Zulu (2013)

In violent post-Apartheid South Africa, Forest Whitaker and Orlando Bloom are two homicide detectives still effected by scars from their pasts who are called in to investigate the violent deaths of two young women. It’s an intricate crime story that touches on many aspects of the South African underworld and the dark shadow of Apartheid that continues to darken the country. Whitaker and Bloom work well together and both fantastically portray the complex layers of their individual characters.   Crime

Love Field (1992)

Obsessed with the First Family, Dallas housewife Michelle Pfeiffer decides to travel by bus to the nation’s capital for JFK’s funeral against her husband’s wishes. Her plans are unfortunately waylaid when she simultaneously befriends and causes trouble for fellow traveler Dennis Haysbert and his young daughter. An often simplistic reflection on race relations in the 1960s South, Pfeiffer nonetheless manages to bring layers to her naïve, simple-minded character who so often is the catalyst for the danger the group experiences. A mixed race couple travelling through the South experiences enough risk on its own that the added dangers were mostly unnecessary. The climax and the ending continue the feeble storytelling, both unearned and unrealistic.

Oscar Nomination: Best Actress in a Leading Role

Jimmy Neutron: Boy Genius (2001)

I’ve never seen an episode of the television show, but I was really surprised that the film preceded the first episode. The movie throws you right into the action as the boy genius and his friend travel in a makeshift rocket to launch a communications satellite into space, which unfortunately attracts the wrong type of extraterrestrials. For fans of child-friendly animation, the story is certainly relatable enough and fits well with other animated films of the era. The animation style is unfortunately early CGI with the expected quality and ugliness that accompanies that.  SciFi

Oscar Nomination: Best Animated Feature

Touching the Void (2003)

Told through a detailed reenactment and interviews from the participants, this documentary tells the story of Joe Simpson and Simon Yates’s 1985 successful climb up the western face of Siula Grande in Peru. Though both experienced climbers, it was uncertain if either man would survive after reaching the summit. At first it was quite easy to dismiss this as yet another climbing film, but then disaster struck and I had to restart the entire film because I didn’t want to miss one detail of how the two got into their predicament. Even literally watching them give modern day interviews, I could not believe that they both were going to survive in the end. Truly a feat of perseverance and endurance, I can not imagine pushing on after that first big moment of crisis.   Sports  Action

Back to the Future (1985) – Rewatch

Trying to escape Libyan terrorists, Michael J. Fox accidentally triggers a time machine which sends him to the days of his parents’ youth where he must make sure they still hook up or risk erasing himself from existence all while trying to get himself back to 1985. This is possibly the ultimate classic in the time travel genre for good reason. The camaraderie between Fox and Christopher Lloyd as his eccentric scientist best friend, the duel roles of Crispin Glover, Lea Thompson, and Thomas F. Wilson playing themselves at two different ages, and writing that manages its multiple timelines while being endlessly quotable and keeping a steady tone throughout are all perfection. It’s not surprising that I’ve seen it approximately thirty times in my lifetime.  SciFi  Action  Comedy

Oscar Win: Best Effects, Sound Effects Editing

Oscar Nominations: Best Writing, Screenplay Written Directly for the Screen; Best Sound; Best Music, Original Song

The Longshots (2008)

Based on the true story of the Jasmine Plummer, the first female to play in the Pop Warner Super Bowl, former local football star Ice Cube is asked to provide after school care for his niece Keke Palmer. With little in common, he introduces her to his favorite sport, only to be surprised to find she has a natural ability to throw the ball. It’s a simple, family-friendly film, but Cube and Palmer have a natural chemistry together and they both elevate their rather predictable individual roles to make it quite watchable.  Sports

Daisy Miller (1974)

Cybill Shepherd is the titular character, a nouveau riche American travelling through Europe with her family who doesn’t understand and ignores the expected behaviors of high society. Her tale is told, and held in comparison, through the experiences of another upper class American visiting the continent, Barry Brown, who keeps himself restrained and unemotional despite his obvious attraction to Daisy. Shepherd acts like she’s in an entirely different film than everyone else. She’s flighty and flirty and her actions and reactions don’t track with those of the people around her. This is even more pronounced as the story takes an abrupt dark turn in its latter part.

Oscar Nomination: Best Costume Design

Drive (1997)

Enhanced with a prototype that gives him extra-human strength and agility, Mark Dacascos escapes to the United States in an attempt to sell the device. Unfortunately his Chinese overlords are hot on his tail requiring to hook up with a down on his luck Kadeem Hardison in an attempt to evade the baddies. The story is silly and there’s some really wacky performances by Brittany Murphy and bad guy John Pyper-Ferguson, but the stunt work and fight choreography are top notch, making it an entertaining, mindless weekend flick.   Action  SciFi

Born in Flames (1983)

In an alternate socialist-democracy United States, two feminist organizations use guerilla tactics to bring to light women’s issues still rampant in the new America. I must admit that a great deal of the politics of the film went over my head. This wasn’t helped by the very low-budget, documentary-like style of the film, but there’s still the prevailing feeling that the more things change the more they stay the same. While there’s definitely a similar feel to Lizzie Borden’s later film Working Girls , I have to say that the other film speaks more to me both in its narrative and style.

Marlene (1984)

While agreeing to participate in a documentary on her life, reclusive Marlene Dietrich refused to be photographed, forcing director Maximilian Schell to combine his audio interviews with her with earlier video from her film and career along with contemporary footage of him and his staff struggling with the production. At most times Marlene proves to be cantankerous and guarded, but Schell still manages to get her to talk about her films, the movie industry, and her feelings on life in general. What was certainly a frustrating experience resulted in a unique and fascinating art work.

Oscar Nomination: Best Documentary, Features

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