Category: Non-English Film

Lunana: A Yak in the Classroom (2019)

On the fourth of his mandated five years of teaching training, slacker Sherab Dorji is sent to the remotest part of Bhutan to teach at a small mountain village school when he’d rather be playing music in Australia. He arrives completely unprepared but quickly finds inspiration in the local culture. I commend the Bhutanese happiness ideal that leads them to ensure the education of even its most remote citizens. Unfortunate the film is not a particularly original take on a fish out of water tale. The setting is gorgeous at least and provides a view into a charming, lesser seen culture.

Oscar Nomination: Best International Feature Film

The Hand of God (2021)

A semi-autobiographical tale of the director’s life, the film follows Filippo Scotti as a teenaged loner living in 1980s Naples. The first half establishes the relationships and quirks among his extended family members and neighbors, a group of mean-spirited, soccer-loving Italians. Then tragedy strikes and Scotti’s character is suddenly forced to grow up. That middle moment is the best part of the film with real tenderness, affection, and heartbreak shown by the characters. The first part is grossly littered with moments of making fun of others and generally treating people horribly. I’ve probably just seen too many male coming of age stories to really get behind the objectifying of women and adults taking sexual advantage of boys to appreciate the changes that the character goes through. The Italian scenery is gorgeous at least.

Oscar Nomination: Best International Feature Film

My Love, Don’t Cross That River (2014)

This documentary follows the approximately last year of a South Korean couple’s 75+ year marriage. Jo Byeong-man and Kang Kye-yeo are beautifully sweet together and their relationship was obviously one filled with love, laughter, and perfect companionship even as they experienced some real tragedies. It’s somewhat of a blessing to be able to witness two people lucky enough to find a lifelong love. My only complaint of the film would be the inclusion of their adult children. Their bickering and emotions disrupt the gentle playfulness the couple had when it was just the two of them.   Romance

The Missing Picture (2013)

In 1970s Cambodia, eleven year old Rithy Panh and his family were among the millions rounded up by the Khmer Rouge and sent to reeducation work camps. As an adult director, Panh uses a mixture of clay figures, animation, and archival footage to work through the atrocities he experienced, including the deaths of his entire family. The result is a somewhat dull, but unconventional documentary on an important part of world history, told from a first hand perspective. The figures are the most powerful part, but they are presented in static dioramas with very slow, drawn-out narration.

Oscar Nomination: Best Foreign Language Film of the Year

The Firemen’s Ball (1967)

The firemen of a small Czechoslovakian town are hosting a ball in honor of their chief’s retirement. With the whole town invited, there are many activities planned: dancing, an raffle, and a beauty pageant. Unfortunately, before the event even begins, nothing really goes as planned. It started a bit slow for me, but my appreciation and amusement grew as the ball went on. Some of this progression is do to jokes that require some build up to a rather funny ending.  Comedy

Oscar Nomination: Best Foreign Language Film

Kings of the Turf (1941)/Saved from the Flames: 54 Rare and Restored Films (1896-1944)

The life of a cart horse from birth to adulthood is detailed with questionable humor in Kings of the Turf. I’m sure there is someone out there that finds such things amusing, but for me, it’s quite a bore and very forgettable. It’s too fictionalized of an account to feel informative and not appealing enough to bother otherwise.   Sports

As the title suggests, Saved from the Flames is a collection of rare films that were made during the days of nitrate films. Comments on the films are available after the cut.

Oscar Nomination: Best Short Subject, One-reel (Kings of the Turf)

Omar (2013)

After he and two of his childhood friends carry out a sniper attack on an Israeli soldier, Adam Bakri’s titular character is captured and coerced into becoming a collaborator. His situation is further complicated by his love for one of his friends’ sister and finding the traitor in their group who tipped off the authorities. I hadn’t intended to watch so many films on the Israeli-Palestinian conflict but it was one of those weird coincidences in my library check-outs. This was rather similar to the same director’s Paradise Now . I think I prefer Paradise Now as a film, but this one does have a more multi-faceted story and also includes a more thorough look at the hopeless situation of collaborators which was referenced in that other film.

Oscar Nomination: Best Foreign Language Film of the Year

Moolaadé (2004)

In a remote west African village where battery operated radios and the occasional outside visitor are the only connections to the world beyond, one woman causes upheaval when she offers protection to four young girls who escape a genital mutilation ceremony against the wishes of the village elders. For such a dark, intense subject, the film does not get bogged down by bleakness. The village and its denizens are colorfully portrayed and fully realized with interactions and relationships that intertwine. But in the end, it doesn’t shy from presenting a thorough indictment of the practice and the necessity for change no matter the risk to the society built around it.

Paradise Now (2005)

Two childhood friends living in Nablus are recruited to carry out suicide bombings in Tel Aviv. On the day chosen for the attack, they make it through the military checkpoint, but are forced to flee from guards, separating for the remainder of the day with neither knowing what happened to the other. It’s a delicate, human telling of the two young men’s histories and the conditions in their lives that lead them to this point without necessarily glorifying the choices they have made.

Oscar Nomination: Best Foreign Language Film of the Year

Hive (2021)

With her husband still missing after the Kosovo War, Yllka Gashi’s Fahrije is alone left to care for her two children and father-in-law. With few prospects in a disapproving patriarchal society, she concocts the only plan she can think of, to market homemade ajvar, hopefully with the support of the many war widows in her village. Even before she tries to recruit the other women in her scheme, there’s a connectedness between them, helping each other get through their shared predicament. Based on the true story of one Kosovar village, Gashi brings a quiet determination to her headstrong character, resolute in helping her family survive while also still struggling with the questions of her husband’s fate .

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