Category: 2000s

Please Vote for Me (2007)

Who knew that a grade 3 class monitor election in China would have so many parallels to larger national elections, but here we go. There’s the obnoxious, loud-mouthed candidate who creates strife between the other candidates to court chaos. Another candidate buys votes through special class trips and gifts. The third is over her head and not made for the cutthroat competition of school elections. It’s of course a popularity contest where more focus is centered on the competitors’ faults than actual qualifications of the candidates. The parents are all happy to encourage it along and the teacher who set the whole thing up, including picking the nominees, seems all too amused by the whole thing.

Legacy (2000)

This documentary follows the experiences of an extended Chicago family after one of their teenage members is shot and killed. The cameras follow four women for the next five years of their lives as the victim’s grandmother (who raised the teenager) is given a home through the kindness of a stranger, his cousin (the narrator of the documentary) graduates high school, her mother struggles with getting off welfare, and his mother recovers from her addiction to cocaine. While their stories are touching, the format doesn’t seem to do them justice in aggregate. The narrative jumps between the various stories and timelines with little focus. There isn’t an overlying theme to what is being presented and could simply have been a feature news story since the plot becomes ‘here is what happened to these people’. There is a somewhat throw away line at the end where the narrator states she will be raising children with her husband ‘the way it’s supposed to be done’ which comes across as a slap in the face to the strong women who came before her and raised her despite their own struggles.

Oscar Nomination: Best Documentary, Features

Persepolis (2007)

This is a faithful adaptation, both visually and in story, of the Persepolis graphic novels, depicting the early life of its writer Marjane Satrapi, growing up in a rapidly changing Iran and later Austria. Other than the chance to see the story told in animated form, there wasn’t much new added to the story that could not be gotten from reading the books. I do recommend either option, especially for anyone interested in seeing one woman’s experiences growing up during and after the Islamic Revolution.

Oscar Nomination: Best Animated Feature Film of the Year

Ponyo (2008)

I have no idea why it took me this long to watch this film. The titular character is a fish of sorts who lives underwater with her father and numerous similar looking sisters. After sneaking off during a family outing, she finds herself on land, luckily rescued by a young boy named Sosuke. The rest of the film deals with Ponyo’s desire to live on land and the love she and Sosuke share for each other. The landscapes are so incredibly beautiful in this film that it’s worth watching just to see them, but the story is also incredibly sweet and touching as well, definitely among Miyazaki’s best.

Heist (2001)

The end of this film was somewhat familiar, so it’s entirely possible I had already seen this in the last twenty years. Gene Hackman is the retiring leader of a gang of thieves, which includes the talents of Delroy Lindo and Ricky Jay, whose most recent spoils are held back by his fence Danny DeVito unless the gang does ‘one more’ heist. Another part of the deal is that Hackman is required to take De Vito’s lieutenant Sam Rockwell along on this next job. A heist film that is more concerned with having its characters constantly turning the tables on each other than the actual heist, it is worth it to watch the cast in action. Hackman gets to riff with his crew and also play mind games with both De Vito and Rockwell. It’s unfortunate that it really does become a constant swinging door of switching allegiances one-upping each other because instead of being surprising and twisty, it becomes tedious by the end.

Medicine for Melancholy (2008)

Waking up the morning after a party, two strangers find themselves in bed together and end up spending the rest of the day meandering around San Francisco together. It’s a bit of a more low-key, lower budget, modern city version of Before Sunrise. I had been curious about seeing Wyatt Cenac as an actor when this was first released and pushed it higher on my queue after seeing Barry Jenkins’s more recent efforts. It didn’t draw me in greatly, but I enjoyed the few moments where the city came across as a character itself and when it felt like the two main characters were making connections as people instead of actors just going through the motions.  Romance

Paragraph 175 (2000)

Somewhat of an interesting pairing with my recent viewing of The Times of Harvey Milk, this is another gay-themed documentary about the persecution and murder of gay men during the Nazi regime. The narration by Rupert Everett is a bit droning and slow, but it only mildly distracts from the power of the stories being told. Only 4,000 of the 100,000 men persecuted under Paragraph 175 survived and only 10 were known to be living at the time of this film. That makes the telling of these five stories and the history they represent so important. While it doesn’t shy from talking of the atrocities these people faced, it also allows them to tell their full stories, including moments of love and tenderness both before and during the war. It’s heartbreaking that even after the fall of the Reich, Paragraph 175 existed in some form in both countries until German reunification.

The Pledge (2001)

At the beginning of this film, this seems like it’s supposed to be a crime drama. Jack Nicholson is a police chief on the eve of his retirement who tags along to investigate a young girl’s murder. After a suspect commits suicide, the rest of the department washes their hands of the case, but Jack has promised the young girl’s parents that he would find her killer and isn’t satisfied. Thus Jack becomes a man on a single minded mission, not caring who or what could get in his way. It’s a study of one man’s obsession, spiraling down a labyrinth of possibilities and unable to move on to the next chapter of his life. It’s also got some great one scene cameos with the likes of Helen Mirren, Mickey Rourke, Lois Smith, Harry Dean Stanton, and Vanessa Redgrave.

Panic (2000)

William H. Macy is a hitman in the family business run by his parents Donald Sutherland and Barbara Bain. He’s suffering from a midlife crisis that affects both his job and his relationship with his wife Tracey Ullman. He meets Neve Campbell in his shrink’s (played by John Ritter) waiting room. It’s yet another take on the middle aged man lusting after a much younger woman trope, though with a decidedly non comedic and more modern take. I definitely watched this for the cast, but the result is quite slow and somewhat maddening in parts. I appreciated the parts that showed the dark spots in the family that illustrated a bit how a family of assassins comes to be. I particularly enjoyed Ullman and Ritter’s performances. Since they’re both known as comedic actors, I was impressed at how subdued and deliberate they come across in a drama.

New Boy (2007)

This movie is so trite and awful I don’t really want to comment on it. A young African transfer student is bullied on his first day of school and experiences flashbacks regarding a harrowing experience he had back home. In the end, he bonds with his bullies because they are all subjected to the idiocy of their incompetent teacher. Oscar bait for short films seems to concentrate too hard on horrible takes on social issues. At least there are occasional good ones to make it worthwhile.

Oscar Nomination: Best Short Film, Live Action

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