Passport to Pimlico (1949)

When a previously undetonated bomb explodes in the London area of Pimlico, documents are discovered, amongst a trove of other riches, that declare the area to actually be owned by the House of Burgundy. The newly established Burgundians soon discover that they no longer are subjected to British restrictions which brings about a battle with the British government. This is delightfully charming and funny in a very British manner. It’s now one of my favorite Ealing Studios films from this era.  Comedy

Oscar Nomination: Best Writing, Story and Screenplay

The Angry Red Planet (1959)

When the first manned rocket ship to Mars lands back on Earth, the only surviving and conscious member of the crew recounts what happened on their journey. The glowing red surface is covered in jungles filled with carnivorous plants and giant creatures, most impressively the enormous bat-spider, who have no interest in visits from earthlings. Life on Mars is delightfully monstrous here and all scenes filmed on the surface are cast in an entirely red light. There’s some forward thinking casting here as one of the four astronauts is female that is until it is shown that her main purpose as a scientist is to prepare meals and be sexually harassed by the rest of the crew.  SciFi

Mother (1996)

After his second divorce, narcissistic science fiction writer Albert Brooks moves in with his mother because he believes it’ll give him the opportunity to work through his problems with women. Debbie Reynolds as the titular mother is adorable and eternally patient while dealing with this judgmental interloper into her home, along with visits from his brother Rob Morrow who brings a whole other set of issues. The grand experiment revolves in ways that are beneficial to them both, which at least makes the irritations of the journey not so bad in the end.

Confirmation (2016)

In 1991 Clarence Thomas (played here by Wendall Pierce) was nominated to the Supreme Court. This follows the point in his hearings when lawyer and educator Anita Hill (in the film portrayed by Kerry Washington) was compelled to share her experiences of sexual harassment while working with him. I admittedly didn’t watch the hearings as they happened, but it is infuriating to watch them unfold in the film. It truly illustrates how broken the system, and perhaps all political systems, can be. While it’s difficult to know how accurate the behind the scenes parts are, the hearings come across realistically as do the portrayals of the various political figures.

The Long Goodbye (2020)/The Queen of Basketball (2021)

Slowly working through this year’s available-to-me Oscar nominees, I checked out these two that are currently watchable on YouTube. The Long Goodbye was made as an accompaniment to Riz Ahmed’s album of the same name. An extended Muslim family in the United Kingdom is gathered together when their festivities are interrupted by a gang of armed men who force them to the street and the women into unmarked vehicles. Though I found the second part of that a bit heavy handed in its approach, the two together stand in stark contrast to each other. I really enjoyed the third act with Ahmed’s rap providing a powerful finishing statement.  Music

The Queen of Basketball tells the story of Luisa Harris the first woman officially drafted by the NBA. What could be a fairly straightforward telling of her life from her college basketball career and her time on the Olympic team to her later life as a mother, coach, and teacher is made incredibly delightful and moving by the Harris’s own account of the events. She comes across as a beautiful soul and it’s a shame that she passed before the nominations were announced.  Sports

Oscar Wins: Best Live Action Short Film (The Long Goodbye); Best Documentary Short Subject (The Queen of Basketball)

Misery and Fortune of Women (1930)/Sentimental Romance (1930)

These were two shorts included in the Que Viva Mexico DVD I watched. The first is a silent film that contrasts the differing conditions between a rich woman’s and a poor woman’s experiences when abortion is illegal. I think the edit I watched could have used a bit more to clarify the stories some but it still remains a powerful testament. The second film presents a Fantasia-esque interplay between music and changing visuals. Both films offer some uncommon glimpses into the pioneering director’s work.

Que Viva Mexico! (1979)

After attempts to work in the US film industry fell through, Sergei Eisenstein traveled to Mexico in hopes of making a film about its culture and history. Though not completed in his lifetime, this is a version of the footage, edited by longtime collaborator Grigori Aleksandrov, that attempts to faithfully create Eisenstein’s vision. Silent footage interspersed with narration and exposition, it’s an episodic journey into Mexico’s history from the Mayan civilization to the Mexican Revolution that serves as an interesting artifact of Mexico at the time and also the vision of Eisenstein.

Triple 9 (2016)

A team of ex-Navy SEALs and corrupt cops, including Chiwetel Ejiofor, Aaron Paul, and Clifton Collins Jr., conspire to kill another police officer Casey Affleck in order to create a diversion to pull off a heist for the Jewish-Russian Mafia led by Kate Winslet. Despite having an incredible cast, this movie is dull and way too convoluted for a heist film. The heisting gets completely overwhelmed by the many interpersonal relationships and cop drama, which could be fine but the Mob angle is very silly and the ‘good’ cop isn’t worth rooting for.   Crime

Theeb (2014)

In the Ottoman Empire during days of World War I, a young Bedouin boy surreptitiously follows his older brother who is guiding a British officer to a railway. The group is ambushed by raiders and Jacir Eid Al-Hwietat’s titular Theeb is forced to grow up quickly. It’s an interesting context for a coming-of-age story. For a mostly amateur cast, the acting is quite good and believable. The desert setting is beautifully presented in all its dangerously arid glory.

Oscar Nomination: Best Foreign Language Film of the Year

Red (2010)

When ex-CIA agent Bruce Willis and his girlfriend Mary-Louise Parker are targeted by assassins, he reunites a team of fellow retired agents to get to the bottom of the conspiracy. It’s refreshing seeing a mix of older actors (Morgan Freeman, Helen Mirren, John Malkovich) in an action film and they do indeed all kick ass in their roles. The main downer is Willis, and Parker by extension. He’s the only one really given anything as a character and his acting offers not an ounce of depth or development in any of those scenes. It’s light fun otherwise.  Action

Scroll to Top