Category: 2010s

Revival! (2019)

With an impressive cast, including Harry Lennix, Chaka Khan, and Dawnn Lewis, I had gone into this telling of Jesus’s last days from the Gospel of John expecting a gospel music version of Jesus Christ Superstar. In some ways it is more and others much less. It obviously has a much lower budget than the average film I watch, but they attempt to do a whole lot with that budget combining a whole bunch of styles from outdoor live action shots to meta stage renditions to CGI heavy scenes in between. Some of these worked better than others. I preferred the live action straight tellings more than the more experimental scenes, but mostly I really loved the music throughout. Some film versions of Bible stories are told to reach a mixed-background audience, but this feels firmly as if it were made solely for Christians.   Musical

Suzi Q (2019)

I always loved Suzi Quatro’s Leather Tuscadero character on Happy Days, but I was thoroughly ignorant of her music career beyond that. This documentary follows her career all the way from her days performing in a garage band with her sisters to the current day. It’s surprising that she never really made it big as a rock star in the United States. Her music rocks as hard as any other musicians and was a great influence on many female musicians as evidenced by the number willing to appear in the film and testify to her talents. While Suzi’s career was fairly wholesome compared to many other rockers, the film doesn’t shy away from showing what warts there are in her story. It’s almost amusing to see how snippy she and her sisters can be with regards to some aspects of their long history together.   Music

Christmas Belles (2019)

Late twenty-somethings Raven Goodwin and Dominique Perry are constantly pressured to get married. When an attractive new pastor comes to their church at Christmastime, they find themselves rivals for his attention. The quality of the film is about average with any other romantic made for television Christmas film. It’s not a particularly unique story and I almost universally find outside pressure to couple up rather grotesque. The competition between the women gets downright nasty at times, but the leads are still appealing and it’s mostly harmless, mindless entertainment. While I tend to find religious themed films annoying, I do enjoy a church setting. Particularly in a film such as this where there is sniping and fighting, congregation members are constrained from certain types of actions unless they want to be subjected to community disapproval.  Romance  Holiday

The Rider (2017)

After rising rodeo star and horse trainer Brady suffers a horrific brain injury, similar to one a friend of his had experienced that now confines him to a wheelchair, he is forced to reexamine the direction he wants to take his life. It feels like a fairly authentic portrayal of life amongst the Lakota Sioux on the Pine Ridge Reservation in South Dakota, perhaps made further so by having Brady’s family played by his real life father and sister. After Nomadland, I was interested to check out Chloe Zhao’s other films. She has incredible eye for the wide expanses of middle America and some of the less celebrated people who incorporate those areas.   Western

Blind Vaysha (2016)/Polarbearman (2018)/Black and White Trypps Number Four (2008)/Juke and Opal (1973)

The titular character of Blind Vaysha was born with one eye that sees only the past and the other that only sees the future. She can never live in the present. A beautifully animated tale, it’s an interesting parable that is ruined slightly by an ending that pushes for reflection instead of just allowing it to happen naturally.

Polarbearman features Lee Pace as a solitary man in a house with water levels gradually rising to the point where his only recourse is to move higher and higher until he is stranded on the roof. As a representation of the effects of climate change, it’s a metaphor for the dire situation for polar bears and the melting ice caps.

The other two shorts are part of my attempts to watching Richard Pryor’s filmography. The first experimentally flickers through footage from his stand-up routine. It’s not really my cup of tea. The other is a sketch from a Lily Tomlin special. It features Lily as the manager of a greasy spoon and Pryor as a junkie and friend who interact with a few characters who come into the diner, including Alan Alda. It’s an interesting slice of life bit incorporated with realistic characters and relationships.

Oscar Nomination: Best Animated Short Film (Blind Vaysha)

A War (2015)

After a soldier under his command dies while on duty, commander Pilou Asbæk vows to join his men on every subsequent patrol. The squad is ambushed while patrolling a Afghani village and Asbæk calls in an airstrike without proper identification, an act that has him sent home for the murder of eleven civilians. I haven’t seen many films set during the recent fighting in Afghanistan and this one doesn’t make any attempt to portray good sides or bad sides. It casts everyone involved as casualties of the situation from the soldiers fighting to their families back home to the civilians who are all caught in the middle of an awful situation where no one wins.  War

Oscar Nomination: Best Foreign Language Film of the Year

Just Eat It: A Food Waste Story (2014)

Yet another effective food propaganda documentary, a couple decides to live solely on food waste for six months. It’s next to impossible to watch this film and not want to be more discernable toward throwing away household food. What’s really striking, and feels futile for the everyman to rectify, is the amount of food that is tossed before it is seen by the consumer. The couple soon learned that there was no way they were going to starve but they might get bored from the overabundance they found in one or two items at a time, such as entire dumpsters with hummus. Especially during these Covid-19 times, it’s hard to get passed how rigid our late capitalism systems are, where it’s difficult to fill shortages in one area with surplus from another and the excess becomes waste.

From Up on Poppy Hill (2011)

During preparations for the 1964 Tokyo Olympics, the building hosting a high school’s activities clubs is threatened with demolition. While trying to save their building, two of the students become attracted to each other, but family secrets could drive them away. For the most part, it’s a sweet little story told in beautiful traditional animation. The illustrations of the Latin Quarter building are beautiful and filled with wonderful details, as is the seaside setting. The little twist in the middle seems mostly unnecessary, but I still liked watching the relationship of the two main characters develop.

Jane Eyre (2011)

Another retelling of the classic tale, this version features Mia Wasikowska in the title role and Michael Fassbender as love interest Edward Rochester. The layout of the story is of course very similar to the 1943 version but a longer runtime allows the story to breathe a bit more. I found the jumping between time lines at the beginning of this film to be a bit disorienting, but it got better as it settled into a linear telling. I found both of the leads’ portrayals to be superior to the aforementioned version. The period costume and setting details are beautiful and perhaps the best part of the film.

Oscar Nomination: Best Achievement in Costume Design

Klaus (2019) – Rewatch

I didn’t expect much when I first checked this out on Netflix two years ago, but I was incredibly surprised. Another take on the myths surrounding Santa Claus, here we have a lazy, spoiled Postal Academy graduate whose Postmaster father assigns him to a post in a remote village located above the Arctic Circle, inhabited by a pair of families bent on continuing a centuries-long feud. Desperate to succeed in his job so he can be reassigned, the former student befriends a lonely toymaker and begins a cycle of delivering toys and letters for the town’s children. The traditional animation is gorgeous, done in a unique style. Even though I always confuse the main character with David Spade’s Kuzco, the voice work, including the talents of Jason Schwartzman, Rashida Jones, Joan Cusack, Norm McDonald, and JK Simmons, is well done and perfectly assigned to each character. It’s very heart-warming and I now watch it every year. I only wish they’d release it on DVD so I can have a hard copy to enjoy whenever I want.  Holiday

Oscar Nomination: Best Animated Feature Film

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