King for a Day (1934)/Rufus Jones for President (1933)

In King for a Day, Bill Robinson is a talented dancer who wins a musical show in a craps game. The story is charming, but the real purpose of the short seems to showcase the various performers, including Robinson himself.  Musical

In Rufus Jones for President, a bullied Sammy Davis Jr. comes crying to his mother Ethel Waters who helps him to imagine a reality where he has become President. The two leads are fantastic talents, but it’s especially great to see such a tiny little Davis dance. He looks exactly like he did 50 years later, just somewhat smaller. Both of the shorts are interesting artifacts of Black talent in the 1930s though there is sadly a bit of eye-rolling stereotyping at play.  Musical

Christmas Under Fire (1941)

A war propaganda piece set during Christmas is a bit of an oddity, but that is exactly what this is. It proports to illustrate the resilience of the British people to celebrate the holidays with the reminders of war all around them. Despite my general dislike for war films, I do enjoy seeing how civilians adapt and carry on despite the destruction surrounding them. There is plenty of that in this short, but it is very heavy handed.   Holiday War

Oscar Nomination: Best Documentary

Roots (2016)

It has been quite a while since I’ve seen the original Roots miniseries, so it seemed a good time to check out this newer rendition. In the heavily fictionalized account of his family history, Alex Haley laid out the tale of how his first ancestor, Kunta Kinte, came to America on a slave ship proceeding through the generations to Haley himself. While overall I think I like the earlier version of the story, there were some highlights to this series. The budget for this seemed much higher, resulting in a higher quality and more realistic looking product. The sets in Gambia were more extravagant and portrayed a people less uncivilized than previous. One big issue I had was with the torture porn aspects of the slavery chapters. It somehow overwhelms the more everyday degradations and cruelty of slavery by only showing the extremes.

How to Marry a Millionaire (1953)

Lauren Bacall, Marilyn Monroe, and Betty Grable are three single models who rent a high class apartment in order to each snare a rich bachelor. The plan both succeeds and backfires beyond their wildest dreams. The film is shown in glorious Cinemascope which offers beautiful extended views of their swanky pad and other sets. It’s certainly a bit of cute, fluffy business, but the leads are all appealing in their roles. My only complaint is the dirty way the film handles William Powell. His character introduces the gals to his fellow oil barons, but in the end though he’s the most attractive, he’s considered ‘too old’ to actually win any of them in the end.

Oscar Nomination: Best Costume Design, Color

Jack Frost (1979) – Rewatch

While there is a scene or two set at Christmas time, this is the rare Rankin-Bass stop-motion animated special that involves a less celebrated holiday. Groundhog Pardon-Me Pete explains the best/only Groundhog day tradition by narrating the tale of the one winter when immortal sprite Jack Frost made a bargain with Father Winter to become human. In the best Rankin-Bass fashion, it’s an attempt to explain holiday traditions with some real nonsense. There’s a whole bevy of weather making sprites whether sleet or hail or snow. The antagonist is a Cossack named Kubla Kraus whose only companions are a hand puppet named Dommy and an array of steampunk creations. It’s weird and delightful and a lovely way to celebrate a holiday that really doesn’t need celebrating.  Holiday

Groundhog Day (1993) – Rewatch

Every year I watch the journey of smarmy weatherman Bill Murray’s path to enlightenment while providing coverage for the annual Groundhog Festival in Punxsutawney, Pennsylvania. It’s a role that Murray perfectly encapsulates at perhaps the height of his career. I’m not generally a fan of Andie MacDowell, but even as a love interest, she mostly gets out of the way of Bill’s journey. The rest of the wonderful cast just supports the process. The settings are perfectly captured from the downtown area to the bed and breakfast to the recreation of Gobbler’s Knob. Each year I find new questions to ask myself about the timeline and the changes Murray experiences and the choices he makes.   Fantasy  Romance  Holiday

I Know Where I’m Going! (1945)

A headstrong Englishwoman Wendy Hiller travels to the Hebrides to fulfill her life’s goal of marrying a rich industrialist. On the last leg of her journey, she is waylaid due to a storm that prevents transport between the islands. Unexpectedly stranded, she meets a bevy of characters whose outlook on life greatly differs from her own. It’s an adorable film with a gorgeous Scottish backdrop where Hiller must figure out whether to follow her head or heart.   Romance

The Truffle Hunters (2020)

In Northern Italy, a group of aging men and their faithful dogs search out one of the rarest delicacies in the world, the white Alba truffle. This documentary follows a handful of these men, chronicling their experiences as hunters from the one who overcomes his wife’s disapproval by sneaking out late at night to another who has gotten so disgusted by the ruthless methods of outside infiltrators, which include killing, that he has given up the search. The cinematography is gorgeous in the film making me crave a trip to Italy. The stars of the film are the various dogs, particularly adorable Birba, who do all the work and serve as dedicated companions to the hunters.   Animals

The Undefeated (1969)

In the days following the Civil War, Union colonel John Wayne leads his men west to gather and sell wild horses while his counterpart Confederate colonel Rock Hudson, disgusted with the actions of carpetbaggers in the south, gathers his family and neighbors to caravan to Mexico to help the French in their invasion. The two groups meet on their disparate paths south. As a fan of Hudson, he was the main draw for me to watch this film, but from a modern perspective, his character is fairly dislikable in the film. In fact, the film glorifies the Southern cause to uncomfortable degrees. I preferred John Wayne’s character here over some of his other work I’ve seen, but even he was uncomfortably sympathetic to the Confederates.   Western  War

Ikebana (1957)/Tokyo 1958 (1958)/Hokusai (1953)/Ako (1964)

These were all short films that were included in the Criterion DVD set of Hiroshi Teshigahara films. The first three are all documentaries of varying quality. Ikebana discusses the Japanese art of flower arranging. It offers an interesting look into some beautiful pieces of artwork that expands beyond just flowers in a vase. Tokyo 1958 gives a glimpse into life in Tokyo during the late 1950s when its population was the largest in the world. Hokusai chronicles the life of the life of the artist. I thought I’d be most interested in this one because I’ve always liked the Great Wave Off Kanagawa, but for some reason, perhaps just its poor quality, it was a bit dull for me.

Ako is different than the other three shorts as it is a narrative film following a day in the life of a sixteen year old bakery worker. It’s a bit avant-garde in its presentation with dialogue that doesn’t match the film and often crosses over each other. The action is not told in a linear fashion either moving from work day to after hours and back again. Regardless, it’s an engrossing glimpse into the daily experiences of a group of 1960s Japanese teenagers.

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