Downton Abbey: A New Era (2022)

While the majority of the Crawley family is off to the south of France to visit a villa that Violet (Maggie Smith) has surprisingly inherited, Mary (Michelle Dockery) stays behind to supervise over a film crew who is using Downton as a location to shoot their film. The film has very few stakes for anyone involved, but it is a fine continuation of the Downton saga that is simply easy to just settle in to its coziness.. My only complaint is with so many new characters in two separate locations, some of the original core characters get short shrift in the story telling but it’s a minor complaint especially if the story continues on.

The Private Eyes (1980)

Two American detectives, Don Knotts and Tim Conway, who work for Scotland Yard are called to an expansive manor house to investigate the murders of its owners. It’s essentially an extended episode of Scooby-Doo where Scooby and Shaggy are replaced by these two comic greats. The story’s pretty predictable and it doesn’t feature the bungling duo in their prime, but it’s still fun and appreciative for being the last lead role pairing of the two.  Comedy  Mystery

Cactus Flower (1969)

His girlfriend Goldie Hawn values honesty above all else, which becomes a problem when dentist Walter Matthau decides he would like to marry her after previously telling her he was married with three children. Enter Ingrid Bergman, Matthau’s prudish assistant who holds a secret affection for her employer, who is enlisted to fill in as the imaginary wife. A light-hearted amusing romp, I appreciated it for being one of Bergman’s later roles and a rare comedic performance. I really dig Goldie’s mod style and her bubbly personality throughout the film, but it’s strange that she won an Oscar for a role that doesn’t seem that far-fetched from her normal persona.  Comedy  Romance

Oscar Win: Best Actress in a Supporting Role

How to Die in Oregon (2011)

In 1994, Oregon became the first state to pass a Death with Dignity law. This documentary details the experiences of some of the the individuals, their family members, and medical professionals who have been personally affected from the act. Discussion of these laws often feels very abstract and theoretical, but this film offers intimate, personal portrayals of what it is like when people are given a choice in their medical decisions, even if it’s the last one they will ever make, and what it is like to die on their own terms. I am somewhat haunted by the horror stories of family members who died in excruciating pain in their final days. While I have no idea what their own choices would have been if they had been given the opportunity, I remain grateful I live in one of the eight other states that have passed similar laws since.

The Stuff (1985)

When a pair of quarry workers discover a strange white substance bubbling up from the ground, the powers that be decide to sell the sweet, addictive Stuff as a food replacement. Discovering that the Stuff has unusual properties including turning his family into a type of zombie, young Scott Bloom teams up with industrial saboteur Michael Moriarty and advertising executive Andrea Marcovicci to put an end to all consumption of the product. An absurd premise is made even more ridiculous with strange story choices and awful editing. Regardless, it makes for a perfect 1980s blend of 1950s SciFi horror mixed with Reagan era consumerism that somehow managed to bring in the talents of Paul Sorvino, Garrett Morris, and Danny Aiello to tell its strange tale.  SciFi  Horror

We Need to Talk About Cosby (2022)

Director W. Kamau Bell delves through Bill Cosby’s entire career to try to come to terms with contrasts between Cosby’s positive public persona and the horrors he committed behind closed doors. While not experiencing quite the same gut punch that Bell might have felt as a Black man, I have also struggled with the details of Cosby’s case. I grew up on the lessons taught during Fat Albert and the uplifting portrayal of an upper class inner-city Black family on The Cosby Show; they both mark positive experiences in the entertainment consumption of my childhood. Giving many of Cosby’s victims a chance to speak, but also some of his, albeit not strong, supporters to provide their insights, Kamau offers an unexpectedly balanced view into Cosby’s career though if anyone wanted to look closely, it seems the signs were always there and it is obvious Cosby used the public’s perception to further his predatory behaviors. In the end, there are no answers on how to rectify feelings for someone who did some really great things in life but is also undeniably a monster despite me hoping somehow this miniseries could have provided some.

Betrayal (1983)

The adulterous love affair between Jeremy Irons and his best friend’s wife Patricia Hodge is told in reverse chronological order from a meeting two years after the affair ended to the first moments when Irons’s indicated his attraction to Hodge. Based on the semi autobiographical play of the same name written by Harold Pinter, the narrative is intriguing for its real life implications and innovative backwards storytelling. My biggest complaint would be to Ben Kingsley’s role as the cheated on spouse. His somewhat cool removed comes across as if he were aware of the affair from the beginning and just didn’t care, which seems to be at odds with the tale as laid out.

Oscar Nomination: Best Writing, Screenplay Based on Material from Another Medium

5 Broken Cameras (2011)

Purchasing a camera after the birth of his fourth son, Emad Burnat slowly began using it, and the four that later replaced it in succession, to film his village’s nonviolent resistance to the encroaching illegal Israeli settlements. Similar to the journalists in Burma VJ, Burnat’s work attempts to document the attacks of violence and coercion laid on the protestors by a military that is also willing to go to great lengths to see that the recordings cease to exist. Almost easy to dismiss as simply home movies made by a father, it’s a powerful testament to one part of the Israeli-Palestinian conflict as witnessed by those whose lives are most gravely affected by the liberties that one side continues to take.  War

Oscar Nomination: Best Documentary, Features

Fantastic Beasts: The Secrets of Dumbledore (2022)

Mirroring the rise of fascism in the Muggle world at the time, Gellert Grindelwald, portrayed by Mads Mikkelsen in this installment, is acquitted of all charges against him and for some reason, allowed to rise to the candidacy of Supreme Mugwump of the International Confederation of Wizards, a move that is fought to extremes by Jude Law’s Dumbledore and his compatriots. While I generally find the extension of the Harry Potter universe beyond the original books to be worthy of much eye rolling, I still find the world building enthralling despite the many flaws of its creator. It’s a bit strange to me that the love affair between Dumbledore and Grindelwald has taken prominence in this series with many of the characters from the original film falling to minor supporting characters, but I’ll probably continue watching these as long as they keep making them.  Fantasy  Adventure

Children of Paradise (1945)

In the theatrical world of Paris’s Boulevard du Crime, unattainable courtesan Arletty encounters and forms relationships with four men of vastly disparate backgrounds and demeanors. Notable for being filmed during the Nazi occupation of France, it’s an incredibly sweeping epic that somehow never feels like it’s overstaying its more than three hour runtime as it details the intrigues of the five characters’ entwined lives. In a role inspired by the famous mime Jean-Gaspard Deburau, Jean-Louis Barrault is beautifully melancholic, bearing witness to the virtues of mime as an art form in ways I never knew possible while also portraying the desperate heartbreak of a love that, even when unrequited, won’t die.  Romance

Oscar Nomination: Best Writing, Original Screenplay

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