Month: July 2022

Midnight in the Garden of Good and Evil (1997)

Journalist John Cusack travels to Savannah to research a piece for Town and Country on one of Kevin Spacey’s lavish Christmas parties. On the evening of the party after the guests have all left, local prostitute Jude Law is found dead with Spacey holding the gun. I had forgotten this was based on a nonfiction book and was really expecting a courtroom drama a la John Grisham. Instead, it plays more like a travelogue of Savannah and the eccentric characters who live there; the murder and trial being a secondary focus. Told from the perspective of a square outsider over the course of more than two and a half hours, it lacks focus and doesn’t seem to have much to do after introducing the quirky residents.   Crime

Arabesque (1966)

At the behest of a Middle Eastern prime minister, hieroglyphics expert Gregory Peck reluctantly accepts a job to decode a cipher for shipping magnate Alan Badel. While under Badel’s employ, Gregory meets his mistress Sophia Loren who seems to be playing all sides in this case of international intrigue. It’s not the most noteworthy or unique in the spy genre with a narrative that seems to just catapult Peck from situation to situation. The leads pair well together with Peck as the clueless, but intellectual every man and Loren as the gorgeous, well dressed operative.  Mystery

Waterloo Bridge (1940)

On the eve of World War II, British officer Robert Taylor revisits Waterloo Bridge, the place where he had fallen in love with Vivien Leigh during World War I. A remake of the 1931 film of the same title, it is sad how much of the strength of the previous film was watered down here to fit within the restraints of the Hays Code. The earlier film had a succinct, poignant narrative while this one meanders to show that Leigh’s character was a ‘good’ girl who was just brought down by unfortunate circumstances beyond her control. Of course since she does ‘bad’ things, bad things have to happen to her.   Romance

Oscar Nominations: Best Cinematography, Black-and-White; Best Music, Original Score

A Song to Remember (1945)

The life of Frédéric Chopin is fictionalized in this account that features Cornel Wilde in the role of the well known composer. The film was less dry than I had anticipated touching on Chopin’s patriotic revolutionism in his early years while under the tutelage of Paul Muni’s Józef Antoni Franciszek Elsner to his later success and relationship with Merle Oberon’s George Sand. Whether accurate to the real woman, it is interesting to see Oberon play such a strong-willed, powerful villainous character. The film uses rich colors in set and costumes to convey the time period and complement the music.   Music

Oscar Nominations: Best Actor in a Leading Role; Best Writing, Original Story; Best Cinematography, Color; Best Sound, Recording; Best Film Editing; Best Music, Scoring of a Dramatic or Comedy Picture

Peebles (2013)

Ignoring his live-in girlfriend Kerry Washington’s reluctance to introduce him to her family, Craig Robinson follows her to her family’s annual gathering in Sag Harbor. Relying on mostly cheap jokes, it comes across as a milder version of Meet the Parents. Its entertainment value rests mostly in the appeal and interactions of its cast. Luckily, supporting the leads is a talented cast that includes S. Epatha Merkerson and David Alan Grier as Washington’s parents and Diahann Carroll and Melvin Van Peeples as her grandparents.   Comedy

Saratoga Trunk (1945)

Years after she and her mother were banished to Paris by her father’s family, Ingrid Bergman arrives in New Orleans, accompanied by her maid Flora Robson and servant Jerry Austin, where she plots revenge schemes sometimes with the assistance of Texan Gary Cooper, whose motives occasionally align. It’s a relatively entertaining work held down by some unfortunate casting choices. Cooper is adequate in his role, but Bergman is as a rogue is extremely against type. Made up with blackface and an extremely heavy brow, Robson is supposed to pass as a Haitian woman when there were actresses of color at the time who could have easily played the part. It’s nice seeing a little person in a role that isn’t as a freak or circus performer, but Austin is still often used in the film for comedic effect based on his stature.

Oscar Nomination: Best Actress in a Supporting Role

Overture to the Merry Wives of Windsor (1953)

Johnny Green, who also produced the short, conducts the MGM orchestra in performing the titular musical composition. Not quite as creatively filmed as the Los Angeles Symphony Orchestra’s Bolero , I appreciate that it gives the behind the scenes artists a moment to shine. Filmed in my beloved Cinemascope, the process allows the entire orchestra to be captured while also accentuating the brightly colored set.   Music

Oscar Win: Best Short Subject, One-reel

Children of Heaven (1997)

Amir Farrokh Hashemian accidentally loses his sister’s shoes, so the two children concoct a plan to share the one pair they still have between them until they can figure a way to replace the missing set. It’s a simple story that perfectly captures the daily life of these children, aware of the issues of the adults around them but more worried about their own concerns. The acting of the children is believably natural and their poor Tehran neighborhood offers a fully realized setting and is beautifully shown.

Oscar Nomination: Best Foreign Language Film

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