Category: 2010s

Driveways (2019)

Sometimes I poke at myself for continually adding every little film that intrigues me to my grand To Watch list, but other times I’m grateful because I end up watching lesser known gems such as this one. Hong Chau is a single mother who has temporarily moved into her recently deceased sister’s home to prepare it for sale. Brian Dennehy is the next-door neighbor who bonds with her young son. This is such a complex portrayal of different ages and life experiences, particularly when dealing with death, that it feels as if it fully encompasses every stage of life itself. The acting is excellent and it really is a beautiful little film.

The Invisible Woman (2013)

Felicity Jones, playing a teenaged young woman, is coerced into becoming the not-too-secret mistress of Ralph Fiennes in this story revolving around one chapter in the life of Charles Dickens. It’s a slow but beautiful looking period film detailing a fairly boring story. The one bright point aside from the visuals was Fiennes’s portrayal of Dickens at a point in his career where he was almost a rock star of the era.

Oscar Nomination: Best Achievement in Costume Design

You Don’t Know Jack (2010)

This HBO production made me exceptionally glad I live in a right to die state. It follows Jack Kevorkian during the most famous parts of his medical career. He’s a peculiar character and Al Pacino does quite the work to bring his personality to the screen. It becomes fairly obvious how Kevorkian was both the best and worst representative for the assisted suicide movement and the witch hunt that the Michigan government pursued against him. Pacino is joined in the film by a number of strong performances (John Goodman, Danny Huston, Susan Sarandon) portraying many of Jack’s closest supporters.

The Fits (2015)

A young girl who spends her afternoons boxing with her brother decides she’d rather devote her energies to the dance team that practices in the same facility. Soon after her joining, girls in the troupe start experiencing seizures. These fits parallel the experiences of puberty itself. The older girls are the ones first inflicted. Each girls’ experience is different with some gleefully awaiting for their turn while others more reticent. Aside from these attacks, there is a deeper exploration of the changes that the main character experiences, expertly played by Royalty Hightower. She craves the female camaraderie, the control of her body, the group identity, and femininity. As she grows more comfortable in her new role, her confidence grows as does her smile.

Jinn (2018)

With the unique story of a teenage girl whose recently-divorced mother converts to Islam, I really wanted to like this film more than I did. The performances are strong, particularly that of Zoe Renee in the lead, but the narrative lets them down. The mother’s conversion feels like the desperate move of someone whose identity is still reeling from the end of their relationship. She is then almost abusive in forcing her new religion onto her daughter, who prior to conversion is a bubbly bisexual whose primary interests are dancing and eating pepperoni. The daughter becomes Muslim, except she seems to have forgotten to investigate at all what was now expected of her in her new religion. The ending tries to resolve all of this in a positive way, but by then I had no faith in the decision making abilities of these characters.

Feeling Through (2019)

Much better than my previous Oscar short watch, Feeling Through tells the story of a homeless young man who encounters a DeafBlind man needing assistance one night. I appreciate how the streets visually change from when the young man is safe with friends to when he’s alone trying to find a place to stay. Those struggles are nicely juxtaposed to the struggle the DeafBlind man experiences trying to get himself home safely.

Oscar Nomination: Best Live Action Short Film

Real Steel (2011)

Fitting in well with the fighting films I’ve been watching, Real Steel is a cross between the Rocky and Transformers series, imagining 2020 as a year where robots have replaced humans in the sport of boxing. If only that were the biggest concern of 2020. Hugh Jackman is a former human boxer and wannabe robot champion owner who reunites with his estranged son after the son’s mom dies. Are orphaned children foisted on estranged parents in real life as often as they are in movies? The movie is super predictable. The son is of course a precocious wannabe owner himself and there’s a shoehorned love interest played by Evangeline Lilly. The only surprise was that I kept expecting a turn where the son wasn’t even his as Jackman was taken aback multiple times when he was told the kid was older than he expected.

Oscar Nomination: Best Achievement in Visual Effects

Curfew (2012)

While I haven’t yet seen any of other nominees from the year, I have no idea why this would be nominated for an Oscar, let alone win. A suicidal man reconnects with his family when he’s asked by his sister to watch his precocious nine-year-old niece for a few hours. It’s decently made (acting not bad, visually appropriately gritty, etc.) but the story comes across as a misguided PSA for a suicide helpline.

Oscar Win: Best Short Film, Live Action

I Wish (2011)

Based on my exposure to a handful of his other films, I don’t expect Hirokazu Kore-eda’s direction to be as precious as it is here. Perhaps it’s the focus on children, primarily a pair of brothers who are having difficulties adjusting to being separated after their parents’ divorce, that makes for an overly cute film. The child actors all do a decent job holding the story, though I would have liked if there were a couple less of them as their stories and the wishes associated with them got muddled together. The soundtrack was a bit jarring to my American ears as it is similar to what I expect to invoke scenes of middle America, not the trains and scenery of Japan.

Bullhead (2011)

I felt a bit out of my element with this one, being completely ignorant of Limburgish farmers and the Mafia’s involvement with cattle growth hormones in Belgium. The film didn’t really do much in trying to pull the viewer into understanding this world either. Matthias Schoenaerts on the other hand does a great job portraying the angry young farmer who experienced an incredible demeaning and life altering event as a child. The crime story is quite confusing from the start and is difficult to follow until the third act.

Oscar Nomination: Best Foreign Language Film of the Year

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