Strike a Pose (2016)

I hadn’t really gone into this expecting much, but it wasn’t so long ago that I first watched Truth or Dare and I’m a sucker for a good Where Are They Now? story. The film offered much more than I would have expected. I found the brotherhood shared by the dancers even to this day to be inspiring. The documentary doesn’t shy from showing both the good and bad that these men experienced before and after their work with Madonna. Many of the stories shared were a good supplement to the various stories set during the 1980s AIDS crisis that I’ve been reading recently. It was powerful seeing many of the men detailing the struggle of when and how to be out with regards to their sexuality or diagnosis.

Hondo (1953)

Just another one of many interchangeable John Wayne westerns. There’s an odd contradiction that the film treats the Apache somewhat respectfully while also shrugging its shoulders at their foregone demise. Geraldine Page’s character was much more interesting than anything Wayne was offering, a tough woman who knew what her expected place in society was but also knew the realities of the man she was married to and the situation she was left with.

Oscar Nomination: Best Actress in a Supporting Role

Bad Boys (1983)

This is as good as any of the best jail flicks, except this one is set in a juvenile detention center which adds poignancy since it involves only underaged offenders . Sean Penn does a good job reining in his performance as the main character who quickly finds himself the head of his cellblock, while […]

Max (2002)

Max takes a bit of time to get started, but once it has, it’s a compelling story of a young, neurotic Adolf Hitler. Torn between the call to be an artist and the pull towards German patriotism, Noah Taylor plays Hitler with the agitated jumpiness of a desperate tweaker. John Cusack brings a higher quality […]

Catchfire (1990)

Presumably when watching an Alan Smithee film, you have already been forewarned. It’s entirely possible I watched the non-disavowed version, but if I did, it should have also been disavowed. Jodie Foster plays a woman who witnesses a mob hit who later bizarrely falls in love with the hitman hired to take her out. Some of that may be spoilers, but it doesn’t even matter. Jodie Foster is the best part of this, looking really beautiful and occasionally acting so as well, but the writing for her character is often beyond ridiculous particularly as Dennis Hopper closes in on her. Brief appearances by Catherine Keener, Charlie Sheen, Bob Dylan, and the amazing Vincent Price don’t even help this train wreck.

Air America (1990)

Seeing any still images of Mel Gibson or Robert Downey Jr. from this movie, you’d have no idea it was set during the Vietnam War. Not having any previous knowledge of the actual Air America and its activities in Laos during that era, this film offers a slight history lesson in its fictional story. A prime example of both actors’ early 90s careers, there is a bit of unevenness in the story, not managing to figure out how to balance its comedic and dramatic tones in the ways Good Morning Vietnam was able to do just a few years earlier. It still manages to be fun, particularly in some entertaining aviation scenes.

The Sundowners (1960)

Perhaps confusing this with the 1950 film of the same name, I really expected this to be an American Western. Instead this is a flick about a family of Australian sheep drovers in the 1920s. I’m not so sure what to think about the unevenness in the accents of Robert Mitchum and Deborah Kerr, but they do have a lot of chemistry as the married couple. The story itself is an inoffensive romp where the couple tries to come to a compromise when one partner wants to settle down while the other experiences wanderlust. Amongst the new friends they meet along the way are characters played wonderfully by Peter Ustinov and Glynis Johns.   Best Picture Nomination

Oscar Nominations: Best Picture; Best Actress in a Leading Role; Best Actress in a Supporting Role; Best Director; Best Writing, Screenplay Based on Material from Another Medium

Carnal Knowledge (1971)

That title is a clunker; I forget what movie it’s referring to every time I read it. It’s odd to say, but maybe I’m too young to really feel shock and surprise over discussions of people’s sex lives. Jack Nicholson and Art Garfunkel play college roommates who spend 25 years treating women awfully and talking to each other about it. Not surprisingly, their characters are incredibly dislikable. The women on the other hand are interesting characters and played well by the likes of Candace Bergen, Ann-Margaret, Carol Kane, and Rita Moreno.

Oscar Nomination: Best Actress in a Supporting Role

Silent Movie (1976)

Mel Brooks’s movies tend to be either major hits or misses for me. Somehow Silent Movie fits somewhere in between for me. You have to give credit at least for the sheer audacity of putting out a silent movie in the 70s that lambasts the movie industry at the same time. It’s filled with cameos of many big 1970s stars and some of the skits are real fun. Despite a dislike for mimes, Marcel Marceau is one of the funnier bits. I think even casual Brooks fans will find plenty to chuckle at.

Silent Running (1972)

In the future, Bruce Dern is a gardener aboard a spacecraft and he’s incredibly dedicated to his job. I’d been wanting to watch this for awhile and I wasn’t disappointed. The spacecraft has a fabulous set design reminiscent of 2001: A Space Odyssey, unsurprising considering the time period. Dern was perfectly cast for his role. I wasn’t prepared for the emotional reaction I’d have for the film’s conclusion; I’m still feeling sad for poor Dewey.

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