Category: 1990s

In Too Deep (1999)

Omar Epps is an undercover cop on a mission to bring down LL Cool J’s criminal enterprise. After an unspecified time on the job, his superiors pull him from the assignment when the line between good and bad becomes blurred, but he goes back in when it’s determined that he’s the only one who can pull off the take down. The plot is entirely predictable as it’s similar to any number of undercover cop films, but it’s not even a middling entry for the genre. It has some glaring pacing issues and criminally underuses Pam Grier as a fellow detective.  Crime

The Glass Shield (1994)

When they first meet, Michael Boatman, the first Black officer at the Sheriff’s department, and Lori Petty, the first female, don’t really get along, but that changes as they each encounter outright contempt and hostility from the rest of the white male force. When Boatman becomes suspicious of police activities after the arrest of Ice Cube, the two team up to find the truth about the investigation. While being a little too good versus bad in its portrayal, t’s a fairly well acted exploration of police corruption and the artifice of the thin blue line. I was surprised how little Ice Cube actually was in the film as he is prominent in the cover images for the film.  Crime

Groundhog Day (1993) – Rewatch

Every year I watch the journey of smarmy weatherman Bill Murray’s path to enlightenment while providing coverage for the annual Groundhog Festival in Punxsutawney, Pennsylvania. It’s a role that Murray perfectly encapsulates at perhaps the height of his career. I’m not generally a fan of Andie MacDowell, but even as a love interest, she mostly gets out of the way of Bill’s journey. The rest of the wonderful cast just supports the process. The settings are perfectly captured from the downtown area to the bed and breakfast to the recreation of Gobbler’s Knob. Each year I find new questions to ask myself about the timeline and the changes Murray experiences and the choices he makes.   Fantasy  Romance  Holiday

The Last Boy Scout (1991)

After his partner hands over an assignment to guard stripper Halle Berry, former Secret Service agent turned Private Investigator Bruce Willis finds himself enmeshed in a conspiracy involving sports gambling. Along the way he teams up with Berry’s boyfriend and disgraced football star Damon Wayans. Wayans and Willis surprisingly have incredible chemistry together. The movie works best when they are allowed to just buddy up and riff off each other. I would enjoy seeing them buddy up together again. Unfortunately the movie often gets in the way of that. I’ll also give it points for Taylor Negron as a baddie. It’s a role different than any other I’ve seen him in and he shines.   Sports  Action

Babe: Pig in the City (1998)

A sequel to the delightful 1995 film about the pig who learns to do the work of a sheepdog, here the farm is threatened after the farmer is injured while repairing a well pump, so the titular pig and the farmer’s wife set off together to a herding contest. The pair’s trip is waylaid when they are detained at the airport and they are forced instead to make their way in Metropolis. The charm and coziness of the original film are a bit lost here. Metropolis is a bizarre amalgam of all cities where the only hotel that accepts animals is housed by an orangutan, chimpanzees and a bevy of cats. It’s also much darker for what is ostensibly a family film. There are hangings, almost drownings, and dogs getting very close to the Rainbow Bridge. It’s very weird.  Animals

Oscar Nomination: Best Music, Original Song

Alien³ (1992)

There is a bit of this Alien sequel that is set up to be a rehash of the previous two movies. Sigourney Weaver’s escape pod, which of course contains at least one alien, crash-lands onto a new locale. The rest of the heroes from Aliens are dead on arrival, so it again resets so that Sigourney is the only one who has knowledge and experience with the aliens and the evil Company’s desires to weaponize them. What makes this different is that the ship had landed on an all-male maximum-security prison colony and foundry. No more mothering instincts coming out in this version, instead Weaver has to fight off gang rapes and work twice as hard to prove she knows what she’s doing.  Scifi  Horror

Oscar Nomination: Best Effects, Visual Effects

Little Women (1994)

Yet another retelling of the story, this version is completely adequate and standard in almost all ways. Even though I’ve never read the story, I do find I have a general idea of what I consider a good portrayal for each woman. Here we have Trini Alvarado, Winona Ryder, Claire Danes, and Kirsten Dunst as Meg, Jo, Beth, and Amy respectively. A lot of these renditions make the birth order seem confusing as the Jo character overwhelms Meg as the oldest, and that is the case here. Beth is given short shrift and easy to forget she even exists, though Danes seems an odd choice of casting so that’s not the worst thing to have happened. It’s a bit interesting that Amy is a young girl at the beginning and later becomes an adult Samantha Mathis. I wouldn’t have thought that a transition between the two actresses would make sense, but it mostly works though Mathis isn’t quite as outgoing in her portrayal.

Oscar Nominations: Best Actress in a Leading Role; Best Costume Design; Best Music, Original Score

Wisecracks (1992)

This documentary presents performances and interviews with various female comedians working in the late 1980s and 1990s. These women work in a predominantly male oriented, often sexist, arena and the film lets them talk about how they handle such things as choosing material and dealing with hecklers. While far from comprehensive, it does talk a little about earlier comedians such as Lucille Ball and Fanny Brice who inspired this generation of artists. The interviewees involved come from a wide range of success such as Whoopi Goldberg and Ellen Degeneres to lesser known Canadian comics which offers quite a variety of perspective. There is some weakness in the performance scenes as there are some that are just not as funny as others, but comedy is admittedly subjective. I was never a fan of Geri Jewell when she guest starred on The Facts of Life, but I found her performances here to be some of the funniest in the film.  Comedy

Speaking in Strings (1999)

This documentary details the life and career of professional violinist Nadja Salerno-Sonnenberg who is known for her overly emotive playing style which she has often been criticized for. The subject matter isn’t one I’d generally gravitate toward and what is provided doesn’t go much beyond her wikipedia page. It was relatively engaging and I found the descriptions of her drive and work ethic to be interesting.

Oscar Nomination: Best Documentary, Features

The Hurricane (1999)

Seeing the film poster for many years, I had gone into this expecting a boxing film. Indeed it is about boxer Ruben ‘Hurricane’ Carter, portrayed by Denzel Washington, but it focuses on his life after he was wrongly convicted for murder and the nearly 20 years he spent in prison for this crime. Parallel to his story is the experiences of Lesra Martin (played by Vicellous Reon Shannon), an American teenager who was fostered in Toronto and became interested in Hurricane’s case after reading his autobiography. Dan Hedaya as the cop hounding Hurricane his entire life and determined to keep him in jail is a bit too much of a mustache-twirling bad guy. Though I find the relationship intriguing, the trio fostering Martin are otherwise indistinguishable and somewhat white savior-y. The strengths in the film lie solely on Washington’s portrayal. At this point in his career, Denzel was well versed at charismatically leading a film and he is incredibly powerful here. The emotions and experiences he displays run the gamut from cocky prize fighter to dignified dissident to resigned prisoner, all handled adeptly.  Sports

Oscar Nomination: Best Actor in a Leading Role

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