Category: Animated

Encanto (2021)

Mirabel Madrigal is the only member of her multigenerational Colombian family who was not bestowed a special talent as a child. On the day her younger cousin Antonio receives his gift, Mirabel notices that the Madrigal’s magical home seems to be cracking at the seams and she’s determined to find out why. Like Raya and the Dragon before it, this film is beautifully animated with even more gorgeous backgrounds and details. Unfortunately Mirabel isn’t a particularly inspirational main character and many of the other family members would have made more appealing leads. I like Stephanie Beatriz as an actress, but her voice does not come across anywhere near that of a teenager. The soundtrack is apparently very popular, but didn’t work organically within the movie for me. Instead the songs feel like they were made for an eventual stage production than this animated film. Both the build up and the resolution of the main conflict are a bit muddied, but I do like the concepts of familial pressures and magical gifts even if some of those were a bit duds in terms of usefulness.   Musical

Oscar Win: Best Animated Feature Film

Oscar Nominations: Best Achievement in Music Written for Motion Pictures (Original Score); Best Achievement in Music Written for Motion Pictures (Original Song)

The Mitchells vs. the Machines (2021)

During a cross-country family road trip to transport quirky teenager Katie Mitchell to film school, the family encounters an obstacle in the form of a newly launched series of home robots determined to capture all humans and launch them into space. There are so many dysfunctional family road trip and technology taking over films ( The Addams Family and Ron’s Gone Wrong both from this year) that simply mashing the two together doesn’t make this film magically fresh. It doesn’t bring anything new to either of those genres. Visually, though the humans look like all other generic computer animated humans these days, the textures of the film are softer and the scenes in the robot headquarters are a highlight, brilliantly colored and designed.

Oscar Nomination: Best Animated Feature Film

Kings of the Turf (1941)/Saved from the Flames: 54 Rare and Restored Films (1896-1944)

The life of a cart horse from birth to adulthood is detailed with questionable humor in Kings of the Turf. I’m sure there is someone out there that finds such things amusing, but for me, it’s quite a bore and very forgettable. It’s too fictionalized of an account to feel informative and not appealing enough to bother otherwise.   Sports

As the title suggests, Saved from the Flames is a collection of rare films that were made during the days of nitrate films. Comments on the films are available after the cut.

Oscar Nomination: Best Short Subject, One-reel (Kings of the Turf)

The Addams Family 2 (2021)

I think I checked this film out because I thought my housemate would like it, but he literally didn’t remember watching the first film and thought we were watching something from the live action series. This isn’t surprising as the first film was at best unmemorable. Here Gomez decides the cure to Wednesday’s preteen angst is to take the family on a road trip. Unfortunately an evil scientist has convinced her that she might not be an Addams. It’s not saying much but I do think the story here was stronger and more appealing than the original film. I like the cast they have chosen for the well known characters and while some of the backgrounds are surprisingly gorgeous, the animation style is generally weird and ugly. The various Addams look more natural than the style used for the ‘normal’ characters.

Birds Like Us (2017)

This is one of the ugliest animated films I’ve ever seen, almost uglier than Antz. While I’d love computer animated films to have some variety in their aesthetic, this ain’t it. Somehow an adaptation of the Persian poem, The Conference of Birds, birds live under the canopy of a giant tree and have forgotten how to fly. They are ruled under a reign of terror and coercion by the condors. A group of random bird, including a mixed breed couple, escape to later follow a path to enlightenment. I can only think the incredible voice cast (Jeremy Irons, Alicia Vikander, Jim Broadbrent) had no idea what the film would look like or the details of the weird plot before signing on to participate.Animals

Ron’s Gone Wrong (2021)

In the terrifying future where kids can no longer make friends, the tech industry steps in and creates B-bots, the best friend they’ll ever have whose personality is based solely on an algorithm reading through their social media. What is a kid who can’t afford to keep up with the ever changing cost of new tech to do? They buy an off the truck, damaged version and try to make do. The film tries to sell a message that the best friends aren’t the ones who are artificially trained to like everything you like, but the result is still a sad commentary on modern reliance on technology and the ubiquitousness of being tethered to a piece of machinery all day every day. To really push that message, it’s rendered in the most generic computer animation possible. It could be Disney or Pixar or Illumination. Surprise, it’s none of those three.

Jack Frost (1979) – Rewatch

While there is a scene or two set at Christmas time, this is the rare Rankin-Bass stop-motion animated special that involves a less celebrated holiday. Groundhog Pardon-Me Pete explains the best/only Groundhog day tradition by narrating the tale of the one winter when immortal sprite Jack Frost made a bargain with Father Winter to become human. In the best Rankin-Bass fashion, it’s an attempt to explain holiday traditions with some real nonsense. There’s a whole bevy of weather making sprites whether sleet or hail or snow. The antagonist is a Cossack named Kubla Kraus whose only companions are a hand puppet named Dommy and an array of steampunk creations. It’s weird and delightful and a lovely way to celebrate a holiday that really doesn’t need celebrating.  Holiday

The Legend of Hei (2019)

When his forest home is destroyed by humans, cat demon Hei is taken in by a motley group of other demons. Before too long, he is kidnapped by a human who takes him on an extended journey where he learns more about his powers and the world at large. In the end, Hei must decide in the end where his loyalties lie. Serving as a prequel to a popular web series, the story isn’t particularly fresh view on environmental concerns, but it is beautifully animated. Many of the backgrounds particularly are gorgeous. I’m not a fan of cats, but Hei in cat form is endearingly rendered in a very simple form.

Little Vampire (2020)

I’m often on the lookout for movies I can add to my various holiday repertoires. I had checked this out thinking it might work for Halloween time, but it’s a bit too weird for me. A never-aging 10-year old vampire would rather spend his time doing normal human child things like going to school and making friends, but has thus far been relegated to spending time in his haunted house home with a bevy of monsters. When he does befriend a living boy, they soon find themselves pursued by a moon-headed monster. It’s done in traditional animation, but I don’t find the style very appealing. It’s reminiscent of the quality of 1980s television cartoons without any of the nostalgia those contain.

Blind Vaysha (2016)/Polarbearman (2018)/Black and White Trypps Number Four (2008)/Juke and Opal (1973)

The titular character of Blind Vaysha was born with one eye that sees only the past and the other that only sees the future. She can never live in the present. A beautifully animated tale, it’s an interesting parable that is ruined slightly by an ending that pushes for reflection instead of just allowing it to happen naturally.

Polarbearman features Lee Pace as a solitary man in a house with water levels gradually rising to the point where his only recourse is to move higher and higher until he is stranded on the roof. As a representation of the effects of climate change, it’s a metaphor for the dire situation for polar bears and the melting ice caps.

The other two shorts are part of my attempts to watching Richard Pryor’s filmography. The first experimentally flickers through footage from his stand-up routine. It’s not really my cup of tea. The other is a sketch from a Lily Tomlin special. It features Lily as the manager of a greasy spoon and Pryor as a junkie and friend who interact with a few characters who come into the diner, including Alan Alda. It’s an interesting slice of life bit incorporated with realistic characters and relationships.

Oscar Nomination: Best Animated Short Film (Blind Vaysha)

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