Autumn in New York (2000)

For some reason, manic pixie hat maker Winona Ryder falls for much older restauranteur Richard Gere. Unfortunately she has a tumor weakening her heart and she’s dying. Though maybe it’s not unfortunate because there’s no other circumstance propelling the story. They have absolutely no chemistry and Gere’s character is unlikable pretty much through the entire film. I can’t think of a single thing to recommend it unless someone is trying to complete either of the leads’ filmographies.

I’m Not There (2007)

In this biography of sorts, six different actors portray seven different characters inspired by the life and music of Bob Dylan. If I were a fan of Dylan, I would probably have gotten a lot more out of the film than I did. As it was, I was mostly confused as to who each of the characters were and I am completely ignorant to any of the referential works or events that were presented. I appreciate what the film was attempting. I did get the feel that the various characters can be different aspects of the same person and liked the storylines featuring Cate Blanchett and young Marcus Carl Franklin the best.  Music

Oscar Nomination: Best Performance by an Actress in a Supporting Role

Piranha (1978)

As another entry in the pantheon of killer monster films, Piranha is the tale of a school of deadly genetically altered piranhas who are accidentally released into a river, threatening a summer camp, resort, and a large number of local inhabitants. With its woodsy setting, it reminds me a lot of Grizzly though it seemed to manage the balance of horror and campiness better. It smartly includes skinny dipping teenagers, a mad scientist, abandoned governmental experimentation, and plenty of carnage. It also knows not to over-show the actual fish, instead relying on pools of blood and the imagination of the viewer.  Animals  Horror

Silver City (2004)

When dim-witted Colorado gubernatorial candidate and son of a US senator Chris Cooper fishes up a corpse while making a campaign video, private investigator and ex-reporter Danny Huston is hired to investigate the case but also keep any of the candidate’s skeletons from making waves. It’s not Sayles’s best nor most enthralling work. Cooper is playing a character very similar to George W. Bush, being controlled by power and money behind the scenes. I had hoped to see much more of Cooper but the story rests with Huston meeting with a large cast of characters: Richard Dreyfus, Daryl Hannah, Kris Kristofferson, Miguel Ferrer, and more. At its core, it’s a twisty mystery that squanders it’s cast to take on more issues than it should: political corruption, corporate power, environmentalism, and undocumented workers.  Mystery

The Outside Chance of Maximilian Glick (1988)

There’s a lot of heart in this quirky, coming-of-age tale of a Jewish boy growing up in 1960s Manitoba. It includes many sweet little touches involving the young man’s adventures as he grows as an adult in his community from navigating the outsider status as a Jewish person in his small town to befriending and playing a piano duet with a Catholic classmate. It’s definitely a bit low budget but there’s a lovely earnestness in the telling of the tale.

Montana (1998)

Kyra Sedgwick is an assassin tasked with recovering her boss’s girlfriend, Robin Tunney, and whose job becomes much more difficult when the girlfriend murders the boss’s son. There’s quite the stellar cast (Robbie Coltrane, John Ritter, Philip Seymour Hoffman) in this twisty, bloody crime-world story that skirts the line between drama and comedy. What really shines is Sedgwick and her relationship to partner Stanley Tucci.  Crime

Rio Grande (1950)

I have always gotten this confused with Rio Bravo. Other than being named for the same river and featuring John Wayne, they have little in common. In the post Civil War era, Wayne is the colonel on the Texas frontier, tasked with protecting settlers from nearby Apaches. Complications arise when his teenaged private of a son is assigned to the post, followed by his mother and Wayne’s estranged wife Maureen O’Hara. The father-son relationship is reminiscent of Wayne’s role most recently seen in In Harm’s Way. The battles against the Apaches are engaging albeit a bit stereotypical. Despite my general like for her work, O’Hara’s character draws away from the story and is an unnecessary addition.   Western

Ulee’s Gold (1997)

In this slow-burning character study, Peter Fonda is Ulee, a widowed Vietnam vet who spends his days working the family bee hives and cares for his two grandchildren whose father is serving time for a bank robbery. When his son’s accomplices surface looking for money that was hidden after the robbery, Ulee is pried out of the shell he has kept himself hidden in and must deal with the risk these men pose to his family. The film relies solely on Fonda’s performance and it’s a strong one. It is indeed slow to get going, but is satisfying in the end.

Oscar Nomination: Best Actor in a Leading Role

Defiance (2008)

Based on real events from World War Ii, this tells the story of a quartet of Jewish brothers who flee to the forests of Belarus after their parents are murdered by Nazis. From their new position, they gather a community of other refugees while vowing to avenge their parents’ deaths. It’s a new-to-me story told in an engaging, though perhaps stretching the truth, way. It doesn’t hurt that the brothers are portrayed by an appealing bunch of actors: Daniel Craig, Liev Schreiber, Jamie Bell, and George MacKay.  War

Oscar Nomination: Best Achievement in Music Written for Motion Pictures, Original Score

The Ninth Gate (1999)

Johnny Depp is a rare books dealer who finds himself embroiled in a conspiracy involving a book that was allegedly written in collaboration with the devil. I enjoy a good story with old books and this one has a decent mystery regarding the provenance of copies of the specific book. Unfortunately it quickly verges on the silly as soon as it beings to involve satanic cults. Satan worship is a tough theme to present without getting absurd and this one doesn’t manage, particularly with its cheesy special effects. Frank Langella does his best to try to sell the occult theme as the collector who initially hires Depp to investigate his copy. It’s also ridiculous how Depp roughly handles the supposedly rare books with complete disregard.

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