Category: 1980s

The Adventures of Baron Munchausen (1988)

In a war-torn city, a theatre troupe’s performance of the life and adventures of Baron Munchausen is interrupted by the man himself. The disruption causes the actors’ contract to be cancelled and the Baron insists on saving the city. This film was a notorious flop, which is a shame because it offers a fun adventure flick. I really enjoyed John Neville’s portrayal of the baron. It cannot live up to the wonder of Zeman’s The Fabulous Baron Munchausen and has some surprising adult tones mixed in an otherwise family friendly story, but it’s visually fanciful with twists and turns through the various adventures that conveys a great message in its circular telling.   Fantasy

Oscar Nominations: Best Art Direction-Set Decoration; Best Costume Design; Best Effects, Visual Effects; Best Makeup

Dead Calm (1989)

After suffering a personal tragedy, married couple Nicole Kidman and Sam Neill take an extended vacation on their yacht where they encounter Billy Zane coming from a nearby ship where he claims the entire crew has died of food poisoning. For many reasons, they don’t believe Zane and their suspicions are justified. There is so much that is exceptionally silly in this film starting with that first tragedy that really didn’t need to be shown but is laugh out loud funny when it is. While typical for thrillers, Kidman’s character makes so many ludicrous decisions that it borders on unbelievable when she is shown to be actually competent in other areas. The writing separates Kidman and Neill through most of the film and that is its one strength. The two have to battle equally harrowing situations alone.  Thriller

To Be or Not to Be (1983)

A theatre troupe uses their talents to fight the Nazis in occupied Poland. I hadn’t at first realized that this was a remake of the 1942 film of the same title even if it’s a fairly faithful recreation. Both films are evocative of their eras. The narrative flows better in the earlier film; the jokes seemingly more important here. While they all provide laughs, Mel Brooks’ films definitely vary in how they resonate with me. This one is middle of the pack. It is great to see him working with his wife Anne Bancroft. They have a natural, fun camaraderie that comes across well in this film.  Comedy  War

Oscar Nomination: Best Actor in a Supporting Role

Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982)

In 1975 inside a five and dime store in a small Texas town, the members of a James Dean fan club are reuniting on the twentieth anniversary of his death. Through a series of flashbacks, especially from that summer Dean filmed Giant in a nearby town, the secrets and personalities of the group are revealed. Based on a play, the film is very stagey with all of the action taking place solely in the store. There’s no attempt to age the characters and they even wear the same costumes throughout the film, which requires a bit of adjusting to at first. I had been wanting to watch more of Cher’s earlier films and she, as well as the other actresses, carry the film rather impressively. My only complaint were a couple of scenes that required real anger to be portrayed by Sandy Dennis and Kathy Bates that came across as histrionic. My favorite of the group was surprisingly Karen Black. She carries off her role with regality and knowledge that she can move on from the relationship cycles the other women will remain caught up in.

Whoopi Goldberg: Direct from Broadway (1985)

Whoopi’s original Broadway one woman show paints her as not just a funny comedian but also a masterful storyteller. From her portrayals of a little Black girl who dreams of being white to a young teenager who gives herself an abortion to a disabled woman who has recently gotten engaged, she somehow manages the tone from funny to sad extraordinarily well without it feeling jarring. She incorporates the characters so thoroughly that each one feels a bit like they must be a part of her. Some of them, like the disabled women, were re-worked somewhat for her Back to Broadway performance and it’s interesting to compare how she advances their narrative.  Comedy

The Bostonians (1984)

Suffragette Vanessa Redgrave and Southern lawyer Christopher Reeve vie for the attentions and affections of Madeleine Potter the allegedly charismatic daughter of a faith healer. Aside from being rather slow, the biggest problem with the film is that there is nothing enthralling about Potter’s character and her only trait seems to be the inability to make decisions on her own. It makes one wonder why either of the other main characters gives a wit as to what she does with her life. Reeve is thoroughly dislikable a misogynist who just wants to marry Potter and get her barefoot and pregnant for all her livelong days. Redgrave is ethereal, but she seems mostly motivated to further her cause even if while she shows actual love for Potter.

Oscar Nominations: Best Actress in a Leading Role; Best Costume Design

All By Myself: The Eartha Kitt Story (1982)

Eartha Kitt was a force to be reckoned with and this documentary allows her to shine. The film is comprised almost entirely of footage of Kitt just being herself or responding to interview questions. While I sometimes groaned at the obtuseness of the interviewer’s questions, she freely and unabashedly offers up her views on the events in her life including her abandonment by her mother due to colorism and her professional ostracism after sharing her views on the Vietnam War and her feelings on living alone and loving herself. Interestingly while there is some singing performances sprinkled into the film, there isn’t much actual discussion on her career, with few mentions of her television and film career beyond a mention of Catwoman to a teeny Allison Smith. I would have enjoyed seeing an addendum of sorts to include her later life after this film was made as I’m sure she had plenty more to say.

Extremities (1986)

As a dramatic movie, this was comically bad in most parts. After a night at the gym, Farrah Fawcett is assaulted and almost raped in her car. With no evidence, the police aren’t able to help her, but unfortunately the assailant James Russo grabbed her purse in the scuffle and is able to track her down some time later while her two roommates, Diana Scarwid and Alfre Woodard, are away at work. After a rather long intro, there are so many infuriating instances as the two fight in the house. Not trying to victim blame, but Fawcett makes stupid moves left and right to the point where it seems like she was just waiting for him. When her roommates do come home, they sympathize with the rapist instead of the person they have shared a home with. I love all three of the actresses and Farrah gives her physical all in a very weak role., but the material just doesn’t work for them here. I imagine as a play on a barebones set it works incredibly well, particularly as the women provide their various experiences with violent crimes and criminal offenders.

The Thing (1982)

The tranquility of an Antarctica outpost is interrupted by a Norwegian helicopter hunting down a sled dog. The Norwegians are killed in the confusion, but the dog survives and has brought with him a creature of questionable origin. Between this, They Live, and The Fog, I’m really digging John Carpenters 1980s SciFi Horror. This has the incredible added atmosphere of the remote location and extra tension as paranoia sets in amongst the denizens, no one knowing who has been infected until it’s too late. It also has a pretty great cast that works well together, including Kurt Russell, Keith David, and surprisingly Wilford Brimley.   SciFi  Horror

Twice in a Lifetime (1985)

On the night of his 50th birthday, Gene Hackman goes to a bar without his homebody wife Ellen Burstyn and flirts with the younger, new barmaid Ann-Margret. Despite, or maybe because of, thirty years of marriage with his wife and having three now adult children together, he finds himself falling for Ann-Margret and beginning an affair. It’s a bit exasperating to watch Hackman disintegrate his long-time family unit without much thought, but in parallel, it also shows how people get stuck in patterns without much thought to their happiness or the direction their life is going. I enjoy watching films set locally so I can try to guess the neighborhoods they were filmed in, that is as long as it’s not really Vancouver or some other city pretending.

Oscar Nomination: Best Actress in a Supporting Role

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