Tales of Terror (1962)

Another trio of stories starring Vincent Price, this time they are loosely based on stories by Edgar Allan Poe. In the first story, we have Price being visited by his adult daughter whom he blames for killing his wife in childbirth. In the second, Peter Lorre is tormented by his wife, her cat, and her lover in life and in death. And in the last, Basil Rathbone is a hypnotist who captures Price at the point between life and death in order to take advantage of him and his wife. There are neat special effects and bits of horror sprinkled between all three. The second tale is the best of the lot, infusing a bit of humor between Price and Lorre in between the tension.   Horror

Tokyo Twilight (1957)

There’s always a bit about Ozu’s family dramas where I feel like I might be losing some of the tension due to the cultural and time divides. The mother who abandoned her family years ago returns to town which causes conflict for her daughters. Set during winter time and touching on some of the less savory aspects of society, it’s darker than many of Ozu’s works. Including deaths, family separations, and abortion amongst its plot lines, there are very few light spots to brighten the narrative. Particularly in the case of the youngest daughter, the story somewhat veers into tragedy porn.

Theatre of Blood (1973)

Vincent Price is again an aging actor murdering people and it’s just as fabulous as the previous times. Here he’s a Shakespearean actor out to get the critics who denied him the accolades he feels he deserves. The gimmick this time is that he uses the plays of Shakespeare to inspire each killing. The production quality here is a bit better than say the likes of the Dr. Phibes series and Price delivers yet another high caliber performance with costumes and monologues galore. Diana Rigg also gives a lovely performance as Price’s adult daughter.   Horror

Dragonslayer (1981)

Peter MacNichol is a sorcerer’s apprentice on a mission to murder a dragon that otherwise feasts on young virgins. It’s not quite as engrossing as other 1980s fantasy films, such as Willow or Ladyhawke, but it still provides a level of entertainment. Some of the special effects are a bit dated, but there are also some highlights especially when they hint at the dragon’s size instead of showing it directly. I did have to spend quite a bit of time trying to figure out what the rules are with regards to virgin sacrifice: do the males of the village refrain from having sex with any female of a certain age? do the test whether or not a girl is a virgin before they sacrifice her? do the virgins for some reason taste better to the dragon and can it actually tell the difference?  Fantasy

Oscar Nominations: Best Effects, Visual Effects; Best Music, Original Score

The Lost Patrol (1934)

A lost British Army patrol, counting Boris Karloff and Victor McLaglen amongst its members, is stranded in an oasis in the Cradle of Civilization; their last orders lost in the mind of a now-deceased officer. They are surrounded by the enemy with little chance of survival. The tension is strong and it’s a dark, psychological battle for each of the soldiers, where few if any will survive. I do enjoy the story telling in this era of John Ford films (fairly short run times with compelling stories told in tight locales) over his sweeping westerns.  War

Oscar Nomination: Best Music, Score

Twice-Told Tales (1963)

A collection of stories written by Nathaniel Hawthorne, all three feature our man Vincent Price. The first Dr. Heidegger’s Experiment was probably my favorite of the set. Price and Sebastian Cabot are friends who meet up for dinner one evening. Secrets are revealed and regrets are made. Vincent as a controlling father standing in the way of his daughter’s romantic life in Rappaccini’s Daughter is creepy and has some wonderfully dated color effects that I still enjoyed. The last is a version of The House of the Seven Gables, about a cursed home and the feud that caused it. The story is told a bit differently than the full length feature from 1940, also featuring Price. It’s also creepy, but a bit too condensed to give the story justice.   Horror

Rocky Balboa (2006)

Rocky V is bad fan fiction that any Rocky fan can just ignore exists. Instead after Rocky IV, turn this one on instead. A retired and widowed Rocky is challenged by the current and unpopular heavyweight champion after Rocky is shown to beat him in a simulated fight. The side stories regarding Rocky Jr.’s daddy issues and the young girl from the original Rocky are wholly filler and unnecessary, but the rest of the film is an almost perfect conclusion to Rocky’s character arc as a boxer.  Sports

Enemies, a Love Story (1989)

Ron Silver is a Holocaust survivor, immigrated to post-war New York and trying to balance the three women in his life. These women (his thought to have died in the war first wife, his second wife who saved his life during the war, and his girlfriend who is also a survivor) epitomize the three distinct periods in his life and his unsuccessful attempts to reconcile them into his current self. I’m not sure how I felt about the movie itself, it’s a bit repetitious and unsure of where it wants go. I do know that the performance I thought was the strongest was the one female that was not Oscar nominated, Margaret Sophie Stein as Silver’s dedicated former maid/current wife.

Oscar Nominations: Best Actress in a Supporting Role (2); Best Writing, Screenplay Based on Material from Another Medium

The Amityville Horror (1979)

Even as someone who isn’t much of a horror fan, I had hoped this would be a bit scarier than it is. After newlyweds James Brolin and Margot Kidder move with her young children into a home where a mass murder had occurred a year earlier, unexplainable things begin to happen. Disembodied voices are heard, people start feeling strangely, doors and windows act as if on their own will. One positive from the film is that they did a great job casting the kids; the three of them look like siblings. The score has the nice repetitive eerie quality that is necessary for the tension to build. The house has a menacing look to it, particularly with the two upper windows light up like glowing eyes. The fact that it is based on an actual story also adds to the scare factor, but it remains just somewhat creepy than an actual scare fest.   Horror  Supernatural

Oscar Nomination: Best Music, Original Score

Witchfinder General (1968)

Vincent Price is perfectly evil as1600s witchfinder Matthew Hopkins who is more than happy to use the powers given to him to get and do whatever the hell he wants. He terrorizes the residents of a few villages, particularly one young woman whom he fancies until she becomes tainted in his mind. There’s not much to the story other than constant brutal torture, but Price is capable of encapsulating the character perfectly.  Horror

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