Month: May 2022

Heaven Can Wait (1943)

When playboy Don Ameche arrives at the entrance to Hell, Satan has him recount the sordid details of his life to prove his worthiness. He enjoyed a lifelong love with his wife Gene Tierney with the expected ups and downs that occur in many relationships. His one big crime in life seems to be carrying on affairs throughout his marriage, though what these ‘affairs’ actually consist of doesn’t get explained beyond a bracelet bought for another woman. The lack of context behind his ‘bad’ ways makes the Hell premise nonsensical. Ameche is occasionally charming, the leads have a sweet meet-cute that leads to an elopement, and there’s some appealing supporting work done by Charles Coburn and Marjorie Main, but the rest just drags with me still wondering how he ended up in Hell in he first place.   Best Picture Nomination

Oscar Nominations: Best Picture; Best Director; Best Cinematography, Color

Wild Oats (2016)

When her dead husband’s life insurance check is a hundred times larger than she expected, Shirley MacLaine and her best friend Jessica Lange hightail it to the Canary Islands with insurance investigators, scam artists, and adult children all on their tail. The chemistry between MacLaine and Lange is sweet and them re-learning how to live their best lives is fun and inspirational. Unfortunately the rest of the film is too silly and drags on too long which weighs down a lot of the good feelings. It’s funny for me to see Howard Hesseman and Billy Connolly in a film together since I forever associate both of them with their teacher roles in Head of the Class.

Tequila Sunrise (1988)

Mel Gibson is a drug dealer trying to go straight; Kurt Russell is his childhood friend, now a Los Angeles detective, trying to bring down a Mexican drug kingpin who has connections to Gibson. The attraction both of them feel for restauranteur Michelle Pfeiffer adds extra tension. For some reason, the way the story is told is so convoluted and long that it quickly becomes tedious. I’m sure there’s a good tale in there, but it would probably have found a female lead who had better chemistry with the male leads than they have with each other even with an unnecessarily over-extended sex scene. That film would still include Raul Julia though.

Oscar Nomination: Best Cinematography

A Day Late and a Dollar Short (2014)

When she is warned that her next asthma attack may be her last, Whoopi Goldberg tries to heal the rifts in her extended family, which includes estranged husband Ving Rhames and adult children Mekhi Phifer, Kimberly Elise, Tichina Arnold, and Anika Noni Rose. What could be an excessive melodrama (this family goes through EVERY dramatic adult situation possible) is highly elevated by the cast. Led by Whoopi, they give strong performances across the board and create realistic behaviors and reactions to the over-the-top storytelling. It results in a heartfelt tale of family.

Don King: Only in America (1997)

Don King is perhaps the most famous boxing manager and promoter in history; this film follows his rise from his earliest days when he convinced Muhammad Ali to participate in a charity exhibition. While I’m not particularly interested in boxing nor King, Ving Rhames’s portrayal of him is inspirational. The film provides plenty of opportunity for Rhames to narrate directly to the audience and in doing so, he creates a complete embodiment of the well-known self promoter. For me, it was also interesting to see another take on the events in Zaire during the Rumble in the Jungle.   Sports

A Murder in the Park (2014)

When a group of Northwestern University journalism students, with the guidance of their professor David Protess, reinvestigate Anthony Porter’s murder case, they manage to get his death sentence overturned and shine a light on another suspect, Alstory Simon. The story is simultaneously frustrating and fascinating. The film presents evidence that the original conviction was sound and lays almost all of the blame for the fifteen years Simon wrongfully spent in jail on the professor-led investigation. While that investigation was almost certainly shoddy, guided more by fame and turning over the death penalty than getting to the truth, the film doesn’t give nearly enough focus on why the ‘justice’ system was so quick to send both of these men to prison, particularly with Simon’s obviously coerced confession. The student project was successful in that it really did spotlight how questionable the death penalty can be when convictions are so easily tossed aside and innocent people jailed.  Crime

Four Daughters (1938)

Claude Rains’s four daughters are all musically talented and ready to catch the eyes of the male musicians and neighbors who visit their home. The daughters are played by three of the Lane Sisters and Gale Page. Unfortunately Page sticks out as a sore thumb amongst the actual siblings. Though she tries, she lacks their natural camaraderie and charm. The story itself is mostly unmemorable with unnecessary tension added to the obvious central romance between Priscilla Lane and Jeffrey Lynn.  Best Picture Nomination

Oscar Nominations: Best Picture; Best Actor in a Supporting Role; Best Director; Best Writing, Screenplay; Best Sound, Recording

A Very Long Engagement (2004)

During World War I, Audrey Tatou’s young fiancé was one of a handful of soldiers who were given an almost certain death sentence after being convicted of committing self mutilation in order to escape. She devotes her life to discovering the truth about his fate. It’s surprising to see Jean-Pierre Jeunet directing what sometimes feels like a fairly straightforward war film, but there’s no doubt many of his whimsical touches. Tatou’s optimistic resolve and the twists and turns her story takes as she searches for the love of her life often feels like Amélie has been transported back in time.   War  Romance

Oscar Nominations: Best Achievement in Cinematography; Best Achievement in Art Direction

Battle in Seattle (2007)

Set during the 1999 WTO protest in Seattle, this film follows the experiences of several fictional characters who participate in the events and are affected directly by the escalating violence. Not being long experienced in large scale protests, this had been the first one I was personally aware of that incorporated large planning and police countermeasures, so I was curious as to how the film would present them. Unfortunately the large number of characters really overwhelms the true story and the reasons behind the protest and the escalation. The mostly uninteresting personal lives of the characters takes precedence over the actual timeline of events and the decisions that were made at the time.

Parallel Mothers (2021)

While in the hospital giving birth to her daughter, single photographer Penélope Cruz meets pregnant teenager Milena Smit. The two women’s lives continue to entwine in accidental and purposeful ways. While it’s not my favorite Almodóvar work, the blending of Spain’s national traumas under Franco with the localized experiences of the mothers works well. Cruz once again gives her best work under his direction.

Oscar Nomination: Best Performance by an Actress in a Leading Role; Best Achievement in Music Written for Motion Pictures (Original Score)

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