Category: 1980s

Melvin and Howard (1980)

Melvin Dummar didn’t think anything of it when he picked up an injured motorcyclist who claimed to be Howard Hughes in the Nevada desert. That is until years later when the real Hughes died and a will was found that claimed Dummar as one of the beneficiaries. This film is based on that true story with Paul Le Mat portraying Melvin and Jason Robards as Howard. The film concentrates mostly on Dummar’s life between those two events, constantly hustling and struggling to hold on to one marriage before moving on to the second. It feels a lot like a film made in the previous decade with a somewhat dislikable lead who some might still find charming but who is upstaged by the spirit of those around him, particularly wives Mary Steenburgen and Pamela Reed. It’s still hard not to root at least a bit for Melvin, especially when learning details of the case persisted into the next century.

Oscar Win: Best Actress in a Supporting Role; Best Writing, Screenplay Written Directly for the Screen

Oscar Nomination: Best Actor in a Supporting Role

Sweet Dreams (1985)

From Hank Williams to Loretta Lynn, it seems all the biggest country-western musicians are required to have biopics. This film chronicles the too short life of Patsy Cline, here portrayed by Jessica Lange, particularly her tumultuous second marriage. Blissfully shorter than Coal Miner’s Daughter, I appreciated this much more because of its tighter focus and succinctness. Though certainly giving a lot of energy in her performance, Lange didn’t come across as an embodiment of the young singer. Lip synching to Cline’s own recordings did nothing but emphasize the mismatch between the two women.  Music

Crossroads (1986)

Wannabe blues guitarist Ralph Macchio hunts down Robert Johnson’s long time friend, musician Willie Brown (portrayed by Joe Seneca), and the two embark on a blues inspired journey to Mississippi to settle some unfinished business. Touching on many of the legends surrounding Johnson, including an alleged lost song, the duo cross paths with a devilish Robert Judd and his assistant, the always entertaining Joe Morton. It all culminates in a sudden jump from the sun-drenched Mississippi landscape to an epic showdown featuring the virtuosity of guitarist Steve Vai. Throughout the film, Macchio plays true to form as a whiny young adult who is incapable of listening to his elders who obviously know better while Seneca imbues the production with soul as the older blues guide.   Music

Fort Apache, the Bronx (1981)

The delicate balance between a decaying police precinct and the impoverished neighborhood it serves is thrown when a drugged out Pam Grier, playing against type, shoots two officers point blank. This leads newly appointed captain Ed Asner to take a hardline against the surrounding community. Cynical precinct veteran Paul Newman, partnered with a young Ken Wahl, provides the moral compass in a squad filled with corruption. It’s gritty as if from the previous decade but also feels like the pilot to the police procedurals it would later inspire.   Crime

The Boat is Full (1981)

During World War II, ‘neutral’ Switzerland severely limited the number of refugees it would accept, even giving preference to Germany deserters over similar Jewish individuals, claiming as the title suggests that the lifeboat they were providing was too full. Six individuals take the chance to jump off a German train that is momentarily detained in Switzerland and seek temporary refuge at a village remote inn. The group try to work themselves into more acceptable family groups in a desperate hope that they can figure out the perfect combination that’ll allow them to stay instead of being returned to certain death in Germany. Most importantly the film calls into question the idea of neutrality, establishing that a side is always being chosen if one lets atrocities to happen.  War

Oscar Nomination: Best Foreign Language Film

The Brother from Another Planet (1984)

Mute alien Joe Morton, who resembles a Black man except for his unusual three toed feet, crash lands on Ellis Island. Pursued by men in black bounty hunters, John Sayles and David Strathairn, he attempts to blend in and learn about life on Earth while having many one sided conversations with the various denizens he encounters. One side plot involving a white drug lord is a bit thrown in, but the film is best when it simply reflects the world through Morton’s expressive eyes.   SciFi

Somewhere in Time (1980)

On the opening night of his first play, Christopher Reeve is visited by an elderly lady who used to be a famous stage actress in the early 1900s. Further investigation leads him to believe he met her during that earlier time period and endeavors to learn how to get back there to meet her again. This gentle romance gracefully balances the love aspects with a simple, but consistent version of time travel. Reeve’s natural charisma is well met with Jane Seymour as his love interest and Christopher Plummer as her agent who tries to get in the way.   Romance  Fantasy

Oscar Nomination: Best Costume Design

Electric Dreams (1984)

On advice from a friend, architect Lenny Von Dohlen buys a top of the line computer to get more organized. A mishap when he was trying to download an entire database from work causes the computer to become sentient and Lenny finds himself fighting with the computer for the affections of Virginia Madsen, the attractive musician who lives upstairs. There’s a quirky 1980s vibe to the film with a fun soundtrack, great visuals, montages, and a unique perspective on the forthcoming cyber age. Von Dohlen is excellent in the lead role showing off equal levels of intelligence and bewilderment at varying times.   Romance  Music

The Absent-Minded Waiter (1977)/The Big Story (1994)/The Fly (1980)

Buck Henry takes his date Teri Garr to a high class restaurant with the express intent of sitting at a table attended by The Absent-Minded Professor, played by Steve Martin. An enjoyable short with a surprising punchline pay-off, it is also well acted by all three of the actors playing especially on Martin’s strengths.

The Big Story is gratefully a very short bit that has three animated characters each representing Kirk Douglas at different parts of his career. The characters are really well done, but the short doesn’t add anything beyond that concept.

The Fly finds himself stuck inside a house to disastrous consequences. It’s a very simple, monochromatic animation that really conveys the frenetic energy and apparent bewilderedness of a fly’s existence.

Oscar Win: Best Short Film, Animated (The Fly)

Oscar Nomination: Best Short Film, Live Action (The Absent-Minded Waiter); Best Short Film, Animated (The Big Story)

Night of the Comet (1984)

Eleven days before Christmas, Earth’s orbit passes through the tail of a comet. The next day, two sisters Catherine Mary Stewart and Kelli Maroney discover they are two of only a few people who survived the event unscathed. A really fun low-end 80s film, it has everything that makes the decade great. There’s plenty of neon, fashion, big hair, montages and shopping malls accompanied by a pretty great soundtrack. It’s really surprising this hasn’t become a well-known classic of the era.  SciFi

Scroll to Top