Category: 1970s

Pioneer Women (1973)

I was pleasantly surprised with this made for TV movie about a woman’s experiences travelling with her family from Indiana to Kansas then on to Wyoming. William Shatner is her idiot husband who forces her family to leave their comfortable town life to move to the wilderness. He’s completely ill-prepared and leads them on one misadventure to another, angering various people along the way. Joanna Pettet plays the woman and the film is moved along by her diary narrations. It’s her strength that propels and even though they’re likely to die at the first winter (I’ve seen enough pioneering reality shows to have an idea of what a family of three needs to keep themselves fed and warm through the cold season), you still want to hold some hope for them. The film also features a very young Helen Hunt as the couple’s daughter who seems to have inherited her father’s idiocy.  Western

Bring Me the Head of Alfredo Garcia (1974)

When El Jefe discovers his teenage daughter was knocked up by Alfredo Garcia, he places a million dollar bounty on Garcia’s head. Warren Oates, seeing it as an easy payday since he knows Alfredo is already dead, takes his girlfriend on a road trip to Garcia’s grave to retrieve the head. Unfortunately nothing is as easy as it sounds. An ugly, brutal film, Oates brings a grizzled, weariness to his role, especially as the body count mounts up and his desperation grows. There is a single-mindedness to completing the job even when it doesn’t seem to make any sense to continue doing so.   Western  Noir

10 (1979) – Rewatch

Dudley Moore is in a relationship with Julie Andrews, but upon seeing the beautiful Bo Derek in her wedding gown he wants her instead. It’s another late film in the Blake Edwards’s catalog where the main character is a middle-aged male having a midlife crisis and treats women solely as objects for his own desire. He’s unable to deal with the fact that the woman herself has no issue with having sexual flings. I guess we’re supposed to ignore the reasons why Edwards is writing films about a husband cheating on his actual wife. The braids on Derek are iconic though and made me miss the days when I would braid my own hair in tiny braids.

Oscar Nominations: Best Music, Original Song; Best Music, Original Score

The Friends of Eddie Coyle (1973)

Those are certainly no friends of Eddie Coyle. Robert Mitchum plays Eddie, a Boston-area family man and gunrunner who is facing serious jailtime for a New Hampshire hijacking. He tries to trade information with an ATF agent to reduce his sentence, but unbeknownst to him, there are others who are working similar angles. It’s a tragic story for Coyle and Mitchum plays him with a world-weary, grizzled desperation. The story is a bit twisty and it takes some attention to follow how all the pieces play together, but it’s fairly worth the commitment in the end.  Noir

Sybil (1976)

As the titular character, Sally Field is a young woman who, with the help of her psychiatrist played by Joanne Woodward, discovers that her body harbors at least sixteen other personalities. Aside from obvious commercial breaks, it’s hard to believe that this was made for television. I really enjoyed the creative ways the personalities were shown to being distinct. Field is incredible portraying them all differently, from a self-assured French woman to a pre-lingual baby, while also presenting Sybil herself as a complete, unique character who goes from not even knowing that there are others inside her to full integration with all the personalities. Woodward is also wise and kind in leading Field’s various characters through coming to terms with the events in her life. I love that Joanne was cast in that role after herself starring in The Three Face of Eve.

Jeremiah Johnson (1972)

Robert Redford is the titular character, a war veteran who decides to take on the life of a mountain man. At first, he is completely inept and completely unprepared for this role, but before long with luck and grit, his life has become the stuff of legend. The film feels longer than it is, not because it drags, but because of the scope of time and adventure that it encompasses. Redford manages to dirty up his prettiness just enough to pull off the rugged character, but I preferred the interactions with the other people he met during his experiences.   Western

Farewell, My Lovely (1975)

I had forgotten that this was based on the same story as Murder My Sweet until about halfway through though it definitely explained why it felt so familiar. As with the other film, this film noir about Moose Malloy who after being released from prison hires Philip Marlowe to find his old girlfriend Velma has a few too many moving parts that makes it unnecessarily convoluted. Robert Mitchum makes a good Marlowe. At his age, he brings a grizzled, cynical world-weariness to the character, though that makes him a poor match for Charlotte Rampling’s charms. I also find the 1970s realism less well-suited for the story.  Noir

Oscar Nomination: Best Actress in a Supporting Role

Evolution (1971)/The Door (2008)

A little blogging economy here, covering two different shorts from disparate categories. The animation on Evolution, a short film portraying evolution from primordial soup to space travel days, is cute. The creature that first finds its way onto land looks a bit like Sonny the Cuckoo Bird. It’s at that point in the short that the creatures get a bit more fantastic and the females are all strangely depicted with large breasts. It’s also at that point where it loses me and my interest.

The Door is set in the days following the Chernobyl disaster. It’s a powerful tale that tells one story of residents living in the exclusion zone who were directly affected by the meltdown. It makes economical use of its under 20 minute runtime to portray a complete and complex story.

Oscar Nominations: Best Short Subject, Animated Films (Evolution); Best Short Film, Live Action (The Door)

I Never Promised You a Rose Garden (1977)

A young woman who suffers from delusions winds up in a mental institution after a suicide attempt. The film feels realistic, though I’m not sure how accurate it is toward her particular illness or mental hospitals. I found the depictions of her fantasy world particularly effective. Kathleen Quinlan as the woman gives an impressive performance, conveying so many of the emotions from hopelessness to anger to despair. Now that I’ve seen many of her earlier films, I enjoy seeing Sylvia Sidney’s gravelly voiced old broad roles which are a stark comparison to her big eyed, soft faced love interest of the 1930s.

Oscar Nomination: Best Writing, Screenplay Based on Material from Another Medium

The Island of Dr Moreau (1977)

This is a pretty good rendition of the famous H.G. Wells story. Burt Lancaster plays the mad scientist who oversees an island where he experiments on animals trying to make them human-like; Michael York is the unfortunate man who finds himself stranded on said island. Both of them are well-cast in their roles and are well matched in their battle of wills, but what is particularly fascinating in the film is the believable depictions of the human-animal hybrids.  Animals  Scifi  Horror

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