Category: 2010s

I Am Richard Pryor (2019)

On one hand, this movie does encourage me to seek out more of Pryor’s work that I haven’t yet seen, which is a good thing. On the other hand, it doesn’t really offer any new insight or much new footage regarding the man’s life. It spends too much time on his widow’s biased viewpoint and the views of people who never even met the guy. It focuses its scope almost entirely on the traumas he suffered during his less than ideal childhood, bits that were delved in greater detail by the man himself in his stand-up and Jo Jo Dancer, Your Life is Calling.

Kon-Tiki (2012)

I checked this out thinking it was the 1950 Oscar winning documentary. Little did I know that there was a more recent Oscar nominated feature film with the same title on the same subject. Thor Heyerdahl grabbed four other guys, built a raft, and decided to travel across the Pacific Ocean to prove that Norwegians populated Polynesia after getting kicked out of Peru. That whole concept feels a bit too yay white colonialism to me, particularly since the theory of a westerly migration is completely false and Thor had no idea what he was doing, not even knowing how to swim. Getting passed all that, it is really beautifully filmed with smooth CGI’ed animals and quite a bit of fraternal bonding. The stakes don’t feel particularly high, especially knowing that the documentary exists, but I’m still looking forward to seeing that film to compare the real life footage to this dramatization.

Oscar Nomination: Best Foreign Language Film of the Year

Retaliation (2017)

Orlando Bloom suffered the worst of atrocities as a twelve year boy; now as an adult, he is a demolition worker who is forced to come to terms with those horrors as the priest who inflicted them returns to his community. I haven’t seen Bloom in much beyond the Pirates and Lord of the Rings films, but he’s fantastic in this. He’s able to be vulnerable and strong and broken all while there is a rage just boiling at the surface. It’s an incredible performance. The poster and title, though it is also titled Romans in reference to the New Testament book, would make one believe that it’s a film about violent vengeance. Instead it’s a slow burn for Bloom to come to any sort of resolution and the ending felt very false in many ways.

Fill the Void (2012)

An intriguing view into the lives of the Tel Aviv Haredi Jewish community, this film tells the story of a young woman who is looking forward to marrying and all the new wonders she and her future spouse will discover together. Unfortunately that fantasy is shaken when her older sister dies in childbirth and she is encouraged instead to marry her sister’s widower. Written and directed by the first Haredi Jewish woman to direct a film, it treats the culture matter-of-factly, not as strange or even extraordinarily different from any other. The director herself compares the story to a Jane Austen novel and indeed, the women in both circumstances are guided by strict rules of decorum but still find love and happiness in their communities.  Romance

Creed (2015) – Rewatch

My Rocky extended marathon called for continuing through to the Creed sequel/companion series. Apollo Creed’s born-out-of-wedlock son Adonis turns to Rocky to become a world champion boxer. This feels a lot like a rehash of the original Rocky, though with less 70’s gritty realism and more bigger budget 2010s shininess. Michael B. Jordan is appealing as the lead and plenty capable of taking on the boxing reins. I like the chemistry between him and Tessa Thompson as his love interest though her character touches a bit too much on being a manic pixie dream girl. The interactions between Jordan and Stallone are also probably the best father-son iteration of the entire series.   Sports

Iris (2014)

Iris Apfel is a style icon. This documentary by Albert Maysles gives a glimpse into her life as a nonagenarian living her best life. There are little touches on the story of her past as a entrepreneur running a textiles firm with her husband and how the travelling and cultural inspirations from that history influences her current style. Mostly the film is just a reflection of Iris’s colorful spirit and how she creatively inspires those who find themselves in her orbit just by being herself.

Rewind (2019)

It’s incredibly brave of Sasha Joseph Neulinger to be willing to document the horrific abuse he suffered as a child in this way. Using family childhood movies, that probably don’t look much different from any of thousands of home movies that have been filmed since the advent of the home video camera, it’s a severe juxtaposition seeing the various individuals in light moments knowing the horrors that were going on behind closed doors. There probably isn’t a clearer picture of the perpetuation of sexual abuse that gets passed through generations than the story as it is shown here. There’s great courage that his sister and father were also willing to bear witness to their own experiences.

Predestination (2014)

Ethan Hawke is a time travelling agent trying to catch the one criminal who has alluded him. While temporarily working as a bartender, he meets Sarah Snook who has a tale to tell. It’s a twisty story that moves back and forth through time periods with a singular purpose. That purpose becomes fairly clear the most watchers midway through but it takes Hawke and Snook a bit longer. The science is a bit questionable, but the acting is great especially some of Sarah’s scenes.  SciFi

Fed Up (2014)

This is an effective anti-sugar propaganda piece. It pushes an extreme criticism of the food industry and those in government complicit in pushing their agenda. By using the heartfelt stories of extremely overweight young people, it poses that just exercise cannot be enough to keep Americans healthy and what has been pushed as healthier alternatives is anything but. It’s very effective, but not very clear on the data that supports its various assertions.

Prometheus (2012)

An odd prequel to the Alien series, this film has the cool aesthetic of those films but doesn’t quite feel as if it fits narratively with the others. Noomi Rapace and Logan Marshall-Green are an archeologist couple who discover a star map that they believe will lead them to humanity’s predecessors. Soon they and a motley group of scientists and other crew members are on a ship to the far corners of the universe. Anyone who has seen any of the other films knows this is a bad idea. Noomi is given the main job of having her ass kicked and kicking ass in return and Michael Fassbender plays a convincing android trying his best to pass as human. There’s a whole lot in the movie that makes no sense and bits that are left unfinished that it’s not even worth delving very far into.  SciFi

Oscar Nomination: Best Achievement in Visual Effects

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