants to fulfill his simple dreams and thinks he is on track to realize them. There are some pretty good heist scenes, plus there’s Willie Nelson as Caan’s mentor and friend.   Crime

The Purple Rose of Cairo (1985)

This movie made me realize I might not dislike Woody Allen movies if Woody Allen wasn’t in so many of them. During the Depression, Mia Farrow is a New Jersey waitress in a loveless marriage to Danny Aiello who escapes her dreary life by frequently going to the movies. After many repeated viewings of the same film, one of the characters in the movie notices her and walks out of the screen so they can be together. It’s a cute homage to the Golden Age of Hollywood with Jeff Daniels playing a fun double role as an actor and the character he has created.

Oscar Nomination: Best Writing, Screenplay Written Directly for the Screen

Dune (2021)

In this adaptation of the Frank Herbert novel, Duke Oscar Issac and Lady Rebecca Ferguson travel with their special son Timothée Chalamet to a far away desert planet to learn about spice production. There’s quite a bit of political intrigue going on behind the scenes and Timothée has a bunch of dreams about Zendaya. Even with its bleak desert setting, it’s an incredibly gorgeous film with extremely high production values and some good world building, but it’s obvious that it was made as a set up for a sequel or two as the story is almost all setup with no conclusion.   Best Picture Nomination  SciFi

Oscar Wins: Best Sound; Best Achievement in Visual Effects; Best Achievement in Production Design; Best Achievement in Music Written for Motion Pictures (Original Score); Best Achievement in Film Editing; Best Achievement in Cinematography

Oscar Nominations: Best Achievement in Production Design; Best Achievement in Music Written for Motion Pictures (Original Score); Best Motion Picture of the Year; Best Achievement in Makeup and Hairstyling; Best Achievement in Costume Design; Best Adapted Screenplay

Scroll to Top