Category: 1960s

Frosty the Snowman (1969) – Rewatch

Somehow this classic Christmas short manages to flesh out an entire special out of the well known song. By adding in a couple of extra named characters not mentioned in the lyrics, it presents a more thorough story of Frosty’s struggle between having fun with his new friends and melting away forever. Though it remains a bit questionable for a young girl to just hop on a freight train to the North Pole, the story is a mild diversion that doesn’t overstay its welcome, at least not until it decided to inspire multiple sequels, each with lessening returns.   Holiday

This Sporting Life (1963)

Richard Harris is a brutish, ambitious coal miner who is given a place on a local rugby team after impressing the team’s owner with his aggression. He’s an unlikable lout who assaults opposing players and attempts to rape his landlady. At the same time, no one treats him as anything more than a goon and a payday. I had a hard time relating to or finding interest in the hyper masculinity of the main character and the world he inhabits. It is obvious that Harris put much into the character, believably encompassing his roughness and belligerence.  Sports

Oscar Nominations: Best Actor in a Leading Role; Best Actress in a Leading Role

A Charlie Brown Christmas (1965) – Rewatch

The plot is well known in this holiday classic: Charlie Brown is fed up with the materialism he finds all around him at Christmas time and agrees to direct the school’s pageant. The animation is classic and colorful. The emotions are relatable as everyone probably feels a bit like Charlie Brown each year at Christmas time. I love the unadulterated joy the entire group possesses when they’d rather dance than rehearse and the beautiful little tree in both its original and spruced up forms. I probably take a bit off of my rating for Linus’s Bible quoting in the middle. It seems to only serve as unnecessary religiosity while neither answering Charlie Brown’s question nor resolving his ennui.   Holiday

Tender is the Night (1962)

Jason Robards is a psychiatrist who falls in love with and marries Jennifer Jones, his wealthy but emotionally unstable patient. He quits his job and gets caught up in her whirlwind, hedonistic lifestyle. It’s only when it’s too late to go back to his old career that he realizes how unfulfilling he finds his current situation. The plot comes across as another version of A Star is Born; as Robards falls into alcoholism and uncertainty, his wife finds her own inner strength. Overall, despite the strong cast, it’s unmemorable. The supposed 1920s setting is lost in the bright colors and stylings for the 1960s.

Oscar Nomination: Best Music, Original Song

Fitzwilly (1967) – Rewatch

In this relatively new addition to my Christmas collection, Dick Van Dyke is wonderful as the titular butler. Van Dyke and his motley crew of servants are on a quest to keep the elderly Edith Evans from discovering that her household is bankrupt, even as she gives away every dime to any charity that appears on her doorstep. The crew performs many a scam and swindle, even running a fictitious charity, to maintain the ruse, suddenly threatened by the addition of Barbara Feldon into the home. The film is delightful, despite not having much of a Christmas feel. It remains in the Christmas collection solely for the incredible brightly-colored climax, set at the height of Christmas Eve chaos at Gimbels department store.  Holiday

School for Postmen (1946)/Forza Bastia (1978)/Evening Classes (1967)

I’m not sure why I checked out the disc of Tati shorts over the other two feature films I haven’t seen yet, but I think it might have been because of this short. There are a lot of cute sketches here from the training of the postmen in order to cut 25 minutes off their routes to the delivery of the various letters. It’s interesting to see Tati as a character other than Monsieur Hulot and I’m looking forward to seeing the feature length Jour de FĂȘte.

I also watched two other shorts in the set. Forza Bastia was the only other short directed by Tati. It is entirely just footage of soccer fans before, during, and immediately after a 1978 match that ends in a tie. It had been shelved until 2002 and I’m not sure why anyone felt the need to dig it out. I admit to fastforwarding the footage. The other, Evening Classes, was filmed at the time of Playtime. Directed by one of the assistant directors of that film, this waivers between being a comedic sketch of Tati teaching an acting class and him actually teaching comedic techniques.

Nothing But a Man (1964)

Though I can’t say from experience, I don’t think I’ve ever seen a film try to portray so accurately portray what life can be like for a Black man in the United States, particularly in the 1960s South. Ivan Dixon is a railroad worker who falls in love with and marries a local preacher’s daughter. His larger troubles begin when he takes a job at a local sawmill so he can settle down in family life. Unfortunately he is unable to play the rules of the game and shrug off the microaggressions and expectations that he lower himself around the local white population. Along the way, there are a couple of interactions with his alcoholic father, a man so downtrodden who can’t be helped but be seen as an older version of Dixon’s character, and his young son who is currently being cared for by another woman. The performances are incredibly good and Dixon plays his with a perfect mix of desperation, anger, hope, stubbornness, and strength.

Women in Love (1969)

These very late 1960s films kill me whenever it feels like everyone was doing all the drugs and they were just trying to one-up each other with the surreal weirdness. Glenda Jackson and Jennie Linden are somewhat bohemian sisters and teachers in a coal-mining in 1920s England. Both of them become attracted to and attract the attention of two bachelors, Oliver Reed and Alan Bates. The lives of the foursome twine around each other, with the men also experiencing a connection together. There are discussions about and actions taken with regards to love and sex and commitment. Of the four characters, I most enjoyed Jennie Linden’s performance (perhaps that is telling in a pop psychology way) and find it unfortunate that there doesn’t seem to be much in her filmography to recommend itself.

Oscar Win: Best Actress in a Leading Role

Oscar Nominations: Best Director; Best Writing, Screenplay Based on Material from Another Medium; Best Cinematography

A Herb Alpert & the Tijuana Brass Double Feature (1966)/Anna & Bella (1984)

Two more unconnected Oscar shorts: I love the music of Herb Alpert. It never fails to put me in a better mood. The short is essentially two animated music videos of Alpert hits: Spanish Flea and Tijuana Taxi. The animation is very rough, but I do love the splashes of color particularly in Tijuana Taxi. Spanish Flea is possibly the stronger of the two simply for having an easy narrative.   Musical

Having a somewhat Disney-esque animation style, Anna & Bella is a tender story of sisterhood. The two titled sisters are looking through a photo album together, reminiscing on the lives they shared. It doesn’t shy from highlighting the good and the bad and is just a sweet and beautiful look at their relationship.

Oscar Wins: Best Short Subject, Cartoons (A Herb Alpert & the Tijuana Brass Double Feature); Best Short Film, Animated (Anna & Bella)

Return of the Seven (1966)

The first sequel to The Magnificent Seven, this wasn’t as bad as I had expected. It’s mostly a rehash of the original story. Set in the same town the Seven saved in the original, a new enemy has appeared to kidnap all the male villagers to build a church and sanctuary to his dead sons. Yul Brynner is called on by the wife of Chico, one of the original Seven and also one of the kidnapped, to find the men. Unfortunately Brynner is the only one to return from the original cast and the few replacement cast members do not live up to the quality of those original members. Even the score is a re-recording of the classic original.   Western

Oscar Nomination: Best Music, Scoring of Music, Adaptation or Treatment

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