King (1978)

This television miniseries chronicles the adult life of Martin Luther King Jr. as portrayed by Paul Winfield. Not unexpectedly, Winfield is joined by an incredibly talented cast, including Cicely Tyson, Ossie Davis, and Roscoe Lee Browne. The presentation of King here is a very human one but also doesn’t touch on any fallibilities he may have had. Winfield as an actor doesn’t make me immediately think of King, but he does give a committed performance here. One of the most glaring oddities is seeing Tyson give such a meek performance as Coretta Scott King, though perhaps unsurprisingly since the treatment of women in the film isn’t particularly glowing.

The United States Marine Band (1942)

Performances of various tunes by the United States Marine Band are filmed at various Washington DC landmarks, interspersed with footage of the marine training. The quality of the performances are top notch, but it’s still a bit of an oddity directed by the renowned Jean Negulesco. Obviously made as a bit of patriotic propaganda early in World War II, I presume there are at least some people who could be bought in by it.   Music

Oscar Nomination: Best Short Subject, One-reel

Sons and Lovers (1960)

Young aspiring artist Dean Stockwell’s ambitions and relationships with women are hindered by his ties to his supportive but domineering mother. The performances here are all exceptionally strong, especially Stockwell in the lead and Wendy Hiller and Trevor Howard as his parents. The story meanders a bit with the narrative not cleanly flowing between scenes, but there are surprisingly frank in its discussions and expressions of sexuality for a period piece made at the time.   Best Picture Nomination

Oscar Win: Best Cinematography, Black-and-White

Oscar Nominations: Best Picture; Best Actor in a Leading Role; Best Actress in a Supporting Role; Best Director; Best Writing, Screenplay Based on Material from Another Medium; Best Art Direction-Set Decoration, Black-and-White

Good Times, Wonderful Times (1966)

Included on the DVD set for On the Bowery was this other documentary by director Lionel Rogosin. An indictment on the speed at which countries sometimes choose to go to war, it juxtaposes footage of war atrocities, particularly those committed by the Nazis, with the banal conversations occurring during an upper class party in London. It’s effective though also quite repetitive in its depiction.

Silverado (1985)

Four cowboys, Danny Glover, Kevin Kline and brothers Scott Glenn and Kevin Costner, become acquainted by happenstance on their way to Silverado and join forces to rid the town of a corrupt sheriff and his compadres. There’s a few too many side stories and the group doesn’t even reach the city until well into the film, but it’s entertaining enough for what it is. I kept thinking Sam Elliott should be in this film, but instead there’s John Cleese, Linda Hunt, and Jeff Goldblum. All weird choices for a western, but each really makes the best of their roles and are actually the only parts that pull the film from being a completely forgettable trope parade.   Western

Oscar Nominations: Best Sound; Best Music, Original Score

On the Bowery (1956)

This docufiction film begins by following Ray, a railroad worker who arrives in New York City looking for enough work to feed his alcohol addiction, and the other men he meets in similar circumstances. While the film offers a bleak portrayal of these characters’ lives, because of the film’s form, it’s hard to know what is real and what is scripted. It does make for an interesting viewing experience, but difficult to know if it deserves a documentary label despite its nomination.

Oscar Nomination: Best Documentary, Features

The Good Earth (1937)

In early 1900s China, young farmer Paul Muni marries Luise Rainer, a slave in the village’s Great House. The couple experiences extremes of highs and lows together, wearing down every ounce of strength from the wife. If one can get beyond the very blatant yellowface, it’s an epic family drama that celebrates hard work and ingenuity to improve and maintain one’s station, though a bit too simplistically. The lead performances are a uneven when held in comparison; Muni is almost comically cheerful, while Rainer’s face is filled with sorrow often in the same scenes.  Best Picture Nomination

Oscar Wins: Best Actress in a Leading Role; Best Cinematography

Oscar Nominations: Best Picture; Best Director; Best Film Editing

Blackfish (2013)

Continuing my foray into humankind’s exploitation of other creatures is this one-sided documentary on the grotesque mistreatment of orcas at marine parks, especially SeaWorld. It is hard to imagine what SeaWorld’s response to the details of the documentary would be other than captive orcas bring in money, but the film does suffer from being rather blatant propaganda. Regardless it is effective and lays down many questions as to what value utilizing intelligent animals for the enjoyment of less intelligent humans offers the world.   Animals

King Kong (1933)

I don’t know if I’ve just seen too many adaptations of the story or if I’ve actually seen this version before, but this was exceptionally familiar. Regardless, upon this watch, I realized that other than some smoother special effects in later editions, the others don’t actually improve upon the story. The 1930s time period is perfect for the spectacle of unreflected pillaging of foreign lands and then garishly exhibiting the plunder despite plenty of warnings on the folly of both. I appreciate practical effects so much more than computerized special effects and there is plenty on display here, especially when the expedition is on Skull Island. Kong looks a bit too cute and friendly in closeup, but that aids in humanizing the poor creature.  Adventure  Supernatural

Sheep Without a Shepherd (2019)

When his eldest daughter accidentally kills police chief Joan Chen’s son, a boy who had sexually assaulted and then blackmailed her, internet technician Yang Xiao uses his knowledge from watching more than a thousand films to concoct an alibi for his entire family. It’s a bit slow to get started, but once it did, there is a lot to love in this film. So often in films, people make stupid decisions to further a plot, but here the decisions are craftily executed with Yang using the police’s low expectations of him to his advantage. If only I could be so smart to use my film knowledge should I ever get in a predicament to require such. I didn’t love the ending, but it still made logic sense with the characterizations portrayed. I’m looking forward to seeing the original Indian film this was adapted from, but I want to digest this one a bit longer before that undertaking.   Crime

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