Category: 2000s

The Great Debaters (2007)

Based on a true story, this follows the experiences of the Wiley College Debate Team during the 1930s. Denzel Washington portrays the professor who trains and inspires a team that includes Nate Parker, Jurnee Smollett, and Denzel Whitaker. I feel like there aren’t a lot of period pieces regarding educated Black Americans, so the setting here was refreshing though being in the South, there were expected racism experiences. Also interesting to see star and director Denzel Washington as a disheveled socialist and his interactions with college president Forest Whitaker. Somewhat annoyingly, it seems the male debaters were given much more backstory than Smollett. She was relegated to the center of a love triangle and despite having mention in the epilogue, her character didn’t share the name of a real person. I understand there are often changes in ‘true stories’ but they just as often annoy me for their portrayal of alternative facts.

The Road (2009)

In a post-apocalyptic American wasteland, Viggo Mortensen and his son Kodi Smit-McPhee head to the hopefully warmer south, struggling to find enough food to survive while also avoiding cannibals. It’s a long, dark, and depressing trip, even the ocean lacks color and moments of succor are quickly dowsed. I personally would have gone with mom Charlize Theron who gave up before the film even started.

The Affair of the Necklace (2001)

After watching Marie Antoinette, I was more familiar with the Affair of the Diamond Necklace. This is another retelling of that story, but from the perspective of Hilary Swank’s Jeanne of Valois-Saint-Rémy, a prominent participant in the scandal. For such a tale of intrigue, this film is quite dull. Joely Richardson makes a decent Marie Antoinette and Christopher Walken is amusingly campy as the occultist Count Cagliostro, but Swank is poorly cast in her role. I don’t know if it’s because it’s a period piece or just an inability to encompass the various qualities necessary of the character, but she doesn’t bring an ounce of believability to the role.

Oscar Nomination: Best Costume Design

Freedom Song (2000)

During the Civil Rights movement in a small town in Mississippi, young people join with other activists to register people to vote and protest other inequalities. Similarly to Deacons for Defense , parents of these students aren afraid to shake things up, being well aware of the retributions that have happened in the past. Unlike that other movie, the adults don’t step in to protect the teens. It’s a perfectly serviceable made for television version of the events of the time period. It’s possible I’ve just watched a few too many on the theme recently to appreciate it more.

The Gates (2007)

Though I was not in a position to at the time, I had really wanted to see The Gates when it was exhibited. Watching this is the closest I can come to that. Unlike The Floating Piers, the work was constructed while Jeanne-Claude was still alive and she seems to be somewhat of a calming influence on him. Like that other work, this required the couple to work through many decades of government bureaucracy before finally having the chance to pull it off. The interviewers somehow found the grumpiest New Yorkers to express all forms of disgust at the two week, in the middle of winter installation. It makes for a great contrast to the delight the artists themselves show at seeing their work finally realized.

Nine (2009)

8 1/2 isn’t my favorite Fellini and this musical version does nothing to improve that rating. Haunted by the ghosts of women from his past and present, director Daniel Day-Lewis is suffering from writers block over the filming of his latest movie. This touches on the general notes of the original film, but doesn’t develop the themes much at all. Day-Lewis isn’t bad in the role, but he lacks the Italian charm of Mastroianni. Instead of expanding on the ideas of the film, the musical numbers just distract. Compared to the narrative scenes, they are all overly produced and feel interchangeable over the course of the film.  Musical

Oscar Nominations: Best Performance by an Actress in a Supporting Role; Best Achievement in Costume Design; Best Achievement in Music Written for Motion Pictures, Original Song; Best Achievement in Art Direction

Dirty (2005)

On a police force full of corruption, Clifton Collins Jr. is a former gang member turned cop who, on the day he is supposed to give testimony on a shooting involving his partner Cuba Gooding Jr., has the worst day of his career. It’s not a great film, told so quickly that it’s impossible to really take in the action or the details of the plot as it unwinds, but the leads give fairly solid performances and make it somewhat worthwhile for anyone interested in their work.   Crime

We Were Soldiers (2002)

In this overly long war film, lieutenant colonel Mel Gibson is chosen to lead and train a battalion to fight during the early days of the war in Vietnam. Back home, his wife Madeline Stowe provides support to the other wives left behind. It’s a pretty typical war film with lots of fighting and lots of people dying. There’s just enough backstory about each character that the viewer is supposed to care when they’re blown away. I found the female characters to be somewhat more interesting, but their stories also soon just became notifying the women about their dead loved ones. Though only a little actual characterization is given, there are small attempts to show the Vietnamese command and their soldiers’ experiences on the other side of the war.   War

Soul Power (2008)

Since watching We Were Kings, I’ve been looking forward to seeing this documentary about the three day music festival that was intended to accompany the Rumble in the Jungle fight. Sadly, this film also concentrates too much on the behind the scenes issues and insight from the people involved than it does on the music. Oddly, like the other film, this one includes footage of Ali but much less/none of Foreman. I would love to just see the concert footage, because what is shown here is great from the likes of James Brown, The Spinners, Bill Withers, and Miriam Makeba. I just want more. The fashions of the time are also great to see. In both films, there are so many uses for various shades of denim that it boggles the mind.  Music

After the Wedding (2006)

The manager of an Indian orphanage and school, Mads Mikkelsen, is summoned to Copenhagen to meet with a potential investor, Rolf Lassgård, who has indicated he is willing to grant a large donation to the orphanage. After an unusual meeting with Rolf, Mads is invited Rolf’s daughter’s wedding the next day where family secrets are revealed. The twists the story takes aren’t very surprising, but it is well done especially the interactions between Rolf and Mads. I realized that I had seen the preview for the American remake many times. Despite the cast, I hadn’t been interested and reading the differences that were made, it makes me not want to watch it even more. I’d just stick to watching this one again.

Oscar Nomination: Best Foreign Language Film of the Year

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