Category: Filmed Performance

Whoopi Goldberg: Direct from Broadway (1985)

Whoopi’s original Broadway one woman show paints her as not just a funny comedian but also a masterful storyteller. From her portrayals of a little Black girl who dreams of being white to a young teenager who gives herself an abortion to a disabled woman who has recently gotten engaged, she somehow manages the tone from funny to sad extraordinarily well without it feeling jarring. She incorporates the characters so thoroughly that each one feels a bit like they must be a part of her. Some of them, like the disabled women, were re-worked somewhat for her Back to Broadway performance and it’s interesting to compare how she advances their narrative.  Comedy

Whoopi Goldberg: Back to Broadway (2005)

Twenty years after her original one woman show was filmed on Broadway, Whoopi returns with some familiar and some new characters added to her repertoire. Though I’ve only seen a tiny piece of the original show, I have not yet watched it in full. This collection is a bit more contemporary (including jokes about Spongebob Squarepants) and political (multiple mentions of George Bush and September 11th). I think my favorite chapter in this set was Lurleen, the Southern belle going through menopause. The jokes were funny but also felt personal with the line between Whoopi and the character she was playing somewhat blurred.  Comedy

Soul Power (2008)

Since watching We Were Kings, I’ve been looking forward to seeing this documentary about the three day music festival that was intended to accompany the Rumble in the Jungle fight. Sadly, this film also concentrates too much on the behind the scenes issues and insight from the people involved than it does on the music. Oddly, like the other film, this one includes footage of Ali but much less/none of Foreman. I would love to just see the concert footage, because what is shown here is great from the likes of James Brown, The Spinners, Bill Withers, and Miriam Makeba. I just want more. The fashions of the time are also great to see. In both films, there are so many uses for various shades of denim that it boggles the mind.  Music

Richard Pryor: Live on the Sunset Strip (1982)

Richard Pryor was definitely a comic genius. This is the second concert film I’ve seen of his and he’s just incredible at his craft. He makes it look incredibly effortless and more like a conversation than a well-honed bit. Filmed relatively soon after his freebasing incident, there’s a nervousness, especially early in the act, that is a bit affecting. While the act covers a wide range of subjects, he has an incredible honesty about the incident and his drug addiction as a whole. There’s obviously quite a bit of internal pain there, which one can only hope that getting out provided some catharsis for him and it wasn’t just fodder to entertain the public.  Comedy

Sign ‘o’ the Times (1987)

Prince’s Super Bowl half time show is probably my favorite of the Super Bowl performances I’ve seen. I had hoped that this concert film, produced with the hopes of boosting slogging American sales of the album of the same same, would be equal to that production. Unfortunately for me, this was a bit of a drudge and failed to present the electricity of the live Super Bowl experience. The narrative between the songs was a bit silly and distracted from the concert footage as was the decision to include the music video for U Got the Look instead of a concert performance. It’s still Prince though and seeing him perform is still a treat even when it’s one of lesser quality.   Music

Wattstax (1973)

Mixing commentary from ordinary people and celebrities of the time (including Richard Pryor and Ted Lange) with footage from the actual concert, this documentary celebrates the 1973 concert that was held seven years after the Watts riots. There is some really impressive footage of the concert including The Staple Singers, Luther Ingram, and an Isaac Hayes finale. Extremely memorable are the scenes with Rufus Thomas and watching him control the crowd. While I prefer concert films to be (almost) all actual concert footage, in this instance I appreciated the timely discussions on race, gender, and the general state of the city and country.   Music

David Byrne’s American Utopia (2020)

Stop Making Sense is perhaps the best concert film ever. When I discovered that American Utopia was available and that it was directed by Spike Lee, I had to watch. This isn’t as great as that first film, but it is still an incredible experience. Upon finishing, it made me want to immediately rewatch it over again, rewatch Stop Making Sense again, and also check out everything David Byrne has ever made.   Music

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