Month: July 2022

Crossroads (1986)

Wannabe blues guitarist Ralph Macchio hunts down Robert Johnson’s long time friend, musician Willie Brown (portrayed by Joe Seneca), and the two embark on a blues inspired journey to Mississippi to settle some unfinished business. Touching on many of the legends surrounding Johnson, including an alleged lost song, the duo cross paths with a devilish Robert Judd and his assistant, the always entertaining Joe Morton. It all culminates in a sudden jump from the sun-drenched Mississippi landscape to an epic showdown featuring the virtuosity of guitarist Steve Vai. Throughout the film, Macchio plays true to form as a whiny young adult who is incapable of listening to his elders who obviously know better while Seneca imbues the production with soul as the older blues guide.   Music

Anaconda (1997)

Documentary director Jennifer Lopez leads her film crew to the Amazon River searching for a local indigenous tribe. Along the way they rescue snake hunter Jon Voight who takes over their boat so that he can hunt down a giant anaconda. The ridiculous over the top camp of the film is only matched by Voight’s acting, especially his attempts at an accent. The rest of the cast, including Eric Stoltz, Ice Cube, and Owen Wilson, is quite appealing and work with what they are given. The CGI is very much of its time, but it’s hard to turn away from a film where nature gets in a number of fabulous kills.  Horror  Adventure  Animals

Billy Elliot: The Musical Live (2014)

A filmed presentation of the stage musical based on the Oscar nominated film, this tells the story of a young working class boy growing up during the 1980s mining strike who discovers a love and talent for dance. The music is well thought out and the dancing is phenomenal, but it didn’t resonate with me as strongly as the original film. The staging is rather bare bones and the story requires a greater knowledge and interest in the British class system and economical history. I have to imagine it’s the case for all of the young actors in the role, but Elliott Hanna is obviously extremely talented and provides a strong foundation for the entire production.   Musical

Fort Apache, the Bronx (1981)

The delicate balance between a decaying police precinct and the impoverished neighborhood it serves is thrown when a drugged out Pam Grier, playing against type, shoots two officers point blank. This leads newly appointed captain Ed Asner to take a hardline against the surrounding community. Cynical precinct veteran Paul Newman, partnered with a young Ken Wahl, provides the moral compass in a squad filled with corruption. It’s gritty as if from the previous decade but also feels like the pilot to the police procedurals it would later inspire.   Crime

Cairo (1942)

As a reward for his contributions to the best small town newspaper in America, reporter Robert Young is sent to North Africa to report on World War II. Arriving in Egypt, he gets caught up in silly spy intrigue where he doesn’t know which side is which. It’s quite hokey and didn’t increase my appreciation of Jeannette MacDonald any. What I did enjoy was seeing Ethel Waters in a somewhat meatier role. While still relegated to being a maid, she is given multiple musical numbers and a love interest in the form of Dooley Wilson.   War  Musical

The Story of a Cheat (1936)

Denied dinner as a punishment for stealing, Sacha Guitry becomes the only survivor of a meal that killed his entire family. He soon learns that dishonesty pays and resolves to live his life by this credo. Narrated by the adult Cheat as he’s writing his memoirs, it’s a delightful romp through his adventures as a charming rogue travelling through a life of deceit with occasional attempts at honesty. The film ambitiously weaves the present and the past relying solely on Guitry’s voiceover for much of its dialogue.   Comedy

Kajillionaire (2020)

Raised by two con artist parents Debra Winger and Richard Jenkins, 26 year old Evan Rachel Wood has never been treated as anything other than an accomplice in their schemes. When the family meets Gina Rodriguez during one of their scams, it upends all their lives in different ways. The film somehow takes a weird setup that almost no one should relate to while being a completely raw and real look at people and relationships. Winger and Jenkins are excellent in their roles and makes one wonder how they became their adult selves, but it’s Wood who is the standout. Somehow she becomes the walking embodiment of an infant who was left in a crib and never touched but still survives.

The Bourne Supremacy (2004)

Continuing the tale of Matt Damon’s amnesiac agent Jason Bourne, when it looks like Jason’s warning to leave him ignore has been compromised, he is drawn back into more Treadstone conspiracies. I know there are people who love these films, but I’m not one of them. The action sequences are good, but the plot is unnecessarily twisty and turny, still resulting in the expected ending after all its convolutions.   Action

Doctor Dolittle (1967)

Based on three of the Hugh Lofting books, Rex Harrison is the titular doctor whose great love for animals brought him to learn how to speak various animal languages from his parrot friend. For reasons, this leads him on an expedition to find the Great Pink Sea Snail. I do love a film that respects animals as unique individuals and personalities, even when they are as fictitious as the well-crafted Pushmi-Pullyu, and Geoffrey Holder is delightful as the leader of a village of well-read island natives, but this film is way too damn long. Cut out most of the beginning and one or two of the extraneous episodes and it wouldn’t be much of a loss. The songs are mostly unmemorable with Harrison sing songing his way through the majority, even when accompanied by the film’s delightful visuals.  Best Picture Nomination  Animals

The Boat is Full (1981)

During World War II, ‘neutral’ Switzerland severely limited the number of refugees it would accept, even giving preference to Germany deserters over similar Jewish individuals, claiming as the title suggests that the lifeboat they were providing was too full. Six individuals take the chance to jump off a German train that is momentarily detained in Switzerland and seek temporary refuge at a village remote inn. The group try to work themselves into more acceptable family groups in a desperate hope that they can figure out the perfect combination that’ll allow them to stay instead of being returned to certain death in Germany. Most importantly the film calls into question the idea of neutrality, establishing that a side is always being chosen if one lets atrocities to happen.  War

Oscar Nomination: Best Foreign Language Film

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