Category: Best Cinematography

Posted on 2021-09-05 | No Comments |

The Robe (1953)

By coincidence, one of the special features to the DVD of Titanic was a newsreel detailing how The Robe and Cinemascope won multiple Oscars in 1954. Indeed Cinemascope used in this film, supposedly the first ever, is absolutely gorgeous. It looks like a moving version of Raphael’s The School of Athens. I sadly maintain little interest in Biblical epics and this one about early followers of Jesus, focused on one of the Roman Tribunes at the crucifixion and his slave , definitely overstays its welcome. The acting is fine: Richard Burton is only slightly hammy as the Tribune, Jean Simmons is solid but only appears sporadically, and Victor Mature looks like he just walked off the set of Samson and Delilah.

Oscar Wins: Best Art Direction-Set Decoration, Color; Best Costume Design, Color

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Cinematography, Color

Posted on 2021-09-01 | No Comments |

Reap the Wild Wind (1942)

Perhaps not surprisingly, I haven’t seen many films set amongst marine salvagers in 1840s Key West. Cecil B. DeMille directs an absolutely stacked cast including John Wayne, Ray Milland, Louise Beavers, Robert Preston, Susan Hayward, and a bawdy sea shanty singing Paulette Goddard. It’s a bit long and drawn out for the story, but it culminates with an amazing underwater battle scene that might make it all worthwhile. There is also an incredibly creepy ongoing bit where Ray Milland speaks for his dog Romulus. Cutting out that alone would have done wonders for the length.

Oscar Win: Best Effects, Special Effects

Oscar Nominations: Best Cinematography, Color; Best Art Direction-Interior Decoration, Color

Posted on 2021-08-30 | No Comments |

One Eyed Jacks (1961)

I truly don’t understand Marlon Brando’s acting. He certainly has a presence on screen, but his weird, mumbly elocution pulls me away from his characters almost every time. His direction is similarly uneven. There are scenes where it seems he’s going for ultra-realism, but then it’d veer into the convenient coincidences of any light-weight film. Here he’s Rio, a bank robber who was deserted by his partner, played by Karl Malden, when they are tailed by the Mexican police after one of their big scores. Later escaping from prison, he’s dead-set on revenge. Malden, now a sheriff, won’t let that happen, though his motivations, along with those of deputy Slim Pickens, are questionable beyond that. Katy Jurado plays his new wife and the beautiful Pilar Pellicer is his stepdaughter. The love story between Pellicer and Brando comes out of nowhere and there is no chemistry whatsoever, but the beach setting is both gorgeous and unusual in a Western.

Oscar Nomination: Best Cinematography, Color

Posted on 2021-08-20 | No Comments |

Hush… Hush, Sweet Charlotte (1964)

Angry, unhinged Bette Davis is an aspiration. Here she is Charlotte, an eccentric who defiantly haunts her ancestral mansion, the site where her married lover was graphically hacked to pieces many years ago, a crime many locals believe she committed. Olivia de Havilland deliciously plays her cousin whom Charlotte hopes will help her in fighting the local highway commission. Olivia is perfection, using her sweet reputation as a façade on some darkness that is evidently hiding underneath. Agnes Moorehead wickedly adds to the cast as Charlotte’s only real ally. Young Bruce Dern is also great as the murdered lover. Rather surprised to see that the creepy song Hush, Hush, Sweet Charlotte became a hit and that it was composed by The Brady Bunch theme writer Frank de Vol.

Oscar Nominations: Best Actress in a Supporting Role; Best Cinematography, Black-and-White; Best Art Direction-Set Decoration, Black-and-White; Best Costume Design, Black-and-White; Best Film Editing; Best Music, Original Song; Best Music, Substantially Original Score

Posted on 2021-08-13 | No Comments |

Dead End (1937)

I do enjoy seeing actors who have long careers in their early works, in this case Sylvia Sidney who reminds me a lot of Marion Cotillard or that should be vice versa. I also enjoy seeing earlier works with Humphrey Bogart where he was part of a composite instead of a superstar headling the movie. Watching the beginnings of gentrification as the rich try to figure out ways to put pressure on their neighbors who were there first is what makes this film most interesting. The moralizing of the rich man on how to fix the rough hooligans is particular icing on the cake. I haven’t been fond of the Dead End Kids in other films I’ve seen; it seems their presence isn’t any more appreciated in this, their first appearance.

Oscar Nominations: Best Picture; Best Actress in a Supporting Role; Best Cinematography; Best Art Direction

Posted on 2021-08-10 | No Comments |

Nomadland (2020)

I only have one Best Picture nominee left to watch from this year (Minari is sitting next to my TV, waiting to be watched) so I can’t give a definitive answer whether this deserves to be Best Picture. Thus far I’m not mad at the pick. It doesn’t scream that it is entirely a new story, but it does feel like a now story: people driven from their homes and finding an alternative way to being when capitalism fails them. It is also provides beautiful views of Middle America. I don’t know what kind of life Frances McDormand would have had if she weren’t an award winning actress, but she is truly believable as a rugged, hard-working woman able to do whatever she needs to to get by. On the other hand, as much as I love David Strathairn, in a ‘normal’ Hollywood movie he could pass off as a fade into the background everyman, but in this one, he looked too clean and pretty.

Oscar Wins: Best Motion Picture of the Year; Best Performance by an Actress in a Leading Role; Best Achievement in Directing

Oscar Nominations: Best Adapted Screenplay; Best Achievement in Film Editing; Best Achievement in Cinematography

Posted on 2021-08-09 | No Comments |

Citizen Kane (1941) – Rewatch

After watching Mank, I decided I needed to revisit this. I honestly didn’t get a whole lot out of it the first time I had watched it many years ago. With more film knowledge under my belt, I sadly still don’t connect much with the story and really can’t find reason to care about a fictionalization of William Randolph Hearst and others like him. I appreciate that the story more or less circles back on itself in a creative, though not really surprising, way. Visually it is striking and this subsequent watch gave me an opportunity to appreciate the framing, which is innovative for its time even when it feels overused. I don’t know what the Best Movie Ever actually is, but this still wouldn’t get my vote.

Oscar Win: Best Writing, Original Screenplay

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Cinematography, Black-and-White; Best Art Direction-Interior Decoration, Black-and-White; Best Sound, Recording; Best Film Editing; Best Music, Scoring of a Dramatic Picture

Posted on 2021-08-05 | No Comments |

The Thief of Bagdad (1940)

Essentially an earlier version of Aladdin, any Disney fan wouldn’t be surprised with the general storyline here. Filmed in Technicolor emphasizes the glorious sets and costumes, but also shines a spotlight on the loads of unfortunate brownfacing exhibited in the movie. Highlights are Sabu as the scamp thief Abu and Rex Ingram as the Djinn, plus special effects that are rather impressive for their time.

Oscar Wins: Best Cinematography, Color; Best Art Direction, Color; Best Effects, Special Effects

Oscar Nominations: Best Music, Original Score

Posted on 2021-08-04 | No Comments |

The Young Philadelphians (1959)

Ostensibly about the life and times of one Anthony J. Lawrence, played by Paul Newman, the supporting characters bolster a story of an entire generation of young Philadelphians and themes on history repeating itself and fighting against the expectations of others. Also featuring Robert Vaughn, an aged Brian Keith, and small roles by Billie Burke and Adam West, I really dig any film that ends with a trial featuring a wily defending lawyer.

Oscar Nominations: Best Actor in a Supporting Role; Best Cinematography, Black-and-White; Best Costume Design, Black-and-White

Posted on 2021-08-03 | No Comments |

Judas and the Black Messiah (2021)

I first started read about Fred Hampton while watching The Trial of the Chicago 7 and looked forward to see what more this film could add to his story. I think this film did a pretty good job showing the last few years of his life. Daniel Kaluuya managed to convey his power and charisma along with the humility of being part of a movement bigger than himself. I found the Last Supper scene particularly effective in presenting the tension in the room that I’ve never seen in Biblical films. I didn’t understand it earlier in the year and understand even less after watching the film how two title characters results in two supporting actor nominations.

Oscar Wins: Best Performance by an Actor in a Supporting Role; Best Achievement in Music Written for Motion Pictures (Original Song)

Oscar Nominations: Best Motion Picture of the Year ; Best Original Screenplay; Best Performance by an Actor in a Supporting Role; Best Achievement in Cinematography