Category: Oscar Nominee

Legacy (2000)

This documentary follows the experiences of an extended Chicago family after one of their teenage members is shot and killed. The cameras follow four women for the next five years of their lives as the victim’s grandmother (who raised the teenager) is given a home through the kindness of a stranger, his cousin (the narrator of the documentary) graduates high school, her mother struggles with getting off welfare, and his mother recovers from her addiction to cocaine. While their stories are touching, the format doesn’t seem to do them justice in aggregate. The narrative jumps between the various stories and timelines with little focus. There isn’t an overlying theme to what is being presented and could simply have been a feature news story since the plot becomes ‘here is what happened to these people’. There is a somewhat throw away line at the end where the narrator states she will be raising children with her husband ‘the way it’s supposed to be done’ which comes across as a slap in the face to the strong women who came before her and raised her despite their own struggles.

Oscar Nomination: Best Documentary, Features

Persepolis (2007)

This is a faithful adaptation, both visually and in story, of the Persepolis graphic novels, depicting the early life of its writer Marjane Satrapi, growing up in a rapidly changing Iran and later Austria. Other than the chance to see the story told in animated form, there wasn’t much new added to the story that could not be gotten from reading the books. I do recommend either option, especially for anyone interested in seeing one woman’s experiences growing up during and after the Islamic Revolution.

Oscar Nomination: Best Animated Feature Film of the Year

Women in Love (1969)

These very late 1960s films kill me whenever it feels like everyone was doing all the drugs and they were just trying to one-up each other with the surreal weirdness. Glenda Jackson and Jennie Linden are somewhat bohemian sisters and teachers in a coal-mining in 1920s England. Both of them become attracted to and attract the attention of two bachelors, Oliver Reed and Alan Bates. The lives of the foursome twine around each other, with the men also experiencing a connection together. There are discussions about and actions taken with regards to love and sex and commitment. Of the four characters, I most enjoyed Jennie Linden’s performance (perhaps that is telling in a pop psychology way) and find it unfortunate that there doesn’t seem to be much in her filmography to recommend itself.

Oscar Win: Best Actress in a Leading Role

Oscar Nominations: Best Director; Best Writing, Screenplay Based on Material from Another Medium; Best Cinematography

Report from the Aleutians (1943)/San Pietro (1945)

I’ve already established most war films aren’t generally my thing and war propaganda documentaries, even directed by the great John Huston, do it even less. What I found most educational about Report from the Aleutians was learning the importance of the islands in the Pacific campaign, but what was most interesting was seeing the daily lives of the men assigned to that remote outpost. Though later proved to not be a filming of the actual battle as it happened, San Pietro was the result of Huston being paired with a regiment as they fought in the Battle of San Pietro. It still remains unflinching in its portrayal of the experiences of the servicemen who were there and the sacrifices of war.  War

Oscar Nomination: Best Documentary, Features (Report from the Aleutians)

Crocodile Dundee (1986)

As the classic 1980s representation of Australophilia, I expected this to be much more light-hearted and fun. Instead it pushes a hyper-masculine agenda where Mick Dundee is never really a fish out of water, but always knows what to do whether in the Australian bush or in New York City, the one who shows even New Yorkers how to be a ‘real’ man and rescue all those damsels in distress that for some reason have no ability to take care of things on their own. Liz Kozlowski can’t help herself but to dump her fiancĂ© who as a newspaper editor is obviously too soft. All that is before getting to the disgusting and repeated transphobic joke. I do wonder how much is a sign of the times, but I’m curious what I would have even found funny about this film 35 years ago.

Oscar Nomination: Best Writing, Screenplay Written Directly for the Screen

National Velvet (1944)

Elizabeth Taylor’s star quality might never have shown as much as it did as a twelve year old in this tale of the horsiest horse girl who ever did live. The smittenness of her character for The Pie oozes out of her every action, a puppy love that is portrayed better than any teen romance on film. Even Mickey Rooney’s haminess as a horse trainer can’t detract from Liz’s performance. Though sadly other family characters are either wasted, such as Angela Lansbury as the oldest sister, or annoyingly unnecessary, Jackie Jenkins’s little brother, the relationship between Liz and Anne Revere as her mother has some incredibly beautiful moments as the two bond over finding a love and purpose in life even at an unexpected age. As someone who never really interacted or understood horse girls, the tale still drew me in with its beautiful fake countryside and feel-good, family-friendliness.   Sports

Oscar Wins: Best Actress in a Supporting Role; Best Film Editing

Oscar Nominations: Best Director; Best Cinematography, Color; Best Art Direction-Interior Decoration, Color

A Herb Alpert & the Tijuana Brass Double Feature (1966)/Anna & Bella (1984)

Two more unconnected Oscar shorts: I love the music of Herb Alpert. It never fails to put me in a better mood. The short is essentially two animated music videos of Alpert hits: Spanish Flea and Tijuana Taxi. The animation is very rough, but I do love the splashes of color particularly in Tijuana Taxi. Spanish Flea is possibly the stronger of the two simply for having an easy narrative.   Musical

Having a somewhat Disney-esque animation style, Anna & Bella is a tender story of sisterhood. The two titled sisters are looking through a photo album together, reminiscing on the lives they shared. It doesn’t shy from highlighting the good and the bad and is just a sweet and beautiful look at their relationship.

Oscar Wins: Best Short Subject, Cartoons (A Herb Alpert & the Tijuana Brass Double Feature); Best Short Film, Animated (Anna & Bella)

The Times of Harvey Milk (1984)

I should probably rewatch Milk again. I had either forgotten or missed from that film that Harvey Milk’s assassination seemingly had nothing to do with his sexuality and was the result of a a political disagreement amongst former political allies. This documentary focuses tightly on Milk’s political career as short as it was and benefits from its interviews with people who knew and worked with Harvey. It is a dedicated artifact showing his devotion to his community, particularly its LGBT members, even to the point of using political stunts to get his message across.

Oscar Win: Best Documentary, Features

Baby Doll (1956)

Drunken cotton gin owner Karl Malden had promised Carroll Baker’s now deceased father that he would not consummate their marriage until her 20th birthday. On the eve of that fateful day, the future of Malden’s cotton gin has depleted while Baker’s sexuality is burgeoning. Into this disturbance appears Eli Wallach, a sexier, somewhat younger, more successful, Sicilian American competitor. It’s a very sultry movie, both in its Mississippi location and the desires burning at the surface for all three characters. Malden’s character is out-matched completely by the other two, even if it takes him until the end before he fully realizes it.

Oscar Nominations: Best Actress in a Leading Role; Best Actress in a Supporting Role; Best Writing, Best Screenplay – Adapted; Best Cinematography, Black-and-White

Return of the Seven (1966)

The first sequel to The Magnificent Seven, this wasn’t as bad as I had expected. It’s mostly a rehash of the original story. Set in the same town the Seven saved in the original, a new enemy has appeared to kidnap all the male villagers to build a church and sanctuary to his dead sons. Yul Brynner is called on by the wife of Chico, one of the original Seven and also one of the kidnapped, to find the men. Unfortunately Brynner is the only one to return from the original cast and the few replacement cast members do not live up to the quality of those original members. Even the score is a re-recording of the classic original.   Western

Oscar Nomination: Best Music, Scoring of Music, Adaptation or Treatment

Scroll to Top