David Copperfield (1935)

Freddie Bartholomew plays the title character, an orphaned young boy who in Disney princess fashion encounters heroes and villains who guide him toward adulthood. For the most part, the film seems to follow Dickens’s tale and Bartholomew has a well earned reputation for his performances as a child actor. The film slows down in the second half when the character ages and Freddie leaves the story, but it remains an engaging adaptation that kept me interested in seeing the outcomes for the various characters.  Best Picture Nomination

Oscar Nominations: Best Picture; Best Film Editing; Best Assistant Director

Poseidon (2006)

A rogue wave capsizes a luxury ocean liner on its New Years transatlantic journey. On board is a whole mess of famous passengers who must traverse many dangers to escape the sinking ship. It’s nowhere near as entertaining as the original Poseidon Adventure, but I appreciate that the films don’t shy from killing off well-known characters. Sadly that leaves the film with a lot of humdrum characters toward the end, though I do like the buddy leadership of Kurt Russell and Josh Lucas carrying the group from peril to peril.   Disaster

Oscar Nomination: Best Achievement in Visual Effects

Edge of Tomorrow (2014)

I’m sure I’m not the only one who has described this as Groundhog Day meets Starship Troopers. During a war with an invading alien race, Tom Cruise is a public relations officer for the military who is forced into combat after angering General Brendan Gleeson. During his first mission, he’s squirted with alien blood which causes him to reboot back to the same day any time he is killed. It’s a surprisingly entertaining bit of sci-fi adventure, making great use of Cruise’s charm and advancing age paired with Emily Blunt as a somewhat unlikely super soldier, that manages to maintain a level of humor amidst its high stakes.   Scifi  Action

Last Tango in Paris (1972)

For some reason, young and engaged Maria Schneider agrees to an anonymous affair with middle-aged Marlon Brando, whose wife has recently died by suicide. The escapism that these two characters find in their clandestine relationship is overwhelmed by two of the film’s explicit sex scenes: one that made me laugh in its silly ridiculousness and the other exploitive to the point of being an assault on the actress involved.

Oscar Nominations: Best Actor in a Leading Role; Best Director

Being Julia (2004)

As successful London theatre actress Annette Bening approaches middle age, she finds herself disillusioned personally and professionally. Bening shines in the role, but that’s all there really is to recommend. It’s rather tropeful and I was bored until the climax. It was at that high point that it becomes memorable enough that it made me realize I almost certainly have seen the film before.

Oscar Nomination: Best Performance by an Actress in a Leading Role

Midnight Express (1978)

Brad Davis is sent to a Turkish prison after attempting to smuggle 2kg of hashish out of the country. He’s initially given a sentence of four years for possession and he must decide whether or not to join fellow English-speaking prisoners John Hurt and Randy Quaid in taking the Midnight Express, slang in the prison for an escape attempt. Differentiating from the non-fiction book it was adapted from, it strangely includes a girlfriend character which adds some explicit sex scenes, while purposefully suppressing the homosexual sexual activity that actually happened. The depiction of the prison is a surprising oddity as the prisoners are allowed a bit of freedom of movement within its walls but are also subjected to a great amount of violence from guards and other prisoners. It’s a bleak reminder to not screw around when visiting other countries.   Best Picture Nomination  Crime

Oscar Win: Best Writing, Screenplay Based on Material from Another Medium; Best Music, Original Score

Oscar Nominations: Best Picture; Best Actor in a Supporting Role; Best Director; Best Film Editing

Cries and Whispers (1972)

While Harriet Andersson painfully dies of uterine cancer, her sisters Liv Ullmann and Ingrid Thulin and servant Kari Sylwan keep watch, struggling to care for her while dealing with their own issues. I’m sure much of the film went over my head as it is quite stylized and the perspective quickly changes between the four women, but the performances reflect lives of pain and loneliness. Unforgettably the rooms these women embody are dramatically and oppressively covered in red while they themselves drift around in white dresses.   Best Picture Nomination

Oscar Win: Best Cinematography

Oscar Nominations: Best Picture; Best Director; Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced; Best Costume Design

The Impatient Years (1944)

When Jean Arthur’s soldier husband Lee Bowman returns on leave for the first time, they feel they have nothing in common and find themselves in divorce court. Her father Charles Coburn convinces the judge that they just need to rediscover what got them together in the first place and they are sent to relive their first days together in San Francisco. It’s a very silly premise that it doesn’t even bother holding true to half the time. It still remains light and cute with a couple of sweet romantic touches, but does not make enough use of Arthur’s talents nor does it feature enough of Coburn. It strikes me as very weird that their child is put into protective custody when his parents are forced to go to San Francisco when there’s a perfectly capable grandfather at home.   Romance

J.T. LeRoy (2018)

For six years despite reservations, Kristen Stewart agrees to act as the embodiment of her sister-in-law Laura Dern’s literary persona/avatar. Other than reading the blurb for the film, I was previously ignorant of the actual J.T. LeRoy controversy and the story is interesting enough that I’m curious how a documentary would handle it. The leads are expertly cast as Dern is completely believable as the quirky, pushy, new-agey writer, as is Stewart as the awkward, unsure, gender fluid relative who is pressured into continuing the charade.

Easter Parade (1948)

When his dancing partner Ann Miller quits to go solo, Fred Astaire believes he can find anyone to take her place and chooses Judy Garland. Wet blanket Peter Lawford is along for the ride in a best friend role, but there’s really little purpose to his character. I admire the talent of Astaire and love to see him work, but in so many of these musicals, he looks like he could be the father of his love interest, which is the case here again. He and Garland perform well together, but they have little romantic chemistry. Miller is also undeniably talented, but in every film I’ve ever seen her in, she performs unnaturally toward the camera. The film has very little to do with Easter, though begins and ends on the holiday and there’s very little by way of a story. Even after watching the film, I don’t understand what exactly happens at an Easter parade.   Holiday  Musical

Oscar Win: Best Music, Scoring of a Musical Picture

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