Category: Best Art/Production Design

The Americanization of Emily (1964)

James Garner is an extremely charming American dog robber working for a mentally unstable admiral, played by Melvyn Douglas, in World War II London. Julie Andrews is a semi-hardened driver for the military’s motor pool, who has seen too much death in the war already, but is still fascinated by Garner. It is an entertaining oddity to see a World War II film whose main character is an antiwar soldier and whose cowardice is what most attracts the woman who falls in love with him. There is a lot that is told with laughs and absurdity, but it never forgets the seriousness of war.

Oscar Nominations: Best Cinematography, Black-and-White; Best Art Direction-Set Decoration, Black-and-White

Alexander’s Ragtime Band (1938)

With a love triangle as its backdrop, Alexander’s Ragtime Band attempts to tell the early history of jazz during the early parts of the 20th century, all through the music of Irving Berlin. The story is shallow, but the cast is fine, filled with the likes of Tyrone Power, Alice Faye, Ethel Merman, Don Ameche and Jack Haley. The music is the best part and the songs are catchy as all get out. Just reading the name of the film gets the title song stuck in my head.  Best Picture Nomination  Musical  Music

Oscar Win: Best Music, Scoring

Oscar Nominations: Best Picture; Best Writing, Original Story; Best Art Direction; Best Film Editing; Best Music, Original Song

Scroll to Top