Cold Souls (2009)

Taking riffs from Being John Malkovich and Eternal Sunshine of the Spotless Mind, here we have Paul Giamatti playing a fictional version of himself, an actor who has become so encumbered by the roles he has performed that he has his soul extracted. Unfortunately the soul business is connected to unscrupulous Russians and when Paul wants his soul back, it’s next to impossible to find. While having some of the humor of those other films, this is quite a bit darker and has little of the frivolity. The acting is splendid and includes David Strathairn as a soul-releasing doctor.

Free Guy (2021)

I really was on the fence about watching this from the moment I was aware of its existence. Ryan Reynolds is an NPC in what is essentially Grand Theft Auto Online. The first part of the movie has a fun time establishing the game’s world and Ryan’s place in it. Then the narrative is pulled out of the game and we’re subjected to inane real-life characters and a nonsensical storyline and a barrage of every IP Disney owns and I forgot that there was any good parts in anything ever.

Oscar Nomination: Best Achievement in Visual Effects

Naughty Marietta (1935)

Jeannette MacDonald is certainly a talented singer, but her voice isn’t of a type that appeals to me. In this film, she’s a European princess who, in order to avoid an arranged marriage, flees on a ship of casquette girls to America. There she meets pirates, gypsies, and a mercenary played by Nelson Eddy whom she falls in love with. The majority of the story is rather yawn-worthy and the songs just feel thrown in to show off MacDonald and Eddy’s voices, offering little flow with the story itself.  Best Picture Nomination

Oscar Winner: Best Sound, Recording

Oscar Nomination: Best Picture

Princess Caraboo (1994)

Based on a true story, Phoebe Cates is the title character, a young woman who is found wandering in a field in 1800s England and is thought to be an exotic princess. Local aristocrats take to her as if she were a rock star and it all is incredibly far-fetched. It’s fun watching the rich snobs copy the costumes and mannerisms of the princess. Despite any shortcomings the story may have (it’s entertaining but a bit slow), Cates is fantastic in the role. The vast majority of her scenes require her to speak gibberish, feign misunderstanding of those around her, and emoting everything else.

Deacons for Defense (2003)

I’m glad I watched this film as I had never heard of the Deacons, an all-Black self-defense group formed during the days of the Civil Rights Movement. In this TV movie inspired by the real life Deacons, Forest Whitaker is a father and factory worker who is content not to make waves with regards to the white leadership at his factory and in his town until he witnesses a co-worker being brutalized for deigning to try to for something better and his daughter is terrorized for protesting. Finally enough is enough and the Deacons are formed with Forest as one of their leaders. This makes a nice companion piece to Bill Duke’s earlier TV film The Killing Floor. It seems that these are the stories that some are trying to suppress, keeping people from learning the complexities of the United States in all its failures, promises, and potential.

Driveways (2019)

Sometimes I poke at myself for continually adding every little film that intrigues me to my grand To Watch list, but other times I’m grateful because I end up watching lesser known gems such as this one. Hong Chau is a single mother who has temporarily moved into her recently deceased sister’s home to prepare it for sale. Brian Dennehy is the next-door neighbor who bonds with her young son. This is such a complex portrayal of different ages and life experiences, particularly when dealing with death, that it feels as if it fully encompasses every stage of life itself. The acting is excellent and it really is a beautiful little film.

Fearless (1993)

Jeff Bridges survives a horrifying airplane crash and the film follows his personality change in the aftermath. His family finds him difficult to relate to and he feels compelled to reach out to his fellow survivors. The story is a bit uneven in its impact, but the cast is incredible, including Isabella Rossellini, John Turturro, Tom Hulce, and Benicio del Toro. Most incredible is Rosie Perez’s performance as a mother who lost her child in the crash. She transcends her typical role to fully portray the grief and powerlessness required in the role.

Oscar Nomination: Best Actress in a Supporting Role

The Crime of Padre Amaro (2002)

Gael GarcĂ­a Bernal is a young priest sent to provide back-up in a small Mexican town’s parish. He’s egotistical and self-righteous in his condemnation of the sins of the nearby priests all while committing similar acts himself, leading a devout young woman hard and fast into a downward spiral. Their ‘love’ story is certain to be considered blasphemous to anyone who holds Catholic doctrine dear and not just because of the disintegration of his celibacy vow. Any narrative not involving these two characters falls away as the film builds to its ugly and disastrous ending.

Oscar Nomination: Best Foreign Language Film

Evolution (1971)/The Door (2008)

A little blogging economy here, covering two different shorts from disparate categories. The animation on Evolution, a short film portraying evolution from primordial soup to space travel days, is cute. The creature that first finds its way onto land looks a bit like Sonny the Cuckoo Bird. It’s at that point in the short that the creatures get a bit more fantastic and the females are all strangely depicted with large breasts. It’s also at that point where it loses me and my interest.

The Door is set in the days following the Chernobyl disaster. It’s a powerful tale that tells one story of residents living in the exclusion zone who were directly affected by the meltdown. It makes economical use of its under 20 minute runtime to portray a complete and complex story.

Oscar Nominations: Best Short Subject, Animated Films (Evolution); Best Short Film, Live Action (The Door)

Death of a Cheerleader (1994)

In this made for television movie, Kellie Martin wants to be rich and popular like Tori Spelling, trying her darnedest to make it happen. Unfortunately Tori is kind of awful so it’s not a surprise that she is the cheerleader in the title. It’s the best quality you can expect from a TV movie based on a true story, which makes it trashy but entertaining. Oddly they made the murderer the most sympathetic character and the victim someone you’d hate. There’s also the added 1990s moral panic that the girl who dresses in black is bullied and also considered the prime suspect.

Scroll to Top