The Message (1976)

Islam gets the historical epic treatment in this film about the religion’s origins. Previously only having a very basic knowledge of the religion, this film gave a lot of background of the history of the area of its founding and the work in establishing it as a recognized religion. In many ways, it is a typical epic with its extensive cast, sprawling tale, and sweeping vistas. Respectful of Islamic beliefs, Muhammad himself is never shown in the film, which is quite a bold choice that somehow works. Whenever it is necessary to portray him in the story, the camera becomes his point of view and it adds a more personalized touch that sets it apart as a film.

Oscar Nomination: Best Music, Original Score

If a Tree Falls: a Story of the Environmental Liberation Front (2011)

The recent history of the Environmental Liberation Front in the United States is chronicled here, particularly as it relates to the case of Daniel McGowan, an activist who was sentenced to seven years in jail on terrorism charges for his work with the group. An engaging documentary, for better or worse, it doesn’t stray too far into choosing a side between the activists or the companies they are fighting against. If anything the biggest enemy in the film is the overzealous justice system aggressively pursuing the activists years after committing crimes that didn’t physically hurt anyone. In particular, one detective shown is over gleeful in how McGowan’s partners were trapped into turning on each other.

Oscar Nomination: Best Documentary, Features

Purlie Victorious (1963)

Based on his play of the same title, Ossie Davis stars as the title character, a preacher who returns with his fiancé Ruby Dee to the plantation where he grew up to secure the inheritance his family was promised. I had a hard time placing when the story was supposed to be set. The politics as discussed felt more contemporary to the time it was made, but Visually and thematically seemed from a much earlier time. Regardless, it’s sharply written and quite humorous with great, committed performances, including from Sorrell Booke, Beah Richards, Godfrey Cambridge, and Alan Alda in his film debut.

My Favorite Blonde (1942)

With German operatives on her tail, secret agent Madeleine Carroll surreptitiously enlists the help of vaudeville performer Bob Hope to transport classified plans out of New York City. A riff on the type of films Hitchcock made during this era, it’s not as funny as I would have expected but not without its delights especially in its quick paced jaunt across the country using planes, trains, and automobiles. Hope’s penguin companion steals every scene he’s in as does Carl Switzer in his one scene as an unruly child.  Comedy

Le Million (1931)

Impoverished artist René Lefèvre is thrilled to discover that he has won the Dutch lottery, only to have his hopes dashed when he learns the winning ticket is in the pocket of a coat his girlfriend Annabella had given to a mysterious thief who appeared in her apartment. Thus begins a race around the city as Lefèvre and his best frenemy Jean-Louis Allibert try to locate the jacket which has since been sold to a visiting Italian opera star. I was really surprised that such a fun, energetic musical was produced so early in the sound era, especially in French by a director who was reticent at the advent of sound pictures.  Musical

Sweet Dreams (1985)

From Hank Williams to Loretta Lynn, it seems all the biggest country-western musicians are required to have biopics. This film chronicles the too short life of Patsy Cline, here portrayed by Jessica Lange, particularly her tumultuous second marriage. Blissfully shorter than Coal Miner’s Daughter, I appreciated this much more because of its tighter focus and succinctness. Though certainly giving a lot of energy in her performance, Lange didn’t come across as an embodiment of the young singer. Lip synching to Cline’s own recordings did nothing but emphasize the mismatch between the two women.  Music

The Bone Collector (1999)

Asked to help the cops with a series of gruesome murders, paralyzed former criminologist Denzel Washington teams up with rookie patrol officer Angelina Jolie to solve the crimes. It’s always equal parts amusing and interesting watching people work within the limits of obsolete technology. The partner pairing, brutal crimes, and central mystery are all intriguingly laid out in the film, but ruined somewhat by an unexpected ending and a forced romantic angle, neither of which make a lot of sense to the story. Even laying immobile in a hospital bed, Denzel acts his pants off.   Crime  Thriller

The Wobblies (1979)

Most popular during the 1910s and 20s, the Industrial Workers of the World was formed in 1905 as a general union to unite all workers under one umbrella. I have to admit that the film wasn’t so mesmerizing that it held my attention throughout, but like the similarly themed Seeing Red , I really appreciate that someone took the time to interview so many participants while their voices were still around to be heard. My current housemate is a dues paying member of the Wobblies, so I’m well aware the importance of saving this labor history. I had no idea so many songs were used in labor organizing, but understand now how they draw people in to the cause and keep people’s spirits high.

Star-Spangled Rhythm (1942)

Victor Moore led his son Eddie Bracken to believe that he is the head of Paramount Studios instead of a lowly security guard. When Eddie and his friends arrive in Hollywood on shore leave, Moore, with the help of ditzy switchboard operator/Eddie’s fiancé Betty Hutton, promises to put on a star spangled show for the troops. It’s a silly romp intended American spirits during World War II with as many stars that were available to show up for a minute or two. Veronica Lake even appears in the same shiny black fishing outfit she wore in This Gun for Hire . Some of the bits are cute though just as equally there are some that are dull or drawn out far too long.  Musical

Oscar Nominations: Best Music, Original Song; Best Music, Scoring of a Musical Picture

Amazing Grace (2006)

Occasionally chronicling the often dry nature of legislative discourse, this film follows the life of William Wilberforce, portrayed by Ioan Gruffudd, who repeatedly tried to pass anti-slavery laws through the British parliament. Despite the strains it caused on his health, he continued to push forward on what was at the time a very unpopular idea due to the number of vested interests various MPs had in continuing the slave trade. A little slow in its narrative, the film doesn’t shy from providing evidence of the horrors of slavery even as witnessed from far across the ocean and Gruffudd offers a sympathetic character in the fight for abolition.

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