Month: June 2022

True Romance (1993)

Christian Slater falls in love with Patricia Arquette, the prostitute his boss hired for his birthday, so he goes to pimp Gary Oldman and tries to get her released from his control. This simple act results in the vast violence and destruction that propels the rest of the film. I had always assumed this was another 1990s ultra-violent Bonnie and Clyde on the road clone, similar to Natural Born Killers, and while this film does share many of the same attributes, the majority of the action stays in Los Angeles and the Slater-Arquette coupling are less the perpetrators of the violence and rather just the impetus. It surprisingly has quite a varied cast with Brad Pitt, Christopher Walken, Dennis Hopper, and even Bronson Pinchot in a relatively meaty role all making appearances.  Crime

Carve Her Name With Pride (1958)

Because of her unique British-French heritage, Violette Szabo, portrayed by Virginia McKenna, was recruited by the Special Operations Executive as an agent after her French husband died during World War II. An undoubtedly brave and heroic woman, this film importantly preserves a small bit of war history that is easily forgotten. McKenna gives a strong performance embodying the many facets of Szabo and her double life as a spy, but the narrative spends a too much time on her romances, both real and imaginary, to give full credit to the incredible acts she performed.  War

Tanner ’88 (1988)

During the 1988 Presidential election, director Robert Altman and cartoonist Garry Trudeau created a candidate, played by Michael Murphy, to run alongside the other real presidential hopefuls. I admittedly did not watch the entire series. The first two episodes didn’t really grab me, though its influence on future political dramedies is obvious, so I skipped forward to the last. Trying to look like a reality series, especially one in the late 1980s, makes for a very amateur looking and sounding production. Coupled really slow character development, it didn’t feel like it was going to deliver on the time investment. One prescient highlight involved Tanner’s daughter, Cynthia Nixon, being asked if she had any interest in going into politics.

Beverly Hills Cop II (1987)

Eddie Murphy returns to sunny California after Captain Ronnie Cox is shot by the perpetrators of the Alphabet Crimes, a series of heists whose committers have alluded Murphy’s friends from the previous film, detectives John Ashton and Judge Reinhold. An attempt at reprising the success of the previous film, it tries to follow the same formula with bigger shoot-outs and bigger stars (Brigitte Nielsen and Dean Stockwell as bad guys), but lacks the surprising charm of the earlier release. It doesn’t help that the plot begins on the idea that a well-funded crime syndicate would follow a pattern as if they were a gang of serial killers.  Action  Crime  Comedy

Oscar Nomination: Best Music, Original Song

What’s New Pussycat? (1965)

Playboy Peter O’Toole finds it difficult to be faithful to his girlfriend Romy Schneider so seeks the help from psychoanalyst Peter Sellers. There’s very little to recommend this film. It’s not very funny and Peter Sellers inexplicably wears an atrocious wig throughout. There’s a madcap final act at a small country hotel that finally gives the film a bit of a lift, but it’s not worth sitting through the rest of the slog to get there. At least there’s Tom Jones.

Oscar Nomination: Best Music, Original Song

The Aviator (1985)

Though he generally refuses to travel with passengers after an accident during World War I, 1920s mail pilot Christopher Reeve is forced to transport the owner of the plane’s daughter Roseanna Arquette. The passenger curse holds true when the plane crashes in a remote mountain area. I do enjoy survival films as a form of disaster story. Reeve is quite appealing and dashing as a troubled, early aviator. Arquette is often annoyingly shrill, which at least works early in the film when her character is at her most brattiest. The story itself isn’t particularly remarkable, though the mail pilot theme is unusual.

Waking Life (2001)

Unnamed protagonist Wiley Wiggins moves through a lucid, dream-like state experiencing and participating in philosophical conversations on the nature of reality. I can’t say that I really followed most of what was going on in the film or if I even kept engaged throughout. I can’t even say for sure if I’d actually could have seen the film before, but maybe that makes sense with such a topic. I’m not really a fan of philosophical discussions in general, but I did at least dig the fitting insertion of Ethan Hawke and Julie Delphy’s characters from the Before series.

Beverly Hills Cop (1984) – Rewatch

After childhood friend James Russo suddenly arrives in town with some mysterious German bearer bonds and is murdered soon after, brash Detroit detective Eddie Murphy takes a vacation from his job and heads to southern California to investigate his friend’s activities. This is Murphy at his absolute best. The film is an ideal blend of comedy and action taking advantage of Eddie’s natural talents, working nicely off of local, straight-laced cops John Ashton and Judge Reinhold.   Action  Crime  Comedy

Oscar Nomination: Best Writing, Screenplay Written Directly for the Screen

The Favor (1994)

Obsessed with her high school sweetheart Ken Wahl, married Harley Jane Kozak sends her single best friend Elizabeth McGovern to seduce him and then tell her what it was like. The plan of course backfires on everyone involved. It makes no sense that either of these women would be interested in a mulleted Wahl when their other choices were Bill Pullman and Brad Pitt. I had hoped that there would be some twist involving the big hookup but everything in the entire film is played straight and as boringly expected.

Tom Thumb (1958)

When he foregoes chopping down a tree at her bequest, Forest Queen June Thorburn grants woodcutter Bernard Miles and his wife Jessie Matthews’s wish of having a child, even if he’s only the size of a thumb. That the “child” is, despite his size, an obviously adult Russ Tamblyn is not mentioned by anyone. Even for a version of a fairy tale, this particular rendition is quite ridiculous, but it is saved by a couple of colorful and lively song and dance numbers, especially the one where Tamblyn acrobatically interacts with the toys in his nursery.   Fantasy  Musical

Oscar Win: Best Effects, Special Effects

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