Category: 1960s

The Virgin Spring (1960)

After the brutal rape and murder of his teenaged daughter, the devout Christian Max von Syndow stumbles on an opportunity to enact a furious revenge on the perpetrators. For a film with such a simple plot and short runtime, in it lies a deep exploration of religion and classic views on vengeance and innocence. Even beyond the medieval setting, the film presents the tale as a bit of age-old folklore. Unsurprisingly, Ingmar Bergman’s inspiration for the film was taken from a ballad describing the origins of a 12th century Swedish church.

Oscar Win: Best Foreign Language Film

Oscar Nomination: Best Costume Design, Black-and-White

Judy, Frank, & Dean – Once in a Lifetime (1962)

Frank Sinatra and Dean Martin join Judy Garland for a televised special. I was mostly interested in watching this to see Judy perform after that awful Judy biopic. It’s interesting to see all three performers after they’ve all long honed their craft and they’ve obviously all figured out what it means to be a Performer. But the real draw is to see Judy. She’s obviously a bit tired and world-weary at this point, but still capable of bringing out the big guns when necessary and it’s fabulous to see her perform. Frank and Dean are just window dressing in comparison.  Musical

The President’s Analyst (1967)

At first honored to be chosen for the job, James Coburn soon discovers that being the President’s analyst is the loneliest job in the world and makes a run for it with spy agencies from across the world on his tail. I had started this thinking it was going to be a straight-forward narrative like an Analyze This but with the President. Instead, the President isn’t ever shown and it doesn’t take long for the film to firmly establish itself as being part of the swinging, psychedelic 1960s. Coburn is fantastic in his role with a wide grin that appears as he slowly begins to lose his grounding. There are many weird, but hilarious parts, but William Daniels as a gun-toting, suburban liberal is pure awesomeness.

The Time Machine (1960)

At the dawn of a new century, scientist Rod Taylor sets out to prove to his friends that he has figured out a way to travel through time. There is so many to delight in during this film: the design of the iconic time machine, the passage of time using incredible stop motion effects, and Taylor’s heartfelt relationship with botanist Alan Young that spans the decades. It’s a shame that he makes his main stop with the bland Aryan nation of the Eloi. I really didn’t care what the underground Morlocks were subjecting them to because the Morlocks were really the more interesting of the two. It is more wondrous than I remember the 2002 version being though still managing to delve into effects of war on the future. I will continue to ponder the best three books to take on such a voyage.  SciFi  Adventure

Oscar Win: Best Effects, Special Effects

On Her Majesty’s Secret Service (1969)

In George Lazenby’s one and only outing as James Bond, he takes some vacation time to pursue Telly Savalas’s Ernst Blofeld, who is posing as a Count and has set up an allergy research clinic in the Swiss Alps. At the same time, Bond has agreed to woo the daughter of the head of a crime syndicate in exchange for help in taking down Blofeld. Since I was having fun with the Connery Bond films, I decided to extend my mini-marathon to include at least one film of each of the other actors. With just a few bumps, Lazenby transitions into the role rather admirably. The film is a bit too long and Bond pursuing an actual relationship is a strange character adjustment, but there’s a lot of entertainment to be had in this outing. With the gorgeous Swiss hideout, the aggressively German number two, many fantastic mountain chases, and the international stereotype team of female assassins, it’s hard not to be won over by the charm. It was during this installment that I realized how generic the title sequences can be with random visuals and the blandest typeface. I suppose it’s easy to just get distracted by the music and silhouettes of naked women. .  Action

Batgirl (1967)/Red Nightmare (1962)

It was just recently that I learned a Yvonne Craig Batgirl short was produced to introduce the character to the Adam West Batman television series. At only 8 minutes, it doesn’t offer a whole lot, but what it does give a small view into Batgirl’s personal life. It’s entirely filmed inside the Gotham City Library and shows Craig transforming into her Batgirl persona, primly hanging up her librarian clothes after discreetly changing in a closet. Fantastically, her hat flips to her mask and her reversible skirt becomes her cape.  Action

Awhile ago I had gotten into watching old PSAs on YouTube. Red Nightmare was one I discovered at the end of that binge but I kept it aside as one I’d like to watch. A truly ridiculous piece of Cold War propaganda produced in part by the Department of Defense, everyday joe Jack Kelly, after spending a day avoiding the commitments placed on him by his idyllic capitalistic society, dreams that his town has become overrun by communism. It’s weirdly not the nightmare the title leads one to expect. His teenaged daughter decides to join a work collective instead of marrying a drip. His son gets to visit a museum celebrating Soviet inventions instead of being forced to attend Sunday school indoctrination. Jack is punished at work for not meeting his quotas. So yeah, it looks different, but plays out pretty much just like capitalism.

Thunderball (1965)

Sean Connery returns as James Bond, travelling to the Bahamas to recover two atomic bombs stolen by SPECTRE agent Emilio Largo (portrayed by Adolfo Celi). Stealing all the best notes from Goldfinger (entertaining title sequences, fantastic theme songs, female characters bent on revenge), it doesn’t do much new with them. There’s a fantastic early scene in the SPECTRE headquarters that again have obvious comparisons to Dr. Evil’s lair in the Austin Powers series. The Bahamas provides an obviously gorgeous setting and its underwater scenes are creative especially an epic battle between the forces of good and evil, but they impart a couple of problems. First is an inability to tell characters apart under all their gear and second, it slows down the action in an action film to a crawl making for an unnecessarily bloated runtime.   Action

Oscar Win: Best Effects, Special Visual Effects

That Cold Day in the Park (1969)

Unmarried and lonely Sandy Dennis spies teenager Michael Burns stranded in the park across from her home during a rainstorm and invites him to stay with her. Regrettably for both of them, they do not know enough about each other for this arrangement to work. There’s a sense of impending dread that resonates throughout the film and I was fully expecting it to play out similarly to the end of The Roman Spring of Mrs. Stone. There is absolutely no one else I can think of who could play the necessary aspects of the complex main character as Dennis and she carries this unusual film from its first moments.

Wild River (1960)

TVA administrator Montgomery Clift arrives in rural Tennessee to oversee the building of a dam on the Tennessee River, facing much opposition from the locals especially Jo Van Fleet whose family lives on one of the river’s islands. Clift is perfectly cast in this role. He’s equally determined to complete his task with a firm […]

Goldfinger (1964)

In his third outing as James Bond, Sean Connery encounters Gert Fröbe’s titular character, a bullion dealer whose obsession with gold eventually leads him to the U.S. Bullion Depository at Fort Knox. I’ve never watched a James Bond film before but decided recently to try to catch at least the ones which have received Oscar nominations. Seeing that Prime was going to remove them at the beginning of September sped my watching up to a mini-marathon. I was really surprised at how entertaining this outing was. The villain is great, the theme song and intro are incredible, and the locations are scenic. Even with names like Honor Blackman’s infamous Pussy Galore, the women are extremely capable outside the bedroom though they are disposable, as are a number of the male characters. I have seen all of the Austin Powers films, but I was not ready for how little those films felt like parody in comparison with direct interpretations, such as Harold Sakata’s Oddjob. I fear that this may be a highlight of the series but I’ll continue on with much more anticipation now.   Action

Oscar Win: Best Effects, Sound Effects

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