Category: 1970s

The Cheap Detective (1978)

It was purely coincidence that I grabbed another Neil Simon work after watching The Odd Couple II. This one has a similar issue that the schtick had really funny parts (it even had me comparing it somewhat to Clue), but when there were attempts at building a story, the whole thing feel apart and was just mind bogglingly confusing. The cast were quite dedicated to the parodies they were portraying with Peter Falk as the namesake detective and Louise Fletcher, Stockard Channing, Eileen Brennan, Ann-Margret, Madelyn Kahn, and Marsha Mason all playing different love interests.

Ode to Billy Joe (1976)

As an attempt to flesh out the story of the classic country song of the same name, this film has some highly questionable messaging on sexual identity. The teen leads’, Robby Benson and Glynnis O’Connor, performances are very earnest and they play well off of each other. The Mississippi setting and even the accents are fully realized and consistent, though I do question a bit how accurate some of the happenings were to the South in the 1950s.

The Ascent (1977)

I unfortunately shouldn’t have watched this so soon after Come and See (directed by the husband of Larisa Shepitko, this film’s director). The setting and themes being so similar probably lessened the impact here. The story here is more focused, settling on one day’s experiences of two partisans who are sent to search for food and find themselves directly interacting with Germans. The events here are just as harrowing; the feelings of hunger, cold, and the deep snow palpable. War changes everyone; the two men discover that many of those changes come from the choices one is forced to make.

Harry and Tonto (1974)

When they are evicted from their NYC apartment, Harry and his cat Tonto are given opportunities to live with various friends and relatives. Instead, what they end up doing is journeying across the US that the circumstances of life had discouraged them from undertaking earlier in life. Turning away from the cranky old man trope, Art Carney’s Harry takes the various events and obstacles that come his way in a good-natured, straight-forward way, only displaying any anger when someone tries to separate him from his cat. Tonto on the other hand looks displeased at his lot in life during almost all moments save when he’s eating.

Oscar Win: Best Actor in a Leading Role

Oscar Nomination: Best Writing, Original Screenplay

Murmur of the Heart (1971)

After watching Au Revoir les Enfants, I wanted to check this one out as another Louis Malle film based somewhat on his life. Compared to that other film, this one was much less compelling. The main character Laurent is an almost wholly unsympathetic character. A young immature teenager, he throws his privilege around without any empathy for others or thoughts to the consequences of his actions. The older males around him all do the same. The big taboo at the end of the film narratively came out of nowhere and was handled in a confusing superficial way.

Oscar Nomination: Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced

The Drowning Pool (1975)

Thank god for Paul Newman. The plot of these Harper films are so convoluted and would be worthless without him. Of course, I would not be watching them if he weren’t the star. In this one, we have our private eye travelling to Louisiana in order to investigate who is blackmailing an ex-fling of his (played beautifully by Joanne Woodward). While down there, he instead gets drawn into intrigue involving an oil magnate and a missing account book. There is a drawn out climax in a pool of sorts and a young Melanie Griffith overacts with a poor Southern accent.

Alien (1979)

Not being a fan of either, I generally avoid sci-fi and horror films. This film is why I can’t avoid them completely. With its feet planted much more firmly in the sci-fi half of the equation, it has incredibly visual design in both the ship and the alternate lifeform. I’m overwhelmed with how perfect the design of the Xenomorph is. Seeing a picture of one, it has the look of a typical Giger design. On the ship, slithering through the shadows of the ship’s mechanics, it is perfectly camouflaged until the moment it decides to show its menacing self. They found an entire crew of extraordinary actors to man the craft, most impressively Sigourney Weaver of whom the entire movie could be summed up with the words ‘you really should listen to her.’  Scifi  Horror

Oscar Win: Best Effects, Visual Effects

Oscar Nomination: Best Art Direction-Set Decoration

Sounder (1972)

For a film named after a dog character, the dog does not have a whole lot of screen time. Reading a synopsis for the novel, which I’ve never read, I greatly suspect the movie strayed a bit from its source material, particularly the ending. That said, the screenplay as is provides a rather uplifting story of a family of sharecroppers trying to survive during the Depression. Cicely Tyson and Paul Winfield are fine as the parents, but I took particular entertainment by the acting of young Kevin Hooks who carries the story.   Best Picture Nomination

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Actress in a Leading Role; Best Writing, Screenplay Based on Material from Another Medium

The Snoop Sisters (1972)

The Snoop Sisters may technically be considered a television show, but since I’d love for more people to be exposed to their delightfulness, I’m including them here. The series was included as one of the NBC Mystery Movie programs that included a number of mystery series such as Columbo and each ‘episode’ is over an hour long. The Snoop Sisters stars Helen Hayes and Mildred Natwick as a pair of elderly sisters, the former a prolific, mystery novelist and the latter a widow who wrote the dictation for the novels. Of course they are drawn into various stories of intrigue because of their mystery connection. The sisters are delightfully amusing and make the five films completely worth their time. The series also features the likes of Bernie Casey, Vincent Price, Alice Cooper, and Paulette Goddard in her last role.

The Last Tycoon (1976)

It’s not surprising that this was adapted from an F. Scott Fitzgerald work as it has the feel of a companion piece to the 1974 version of The Great Gatsby. It’s also not surprising that it was an unfinished novel because there’s quite a bit that feels slapdash and pieced together. Robert De Niro plays somewhat of a wunderkind in the early film industry, but there’s only a few scenes that touch on his skill. Instead focus is pulled through a tepid, drawn-out romance. I am now curious how the 2017 mini-series handles the story with an obviously longer runtime.

Oscar Nomination: Best Art Direction-Set Decoration

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