Month: May 2022

Paid in Full (2002)

When one of the customers at the dry cleaning business he works for leaves a bag of cocaine in a pocket, it drags Wood Harris into the Harlem drug world where he must keep a close eye on his enemies and friends. Based on the true story of a trio of 1980s Harlem drug dealers, the friendship between Harris, Mekhi Pfifer, and Cam’ron is central to the story and carried off well. While there are period details tossed about, the city is too clean and the style of the leads isn’t changed enough which unfortunately loses the sense of place for the tale.   Crime

Mulholland Drive (2001)

Aspiring actress Naomi Watts arrives in Los Angeles to stay at her aunt’s empty apartment while she goes on auditions, only to find amnesiac Laura Harring showering in the bathroom. Or maybe not. The film is not told in any straightforward sort of way and much is open to interpretation, which is expected from many of David Lynch’s works. It’s definitely not my cup of tea, but looking at some analyses, it’s at least reassuring to note that the interpretations I’ve come up with aren’t that far off the mark of what other people have thought up.

Oscar Nomination: Best Director

Music for Millions (1944)

During World War II, God-fearing Margaret O’Brien moves in with her pregnant, older sister June Allyson who lives with other female members of Jose Iturbi’s orchestra in a boarding house. The duo must keep Margaret hidden from the boarding house matron, contend with a surly band leader, and endure telegram-stealing housemates. I wouldn’t have cast O’Brien and Allyson as sisters based on looks, but they certainly are matched in their perky earnestness. The film tries to bite off too many pieces and would have been better just focusing on the sisters’ relationship.   Music

Oscar Nomination: Best Writing, Original Screenplay

Stanley and Iris (1990)

When widowed Jane Fonda discovers that her friend and co-worker Robert DeNiro is illiterate, she offers to help him with his disability. The two leads have just enough chemistry and talent that the central romance carries off decently. Unfortunately there is such simplicity in the story-telling to render it distracting. DeNiro is obviously functionally illiterate as he cares for his elderly father and somehow got his current job, but in the film, there is no indication that he has figured out how to get around basic reading-adjacent skills such as navigating a city or choosing from a set of pill bottles. Secondarily, when Fonda’s teenage daughter Martha Plimpton gets pregnant, there is no discussion about her options instead Fonda immediately berates her and jumps to the ‘I’m not going to take care of it’ trope.

La Poison (1951)

In a struggling French village, unhappily married couple Michel Simon and Germaine Reuver have grown to hate each other so much that they each come to the conclusion that the only way out of their misery is to murder their spouse. A brisk dark comedy, it economically uses its time to quickly establish the relationships among the principle characters and the quirks of the town they inhabit. While primarily focused on the central marriage, it also offers amusing criticisms of the judicial system and celebrity, with the villagers taking gleeful advantage of the notoriety of the resulting court case. As a bonus, the beginning credits avoid the standard litany of names and instead the director introduces all of his actors while complimenting each one.  Crime  Comedy

Broadway (1929)

The third Paul Fejos film featured on the DVD for Lonesome, this was the weakest of the group. A fairly cliched story for the time, a song and dance couple’s future act is threatened when the female partner gets mixed up with a bootlegger. The film is fairly noteworthy for Fejos’s design for a special camera crane allowing for better coverage and more fluidity in shots, which does at least compliment its sometimes grandiose sets.

The Central Park Five (2012)

In 1989, five teenagers of color, amongst a large group that had been marauding through Central Park, were arrested and convicted of the brutal assault and rape of a white woman that had occurred while they were in the park. The five spent between six to thirteen years in prison until a serial rapist confessed to the crime. Miscarriages of justice are always saddening and infuriating and this documentary explores how such an awful thing could happen. Juveniles should never be interviewed without a guardian and lawyer present, but everyone should heed their Miranda warnings. In an adversarial justice system, confessions can be coerced and there are valid reasons an innocent person would confess to a crime.   Crime

Rome, Open City (1945)

The first film in Roberto Rossellini’s war trilogy, this was secretly filmed during the Nazi occupation of Rome and follows a group of people coping with the occupation, most notably a Resistance fighter trying to find a way out of the city with the help of a Catholic priest. The realism of the film is sometimes difficult to watch. History has painted Italy during World War II with the broad brush of being an part of the Axis powers, but this film powerfully explores what happened afterward when they were subjected to the same atrocities the Nazis had been committing throughout Europe. Additionally there is an intriguing exploration on religion and faith and how one can hold on to such things while bearing witness to such atrocities.  War

Oscar Nomination: Best Writing, Screenplay

Mulholland Falls (1996)

In 1950s Los Angeles, Nick Nolte and his crew of ruthless LAPD detectives are called in to investigate the suspicious death of prostitute Jennifer Connolly. Adding complications to the investigation are the prostitute’s previous involvements with Nolte and officials working at the Nevada Test Site. A fairly decent modern noir, it has an absolutely stacked cast with the likes of John Malkovich, Louise Fletcher, and Bruce Dern. I watched this because its title always made me do a double take with its similarity to Mulholland Drive, but in the end, I enjoyed what was offered here and would have liked to see more cases involving the amoral detectives.   Noir  Crime

Grand Prix (1966)

There are almost two distinct films here: one an almost documentary-level film of Formula One racing footage, the other a melodrama involving racers and their love interests. Together they make for one exceptionally long movie. I find as a spectator that car racing as a sport to be quite tedious and Formula One as depicted here is even more difficult to follow with little sense of who is leading and who is far behind. The footage is still absolutely incredible and creative in its editing. The soap opera level writing is decent quality for the style, giving the sense that the women on the sidelines are almost on par with war widows, never knowing if their loved one will survive the next race.  Sports

Oscar Wins: Best Sound; Best Film Editing; Best Effects, Sound Effects

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