Month: July 2022

The Moon and Sixpence (1959)

Adapted from a novel by W. Somerset Maugham which itself is based somewhat on the life of Paul Gaugin, stockbroker Laurence Olivier leaves a path of destruction amongst his friends and loved ones as he decides to pursue a career as an artist. Hard to get into partially because of the poor quality of the recording, but also because Olivier’s character is an insufferable prick that it’s hard to feel sorry for him when he comes down to leprosy. What is impressive is that recording even exists as it was originally a live television broadcast, captured by the Kinescope technique of using a 16mm film camera fixed on a television monitor to record the broadcast, which allows us to see such a performance by Sir Laurence and also those of Hume Cronyn and Jessica Tandy as a married couple who get caught up in his storm.

Back to the Beach (1987)

Years after their beach party adventures, Frankie Avalon and Annette Funicello are married and living a doldrum life in Ohio. During a layover in Los Angeles, they meet up with their adult daughter Lori Loughlin and find their beach fever reignited. Only having a basic knowledge of who Frankie and Annette were back then, I still remember when this film came out and had a passing desire to see it as one of my first experiences of film reboots. I probably shouldn’t have bothered. Maybe in a different mood, it might have hit better, but it essentially is just wall to wall clichés of irritating corniness with strange references (like Annette being obsessed with Jif peanut butter), lame ‘punks’, and annoying narration by the king of the punks, their young son Demian Slade. What little it has going for it is an earnestness and one of the strangest mix of cameos committed to film, from Bob Denver to O.J. Simpson to Pee-wee Herman to Fishbone.  Musical

Cyndi Lauper – Front and Center Live (2013)

Thirty years after recording the iconic She’s So Unusual album, Cyndi Lauper celebrated by performing the entire album from start to finish for the first time at New York City’s Highline Ballroom. While certainly not the best concert film I’ve ever seen, it’s still a great chance to see Cyndi performing all of the well-known songs off of the album. She obviously has an incredible amount of talent and I’d love to see her in a bigger, more extravagant production.   Music

The Quick and the Dead (1995)

Gunslingers, including the young braggart Leonardo DiCaprio, reluctant outlaw turned minister Russell Crowe, and mysterious Sharon Stone, descend on the town of Redemption to participate in a shoot-out contest hosted by the tyrannical Gene Hackman. Having mixed reviews when it was released, I hadn’t expected this to be so entertaining and fun. Everyone in the gradually diminishing cast of characters has their moment to shine as the tournament takes each of them out one by one. There are a few silly shots that I could have done without, but the rest is quite cool. I was also not prepared for how young DiCaprio and Crowe would look in this one, but Hackman makes one great bad guy to root against.  Western

Miracle Mile (1988)

Anthony Edwards meets Mare Winningham, the woman of his dreams, at La Brea Tar Pits, but before they can even go on one date, he accidentally intercepts a phone call that indicates nuclear war will be starting within seventy minutes and spends the rest of the film trying to find Mare so they can somehow escape the apocalypse together. I hadn’t gone into this expecting much. Not having heard anything about it, I thought maybe it would just be another forgotten bizarre 80s film similar to my most recent watch of Society. Instead what followed was a pretty solid end of the world scenario that changes tones frequently but never strays far from its blend of romance and apocalyptic drama. It has an unexpected mix of standouts in its cast including Kurt Fuller, Denise Crosby, and a very young Mykelti Williamson, but the pairing of Edwards and Winningham makes for a kooky but surprisingly appealing lead couple that are hard not to root for.   SciFi  Romance

Society (1989)

Adopted teenager Billy Warlock feels out of place in his Beverly Hills family with a sexy sister and two perfect parents. After his sister’s coming out party, his instincts were spot on. Absolutely screaming its 1980s California setting at every moment, it’s also an unexpectedly bizarre and disgustingly gory film. The writing and acting are rather lame, though the special effects are pretty good for what they’re trying to portray, but in many ways none of that matters after seeing the climax which I cannot imagine anyone saw coming.  Horror

The War of the Worlds (1953)

When a large object falls from space, the hopeful reception by the naïve Californians is quickly dashed by the brutal destruction of the visiting Martians. Some brilliant set designs are unfortunately paired with an incredibly hokey story and under developed heroes. While I love a lot of 1950s SciFi films, this one takes itself a bit too seriously while not putting in enough effort for the audience to do so as well. The well-established ending comes along suddenly in a ‘we didn’t know quite where to go with this’ sort of way.  SciFi  Action

Oscar Win: Best Effects, Special Effects

Oscar Nominations: Best Sound, Recording; Best Film Editing

The Bad Sleep Well (1960)

In this loose adaptation of Shakespeare’s Hamlet, illegitimate son Toshiro Mifune concocts an elaborate revenge plot to get back at the business executives whom he blames for his father’s suicide. Bringing the epic setting to post-war Japanese corporate culture, Kurosawa frames every shot with powerful deliberation. The tale rests firmly on Mifune’s more than capable shoulders, perfectly portraying a stoicism that barely conceals a seething rage underneath. The actor is not without support as the entire cast also thoroughly bring their characters to life.  Noir  Thriller

Orlando (1992)

Queen Elizabeth I promises the androgynous Orlando an inheritance that will last as long as he remains youthful. Orlando manages to keep this promise through many centuries and a gender swap. It’s a sumptuous film that seamlessly weaves Orlando’s experiences through the ages. Standing out even amongst the beautiful settings and costumes, I can’t imagine anyone else than Tilda Swinton so aptly bringing the Orlando character to life, though it also works as well that Billy Zane play her love interest.

Oscar Nominations: Best Art Direction-Set Decoration; Best Costume Design

Black Rain (1989)

Corrupt New York cop Michael Douglas and his partner Andy Garcia are chosen to accompany extradited murderer Yusaku Matsuda back to Osaka. After accidentally turning Matsuda over to imposter law enforcement, the Americans arrange to have themselves included in a Japanese investigation into counterfeit money with a Yakuza connection. With an overly cliched story that doesn’t really try to extend itself, the film is further bogged down with Douglas as a lead. Pushy and brash in an overtly American way, he could have maybe pulled off a fish out of water, mutual exchange of ideas if he had any bit of charisma or guile. Instead, he’s paired with the much more appealing Garcia that just makes one really question the casting choice more than anything.  Crime

Oscar Nominations: Best Sound; Best Effects, Sound Effects Editing

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